Lou Gaglia has done it again in his second collection of short stories, Sure Things and Last Chances (Spring to Mountain Press, 2016). His first collection, Poor Advice, received the 2015 New Apple Literary Award for Short Story Fiction and the 2016 New York Book Festival Award for Fiction.That sets a pretty high bar for his second collection, and I don’t know if it is up for any awards. But, if I had any say, he’d get one for sure.
The first collection of his stories was reviewed in TC’s Candle-Ends Reviews in 2016 following the journal’s publishing of his story “Flat Iron” in Toasted Cheese’s March 2012 edition. “Flat Iron” is about a kid who has just returned to school following spending the summer helping his father care for horses at a New York race track where the kid falls in love. The story is one of the twenty-three stories in Gaglia’s second collection, Sure Things and Last Chances. Most of them have also appeared in various literary publications.
In a collection sometimes the stories are all related, and sometimes they are not. In Sure Things and Last Chances, the kinds of characters and what they face in life seem very much a unifying factor even though the stories themselves are not necessarily related to each other. Also notable are Gaglia’s characters that continue to be quirky, such as the mail room supervisor in “Penance” who is obsessed by killing ants at home. They are well-depicted by good writing, like the guy in “Private Eye” who says preposition when he means proposition and refers to two security guards as the “one with a mustache and the other without.” And they often find themselves in imaginative situations and storylines, such as the guy whose encounter with a pool hustler inspires him to find a Christmas gift that is unexpectedly well received by his father in “Winging It.”
There are some constants. Lou Gaglia’s stories are all set in the greater New York City area going on rare occasion to Upstate New York. And his characters are all the “little guys” of the world, not the rich and famous and certainly not the best and brightest. They are most likely the less successful, almost all are somehow losers who are often focused on insignificant details that overwhelm their lives. Even his most uplifting stories seem to have lost souls trying to find their way. And, in a broader sense, they are all the everyday man trying to find his place in an overwhelming world. The last line in his story “Private Eye” is a good clue as to how many of his characters see the world: “It is not safe in this world at all, even if your life is just nothing.”
Gaglia’s stories are brief little scenes pulled out of the various characters’ lives. That’s what short stories are—not long narratives that tell where they came from, but rather the actions that show development and where the characters are going. In these brief glimpses, Gaglia draws us briefly into the characters’ worlds really well. He crafts his New York with a great sense of place, and he leaves you rooting for these lost little people of the urban world.
One or two of the stories stood out to me, as they were a bit out of his mold. “Burned Widow” is very different from the others. First it is told from a woman’s point of view, the wife, whose husband is the quirky, loser character. In fact, he is not real. He is made of straw. This one is a fantasy, science fiction, or perhaps just a metaphor. The guy joins the Fire Department and is burned up on the first fire call he goes out on. The other story is called “Fifteen Submissions to The Gibberish Review.” Here, Gaglia quotes a few lines from the published works of famous authors from Tolstoy to F. Scott Fitzgerald. Then he provides a humorous editor’s rejection for each one. It is very imaginative and should be well appreciated for anyone who has ever submitted anything for publication.
The final story, “About Beauty,” is about a guy who takes his daughter on a nightly walk through Chinatown in New York City and thinks about how much he loves it all in light of a job offer that would necessitate a move to upstate New York. It is very nostalgic, and one wonders, if here, Lou Gaglia is really talking about himself since he moved from New York City to upstate New York. Gaglia’s collection is definitely a good read.
Lou Gaglia is the author of Poor Advice (2015) and Sure Things & Last Chances (2016). His short stories have appeared in Eclectica, Columbia Journal, Loch Raven Review, Menda City Review, Toasted Cheese, and elsewhere. He lives and teaches in upstate New York and is a long-time teacher and T’ai Chi Ch’uan practitioner.
Bill Lockwood is a retired social services worker for Maryland and Vermont. He was an avid community theater participant in the early 1990s where he wrote reviews and feature articles for a Baltimore Theater Newsletter and later the Bellows Falls Town Crier of Vermont. He was awarded the 2006 Greater Falls Regional Chamber of Commerce Person of the Year in recognition of his work as Chairman of the Bellow Falls Opera House Restoration Committee. Lockwood has four published short stories. His first novel, Buried Gold, was published in 2016. A second novel, Megan of the Mists, will be released April 5, 2017. He lives in New Hampshire.