Sure Things and Last Chances by Lou Gaglia

Candle-Ends: Reviews
Bill Lockwood


Sure Things & Last Chances by Lou Gaglia

Lou Gaglia has done it again in his second collection of short stories, Sure Things and Last Chances (Spring to Mountain Press, 2016). His first collection, Poor Advice, received the 2015 New Apple Literary Award for Short Story Fiction and the 2016 New York Book Festival Award for Fiction.That sets a pretty high bar for his second collection, and I don’t know if it is up for any awards. But, if I had any say, he’d get one for sure.

The first collection of his stories was reviewed in TC’s Candle-Ends Reviews in 2016 following the journal’s publishing of his story “Flat Iron” in Toasted Cheese’s  March 2012 edition. “Flat Iron” is about a kid who has just returned to school following spending the summer helping his father care for horses at a New York race track where the kid falls in love. The story is one of the twenty-three stories in Gaglia’s second collection, Sure Things and Last Chances. Most of them have also appeared in various literary publications.

In a collection sometimes the stories are all related, and sometimes they are not. In Sure Things and Last Chances, the kinds of characters and what they face in life seem very much a unifying factor even though the stories themselves are not necessarily related to each other. Also notable are Gaglia’s characters that continue to be quirky, such as the mail room supervisor in “Penance” who is obsessed by killing ants at home. They are well-depicted by good writing, like the guy in “Private Eye” who says preposition when he means proposition and refers to two security guards as the “one with a mustache and the other without.” And they often find themselves in imaginative situations and storylines, such as the guy whose encounter with a pool hustler inspires him to find a Christmas gift that is unexpectedly well received by his father in “Winging It.”

There are some constants. Lou Gaglia’s stories are all set in the greater New York City area going on rare occasion to Upstate New York. And his characters are all the “little guys” of the world, not the rich and famous and certainly not the best and brightest. They are most likely the less successful, almost all are somehow losers who are often focused on insignificant details that overwhelm their lives. Even his most uplifting stories seem to have lost souls trying to find their way. And, in a broader sense, they are all the everyday man trying to find his place in an overwhelming world. The last line in his story “Private Eye” is a good clue as to how many of his characters see the world: “It is not safe in this world at all, even if your life is just nothing.”

Gaglia’s stories are brief little scenes pulled out of the various characters’ lives. That’s what short stories are—not long narratives that tell where they came from, but rather the actions that show development and where the characters are going. In these brief glimpses, Gaglia draws us briefly into the characters’ worlds really well. He crafts his New York with a great sense of place, and he leaves you rooting for these lost little people of the urban world.

One or two of the stories stood out to me, as they were a bit out of his mold. “Burned Widow” is very different from the others. First it is told from a woman’s point of view, the wife, whose husband is the quirky, loser character. In fact, he is not real. He is made of straw. This one is a fantasy, science fiction, or perhaps just a metaphor. The guy joins the Fire Department and is burned up on the first fire call he goes out on. The other story is called “Fifteen Submissions to The Gibberish Review.” Here, Gaglia quotes a few lines from the published works of famous authors from Tolstoy to F. Scott Fitzgerald. Then he provides a humorous editor’s rejection for each one. It is very imaginative and should be well appreciated for anyone who has ever submitted anything for publication.

The final story, “About Beauty,” is about a guy who takes his daughter on a nightly walk through Chinatown in New York City and thinks about how much he loves it all in light of a job offer that would necessitate a move to upstate New York. It is very nostalgic, and one wonders, if here, Lou Gaglia is really talking about himself since he moved from New York City to upstate New York. Gaglia’s collection is definitely a good read.

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Lou Gaglia is the author of Poor Advice (2015) and Sure Things & Last Chances (2016). His short stories have appeared in Eclectica, Columbia Journal, Loch Raven Review, Menda City Review, Toasted Cheese, and elsewhere. He lives and teaches in upstate New York and is a long-time teacher and T’ai Chi Ch’uan practitioner.

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Bill Lockwood is a retired social services worker for Maryland and Vermont. He was an avid community theater participant in the early 1990s where he wrote reviews and feature articles for a Baltimore Theater Newsletter and later the Bellows Falls Town Crier of Vermont. He was awarded the 2006 Greater Falls Regional Chamber of Commerce Person of the Year in recognition of his work as Chairman of the Bellow Falls Opera House Restoration Committee. Lockwood has four published short stories. His first novel, Buried Gold, was published in 2016. A second novel, Megan of the Mists, will be released April 5, 2017. He lives in New Hampshire.

The Last Cadillac by Nancy Nau Sullivan

Candle-Ends: Reviews
Bill Lockwood


The Last Cadillac by Nancy Nau Sullivan

Truth can be stranger than fiction, don’t they say? Whoever they are? Nancy Nau Sullivan has written a memoir, The Last Cadillac (Walrus Publishing, 2016) based on events in her life that tell a story with all the twists and turns of a well-written novel. A memoir is a personal and a real story. You can emphasize events that are more interesting than others, but you can’t make them up or change the outcome. Therein lies the skill it takes to produce an interesting story as Sullivan has done.

Sullivan’s memoir opens with her basically trapped by her situation. She and her two children are living in her parents’ condo in northern Indiana with her father who is in need of care following a stroke. Her mother has just died and her own marriage has recently ended. What she wants to do is move to Florida and make a new start with her life. Sullivan’s search to come to solutions in the short term and long-term resolution is what keeps the reader’s interest as the story moves along.

The story is told first person—how could a memoir be otherwise?—with herself in the role of protagonist with occasional memory sequences thrown in to fill in the background for the reader. In real life Sullivan has been a journalist, and her writing often includes details as a good journalist might see them. The “plot” is set in the framework of what she calls a “great adventure” as she moves toward a resolution to her situation by taking her children and father to live in Florida. She tells incidents of her story in an often amusing, humorous, and sometimes almost flippant way. But this only helps make her favorable characters all the more endearing to the reader and the villains, her disagreeing siblings, even more villainous.

One sub “adventure” she embarks on that likely wouldn’t make sense in fiction is a trip to Ireland with both her father and the children. But this is an account of real life as it happened. It is, however, poignant in that her father gets to visit a place that has happy memories for him one more time. And it provides quite an experience for her children as well.

The title comes from the last of a series of Cadillacs her father had proudly owned from the sixties. This last one is a silver-and-purple 1994 Mocha Deville.  Although not prominent through the story, the car is always with her, and there is an important incident where her confused father gets the keys without her knowing and goes for a drive. At the end one cares for the “protagonist” and we readers are definitely hoping for a positive outcome with the resolution. Fiction or memoir, who could ask for more?

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Nancy Nau Sullivan has worked as a newspaper, journalist, teacher, and most recently, as a University English Specialist in the Peace Corps in Mexico. She has taught English in Chicago, Argentina, and at a boys’ prison in Florida. In her later years, she earned a master’s degree in journalism from Marquette University. Her stories have appeared in Toasted Cheese, Akashic Books, The Blotter, The Atherton Review, Red Rock Review, Skirt! Magazine, and in Gargoyle.  “Once I Had a Bunch of Thyme” and “How I Went to Prison” won honors at the Carnegie Center in Lexington, KY, and the All Write Now! Conference in Cape Girardeau. Follow her on Facebook.

pencilBill Lockwood is a retired social services worker for Maryland and Vermont. He was an avid community theater participant in the early 1990s where he wrote reviews and feature articles for the Baltimore Theater Newsletter and the Bellows Falls Town Crier of Vermont. He was awarded the Greater Falls Regional Chamber of Commerce Person of the Year in recognition of his work as Chairman of the Bellow Falls Opera House Restoration Committee. Lockwood has four published short stories and recently published his first novel, Buried Gold. He lives in New Hampshire.

Buried Gold by Bill Lockwood

Candle-Ends: Reviews
Shelley Carpenter


Buried Gold by Bill Lockwood

I had the recent pleasure of reading Bill Lockwood’s novel, Buried Gold (Wild Rose Press, 2016), an adventure story that seems odd to call historical fiction, but historical it is as it takes place in the 1980s, which has become retro-cool within today’s popular culture. The location is Long Island, New York and the story moves back and forth through time as two plots intertwine: the main storyline and an old family mystery that takes place during the American Prohibition Era. Lockwood writes with authority and keeps the reader rooted in the eighties with references to famous people, music, and more. He does not miss a single beat in Buried Gold whose main characters are Baby Boomers and Gen-Xers.

The best adventures have mystery at their core. Buried Gold begins with a deathbed revelation that propels main character, Evie, a thirty-something mother, and her teenage daughter, Cindy, into motion. Lockwood also doesn’t waste any words as each chapter sets up the next one like carefully-placed dominoes.

The novel is told in incremental flashbacks about Evie’s family and how the treasure—a buried cache of ten-dollar gold coins came to be hidden. As a reader who loves setting, I particularly enjoyed this aspect of the story.

The 1920s and 1930s were a very exciting time in the American landscape. Indeed, it brings to mind the age of Gatsby, the glamour, as well the darker side where certain illegal activities operated in the shadows. Lockwood makes these events real. The long-dead characters are resurrected at the site of the old Oyster House where seafood was a front for a more lucrative family business—smuggling.

Some of Lockwood’s character’s shine in this regard. I particularly liked “Old Pete,” the crazy old man terrified of eels who worked for Evie’s great-grandfather, Captain John, back in the day. “I’ve seen it here on TV. In a barrel from the oyster boats. Buried like the pirates done. Yo-ho-ho…” Old Pete often babbled nonsensical talk but not everything he said was fantasy.

The characters of Evie and Cindy, the two main protagonists, remind me of an alternate universe version of the Gilmore Girls, another single mother and teenage daughter team from the popular TV show in the early 2000s who had many adventures and misadventures on the small screen. However, I admit that even though the characters are sympathetic, I had little empathy for Evie, who in her treasure quest manipulates and uses other characters to her own ends. True, she is an underdog character when compared to the villains of the novel, her older brothers who bully her and have this strange love/hate relationship with her. Yet, I stuck with her and as I read more and got to know Evie better, she made sense to me. I began to see that her moral compass appeared to be in sync with the lifestyle of the early eighties and the big events that influenced that time such as the women’s movement in the seventies when women began to assert their own agendas and careers—like Sally Ride, the first woman astronaut in space, and rocker Kim Carnes whose “popular song” (“Bette Davis Eyes”) Lockwood anonymously references as a possible personality reference to Evie. Both are well-placed footnotes early on in the novel.

In this regard, Evie is no different than anyone else of her generation except perhaps more determined. She has grit. She could be another Charlie’s Angel as she uses all she has to get the job done. Casual sex was a hallmark of 1980s, as well as excessiveness, decadence, and violence which again, effectively dovetails with the flashbacks to the Prohibition Era. And Evie’s world shares similar qualities all within the context of Lockwood’s story. Lockwood’s short historical introduction prior to the first chapter sets the mood effectively, laying the groundwork for the reader’s imagination.

Another notable point in Buried Gold is the description:

Captain Andy’s Fishing Station smelled like dead fish and gasoline, but the smell was overpowered by the view of the bay and the picturesque pleasure boats bobbing at their moorings by the restaurant next door.

I can only say that I’ve been to Long Island once or twice, but the way Peconic Bay is described, I might recognize it just from the detail alone. Moreover, the characters interact and move about with precision and the reader is firmly grounded in all aspects of movement, setting, and storyline.

The dialogue is spot-on, too. The language is as diverse as the characters. Not only can I hear them, but I can see them, too. The characters each have their appropriate share of grace; their humanity is present and they appear in the flesh. In the end, isn’t that what readers look for?

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Bill Lockwood is a retired social services worker for Maryland and Vermont. He was an avid community theater participant in the early 1990s where he wrote reviews and feature articles for the Baltimore Theater Newsletter and the Bellows Falls Town Crier of Vermont. He was awarded the Greater Falls Regional Chamber of Commerce Person of the Year in recognition of his work as Chairman of the Bellow Falls Opera House Restoration Committee. Lockwood has four published short stories and recently published his first novel, Buried Gold. He lives in New Hampshire.

pencilShelley Carpenter is TC‘s reviews editor. Email: harpspeed[at]toasted-cheese.com