Lisa Parry

Lost, Lonely and Lethal
Photo Credit: Kristaps B.

He’s a man on the King’s Road—macintosh,
trilby hat—who kisses me by the newspaper
stand, says Come on babe and off we go,
on a bus over Chelsea Bridge to the locks
and market in Camden Town. He holds my hand,
says he likes to watch me age, play catch-up,
and he educates me, privately, during evening
South Bank strolls, buys me secondhand books,
recites the history of The Tower, tells me
about ice skaters on the Thames and how
Shakespeare and Marlowe would slap his back
after shows at The Theatre and Globe. But my man
sleeps with eyes open and those eyes are old.
I watch as he snores, dive down those pupils
and feel his river pulse through my body,
see the decaying faces of those it conceals.
The lights of Soho tickle my skin but even now
I’m not taken in by him. I’m not his only lover.
Why should I be? We’re unfaithful to each other.
Even though he makes me feel I matter, more than
anyone else has done or ever will, I can’t
give up everything to be with him. So I watch
my children play elsewhere in a garden we can
afford as I cyberstalk him on my phone,
imagine his sweaty body moving on top of me.
And I’m sniffing his pheromones and the thought
of him overtakes me again and part of me yearns
to be on a train back to sirens, lights, and fumes.


Lisa Parry resides in the UK and her work has appeared in several new writing magazines there, including Aesthetica, Magma, Orbis and The New Writer. She also writes drama and her plays have been performed in leading new writing theatres across the country; two of her shorter pieces have been staged in New York. Further details about her work can be found on her website.

Print Friendly, PDF & Email