Fermentations by Salvatore Marici

Candle-Ends: Reviews
Shelley Carpenter


Fermentations by Salvatore Marici

I had the recent pleasure to read Salvatore Marici’s collection of poems entitled Fermentations (Ice Cube Press, 2017). For me, reading a collection of poems is no light reading. Full disclosure: When I read poetry I like to sip. The poems are like fine wine meant to be savored. I read one or two poems daily. This allows the poems to sink in and to ferment inside me a little longer while I wonder about them and ponder meaning or just marvel at the poem itself from a writer’s standpoint of looking closely at its structure and language, to the subject of the poem which can be the smallest of ideas or an observation or a moment in time held up to the light. The poems in Fermentations left me with strong aftertaste of thought, most often pleasant and nostalgic, sometimes a little bittersweet and occasionally, the bitter without the sweet. I suppose that is what poems do. They make us think about things. The important things. It is as if we also hold ourselves to the light as we engage with a poem. The poem isn’t about me, but it is. For me, this was my daily sabbatical this past autumn as I delved deeper and deeper into Marici’s eighty-two poem collection. This is what I discovered.

Fermentations is an interesting mix of the earthly and the surreal. Marici invites the reader to enter the pages of his collection with his first poem, “Invitation to Enter,” whose subject was influenced by Rodin’s famous sculpture, The Gate of Hell. A beautiful bronze woman with grapevines tangling and coiling around her metallic head beckons the reader with gorgeous images of Italy’s past evocatively dressed. It was like looking through a keyhole and spying a beautiful new world:

She speaks four hundred years of
Olive, lemon groves
Grow on hillsides.
Wine pours from barrels in people’s homes.

Other poems also captured that strong sense of place. “Summer Wane in Upper Mississippi Valley” spoke to me of a similar time, my own time: a lovely October day in New England.

In a sky,
day paints Egyptian blue
an angel fluffs wings
whose breath wafts dry warmth
with specks of coolness.
Pockets of fading-green
spot crowns of trees like bubbles
above cartoon characters
filled with scripts
of leaves’ last wishes.
Fallen apples, pears
ooze hard cider, bees slurp.
They brawl in sugared air.

Salvatore Marici’s poems are also about people, such as the immigrant experience that also peppers the collection. “Concourse K Food Court” juxtaposes two very different locations—El Salvador and Chicago. It left me thinking about the people in the poem and my own people.

Mothers and daughters
wear polyester dresses
of whatever pattern and color
they could get. Aprons’ ties
secure their waists

as they cook on wood fires
or propane two-burner stoves
in their houses
or prepare on a grill
made from scrapped metal
before hungry customers

Corn tortillas layered with
chopped meat from unknown species,
shredded raw cabbage, red sauce dabs,
serve on brown paper
under the sun on bare Guatemala ground
whose dust whirls with a slight stir
where drivers drive old school buses
painted bright red and blue
wait for passengers
10 kilometers east of El Salvador.

While in O’Hare
five Hispanic women
middle age and younger
wear blue scrubs
uniforms of uneducated laborers
only one eats beans and rice
out of a recycled margarine tub.

The other lunchers bite burgers.
Their tongues lick salt sugar on lips.
They crunch fries broiled
in partially hydrogenated oils
melted like their culture.

Another poem, “Induced Earthquakes—Introduced Poisons,” echoed earthly environmental concerns recently overshadowed by politics in many places in the world. This poem spoke to me first with its humor and then with its serious content. It is a kaleidoscope of images and ideas that swirl and finally blend together into one idea that I found beautiful and honest and unsettling.

Colonoscopy doctor
shoots gas through tube
in ass bent to intestine.

Recovery nurse tells patient
Let it rip. Air rumbles.
Curtains between beds sway.

ground murmurs, shakes
when augers drill soil
then shake
pipes gush chemicals,
sand mixed with water
we could have drunk, used to irrigate.
Force blasts tunnel with cracks.
Fractured bedrock shifts. Fragments fall

in grinders. Sausage stuffers push
ground pork in flushed intestines
stretches casings thin.
E. coli finds pinholes, seeps.
More pressure tears walls. Toxins leak

into springs, drinking wells
from filth thrust in earth.

Indeed, Marici’s subjects range from beautiful vistas with evocative imagery to specific places populated by people. The poem, “Amid Life,” stopped me in my reading tracks when I realized that I had been teleported to a romantic and cosmopolitan Paris during the recent terrorist attacks.

Salvatore Marici’s poetry is an intriguing mix, much like a stone soup where one might find traditional ingredients and common themes to intriguing and surprising additions swirling in the broth that is Fermentations. Also, as I read I felt like an armchair traveler traveling laterally across the globe, vertically into the starry skies of space, and in and out of the doors of time to people and places that evoked (for me) a spectrum of nostalgia. And in those nostalgic moments I discovered a curious transcendence that speaks in hindsight of the human experience, its glory, its potential, and its self-destructive impulses. Bravo!

*

Salvatore Marici’s poetry has appeared in Toasted Cheese, Descant, Spillway, Prairie Gold: An Anthology of the American Heartland, Of Burgers & Barrooms, and many others. In 2010, Marici was the Midwest Writing Center’s poet-in-residence. He is the author of three books: Mortals, Nature and their Spirits (chapbook), Swish Swirl & Sniff, and Fermentations (Ice Cube Press). Marici served as a Peace Corps volunteer in Guatemala managing natural resources and is also a retired army civil servant where he continued his work as an agronomist. You can follow his poetry events at salmarici.myicourse.com and on Facebook.

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Shelley Carpenter is TC’s Reviews Editor. Email: harpspeed[at]toasted-cheese.com

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