Epitaph for the Beloved by Carol Lynn Stevenson Grellas

Candle-Ends: Reviews
Bill Yarrow

Epitaph for the Beloved by Carol Lynn Stevenson Grellas

The 102 poems in Carol Lynn Stevenson Grellas’ Epitaph for the Beloved (Finishing Line Press, 2019) are divided into seven sections, each introduced by a line in the nursery rhyme “Monday’s Child” though the lyrics have been changed from present tense (“Monday’s child is fair of face”) to past tense (“Monday’s Child Was Fair of Face”) and thus we have a history, a looking back on a life, rather than a contemporaneous description of or a prediction of one. One other change is the wording of the last day of the week. “And the child that is born on the Sabbath day / Is bonny and blithe, and good and gay” becomes “But the Child That Was Born on the Sabbath Day, Was Fair and Wise and Good and Gay.” The change seems to be for clarity, though “blithe” and “wise” are nowhere near synonyms and I’m not sure what that comma after “Day” adds to the reader’s comprehension.

The reason I comment on this structure is that in any odd-numbered list there is a middle term as in the fifteen stories in Joyce’s Dubliners. The eighth story in that collection (“A Little Cloud”) is central to the meaning of that book. In this book, the fourth section (Thursday’s Child) is the center, the fulcrum from which all the other poems ascend or descend. The fourth section deals with the dissolution of the speaker’s marriage. Leading up to that section we have poems of childhood, motherhood, and grief, and following that section, we have poems of remarriage, nostalgia, and resolve.

But the poems in this middle section are the most passionate and the strongest in the book with titles like “Womanizer,” “Conman-Duplicitous,” “Sleeping Beauty, Betrayed,” “Detonate” and “The Vibrator,” a poem about the gift that a husband gave a wife with the refrain “you gave me a vibrator.” Here is the savage last stanza:

And here, I would say to you now, is the box
that sits bare and unfilled, which needs
no replacements. Here is the case which you
happened to leave while taking the vibrator
upon our divorce which I never questioned
knowing you’d need it—
far more than I.

The long dash above that separates the last line (“far more than I”) from the rest of the stanza is a typical strategy for many poems in this volume in which the last line is often set off from the rest of the poem, privileging it, investing it with dramatic and significant isolation.

Here are some examples:

  • “Ah, flower, to be loved by such a bee.” [“Pheromones”]
  • “They had no parents, but they had each other.” [“The Blue Rosary”]
  • “now you must learn what it means, to be strong.” [“Keep Me This Night”]
  • “as we pass through the proof of the other.” [“Mirror in My Room”]
  • “bars that scrape the latch of forgotten entries.” [“Playing Woodwinds to an Unborn or Just Reincarnation”]

Some of Grellas’ word choices are surprising and arresting as when she writes in “Mouse Queen” “you are an enigma of narrowing bones” or in these lines from “Caterpillar Prayers”:

You were a butterfly
in the meadow

where no viewer
could see your grace

save the birdlike seraph
perched on a nearby

magnolia leaf

At other times, an occasional cliché (“pearly whites”) or a solecism (“laying on a bed”) appears, and every once in a while the language becomes a little precious, a little strained, as in “the air blued and bruised / from lies” [“Conman-Duplicitous”] or “how no / amount of plea undoes the fate / of any willful heart.” [“Breached”]

Still, so much of the diction in these poems is winning.

Dog, I am sorry
that you have gone hungry.
I have been a glutinous[1] fool. [“Wild Thing”]

This is the kind of poem,[2] that will sleep with you
when no one’s looking.  [“Bad Poem”]

And so much of the sentiment in these poems is not to be resisted as when Grellas writes of her children, “They are the poems I’ve yet / to write as they will become a part of me / no matter what devastation the world / sends my way” [“If I Should Die before I Wake[3] Remember…”] and also when she writes memorably of herself, “A prelude to ecstasy is all that I ask.” [“Meet Me in the Countryside”]

As a “prelude to ecstasy,” read these poems of face, grace, woe, distance, loving, living, and wisdom, poems where “the moonlight knows your name.”

[1]Was “gluttonous” meant?
[2] Those strangely placed commas!
[3] A wished-for comma here!


Carol Lynn Stevenson Grellas is a ten-time Pushcart Prize nominee and a seven-time Best of the Net nominee. In 2012 she won the Red Ochre Chapbook Contest with her manuscript, Before I Go to Sleep. In 2018 her book In the Making of Goodbyes was nominated for a national book award and her poem “A Mall in California” took 2nd place for the Jack Kerouac Poetry Prize. In 2019 her chapbook An Ode to Hope in the Midst of Pandemonium was a finalist in the Eric Hoffer Book Awards. Grellas’ writing has appeared Mezzocammin, The Tower Journal, and Sheila-Na-Gig. She was recently the guest speaker at the California Writer’s Club, Sacramento chapter. She is the Editor-in-Chief for The Orchards Poetry Journal and Co-Editor-in-Chief for the Tule Review. She is a member of the Sacramento Poetry Center Board of Directors; Saratoga Author’s Hall of Fame and she is currently enrolled in the Vermont College of Fine Arts MFA in Writing program. Twitter: @secretpoet | Facebook: clgrellas


Bill Yarrow, Professor of English at Joliet Junior College, is the author of five full-length books of poetry and five poetry chapbooks. His poems have been published in PANK, Contrary, Diagram, Thrush, Chiron Review, RHINO and many other journals such as The Decadent Review, Isacoustic*, Toasted Cheese, and Port Yonder Press. Yarrow’s latest collection is Accelerant (Nixes Mate Books, 2019). Twitter: @billyarrow | Facebook: bill.yarrow.1 | Poets & Writers: bill_yarrow

Accelerant by Bill Yarrow

Candle-Ends: Reviews
Shelley Carpenter

Accelerant by Bill Yarrow

World-building. That is what came to this reader’s mind when I finished the last poem in Bill Yarrow’s collection, Accelerant. Each poem brings the reader to a betwixt place, real or imagined. A split-second moment communicating a universe of thought. Feelings. Ideas connected with Yarrow’s well-chosen vocabulary and punctuation, steeped in the abstract as well as nostalgia. For me, it was like each poem opened a door to an unseen space. I call it a twilight space. Unique and sometimes unsettling, perhaps because it is partially recognizable. Yarrow evokes an idea and then he populates it with intriguing elements, elegant and gritty. Familiar and yet perplexing. I pondered on some of the poems in this collection for days, like this one whose title suggests but offers no explanation:


aspirin and Band-Aids in baggies
astronauts with flags on their swimsuits
addicts with raging colitis
none of the above

blandishment heaped upon Girl Scouts
board games invented by florists
beachcombers drunk at the drive-in
none of the above

magnets left in a chapel
manatees shunted in tunnels
mystics sedated with sulfur
none of the above

wellness empowered by ampoules
weather defended by dancers
whimsy unharnessed to outlook
none of the above

Despite my curiosity, I marveled at the alliteration, the absence of punctuation, and repetition of the last line in each stanza.The poem is a list of people, objects, and ideas paired in a nonsensical partnerships that have purpose and yet no explanation. I enjoyed every word.

Repetition, alliteration, and interesting structure, indeed, are a few of the hallmarks in Yarrow’s collection of forty poems. I loved the first sentence in “Sin Embargo”: I like badness.

Yarrow makes a list on this subject that sounds terribly terrific especially when read aloud as all poems should be read.

I like badness. Don’t all the really good
Films have the word “bad” in their titles?
The Good, the Bad, and the Ugly. Bad
Day at Black Rock. Bad Lieutenant.
Baadasssss! The Bad and the
Beautiful. The Bad Seed.

Evil’s another story, a story
whose orphan narrator is misery,
married to pain, son of suffering,
sibling of spleen. I have seen evil.
If you have too, you know there’s
But one bad way to get rid of evil.

Retrieve the ragged dagger. The night
Is just weak enough for insurrection.

Other poems have a reverse mirror-like structure that seem to end as they begin as in the case of “Not a Villanelle.” While other poems reveal their structure in their conclusion like “Poet between Oxnard and Van Nuys” which is a combination of description and lists, and lists loving details of a spectacular summer evidenced in the musings of poet gazing out a passenger train window at the landscape outside and the internal one happening as well, in tandem:

The butter of summer was melting onto
the toast of the town, a town which I had
visited only in dreams

Another poem I liked describes a western U.S. landscape. I think. A landscape the poet knows well and as a reader I recognize, too. The poem is “Less Scenery” and the words are set in an interesting array of line indents and white space on the page that continues in a trajectory that may relate to the title and perhaps a guided message within its context through the use of very American establishments such as Dunkin’ Donuts, Starbucks, and other generic structures that seem to creep up on the western landscape of “arroyos” and “mesas” and “avocado trees.” Perhaps it is the window view from another ride through the American landscape. The landscape of American dream? Or perhaps it is a sociopolitical commentary on America today. Maybe both.

Yarrow’s poems also have a nostalgic quality to them. “Pinochle in My Snout” is a snapshot in time of a family party absent of cell phones and social media. A bygone era in popular culture. Familiar and a tad bittersweet.

The paneled linoleum basement rec room
with tables set up for pinochle, salami, and
schnapps. My uncles, grandfather and father
at one table; my aunts and mother at the other.
The blurry TV on. The bookcases with glass
fronts and carved locked doors holding auction
volumes and foreign coins. My three sisters
in ballerina tutus running up and down stairs.
My unemployed younger cousins on the back lawn
smoking Luckies. My coiffed older cousins discussing
the subdivisions of the Republican future. Albums
of peeling Polaroids, dirty doilies, fuzzy rugs.
The fetching wreckage of an arsoned heart. “Does
anyone want anything else to eat? Anyone? Anyone?”

Accelerant is an intrepid collection of gutsy poems. A pager turner in that each poem is unique in its structure, voice, and message. For forty days I read one of Yarrow’s poems with my morning coffee and knew with each visitation, I would be taken to a new place, down an interesting path, or a look back to a familiar space seen through Bill Yarrow’s very cool and penetrating perspective.


Bill Yarrow, Professor of English at Joliet Junior College, is the author of five full-length books of poetry and five poetry chapbooks. His poems have been published in PANK, Contrary, Diagram, Thrush, Chiron Review, RHINO and many other journals such as The Decadent Review, Isacoustic*, Toasted Cheese, and Port Yonder Press. Yarrow’s latest collection is Accelerant (Nixes Mate Books, 2019). Facebook: bill.yarrow.1 | Twitter: billyarrow | Poets & Writers: bill_yarrow


Shelley Carpenter is TC’s Reviews Editor. Email: reviews[at]toasted-cheese.com


Three Cheers and a Tiger ~ Bronze
Deana Zhollis

Photo Credit: Richard Bennett/Flickr (CC-by-nc)

Raven dropped down on her couch while balancing her mug filled with hot tea. The steamed liquid swirled sharply before settling down when placed on the wooden end table. She gathered her black braids behind her head and secured them with a hair band before picking up the tea again to take a sip. With her free hand, she scrolled through her options for a TV series, for something that could fill the silence of her apartment. She chose a storyline that didn’t entail too much interest so that she could look up from time-to-time and still know what was going on in the series. She would have enjoyed watching a Korean drama or a vibrant, colorful fantasy, or some anime adventure, but that entailed reading subtitles since she hated listening to the dubbed versions. A childhood fantasy adventure would do, since she had seen every episode decades ago, and relived one or two from time to time over the years. This one was about an apprentice wizard where each episode was him learning a new spell that involved helping someone or finding an ancient relic to add to his arsenal.

Satisfied, she sat back, grabbed a pillow to balance on the armrest and placed her tablet on top of it.

“And let the questions begin,” she sighed, as she double-clicked on the familiar icon, and read the next one out loud. “Do you prefer a lot of rest before starting your day? Yes. No.”

Raven figured she would answer a few more questions before taking a shower and then finish up the next few hours answering more, that is, if she was able to make it that far. And so far, she’s been able to continue for two days.

She was now comfortable enough with the questions and had an idea on what was needed to answer. For a job, she should answer ‘No,’ since there may be times where she would need to have little sleep to complete a project. However, this test sometimes had another agenda.

She chose ‘Yes’ and then the next question appeared.

“How many hours of rest do you need?”

Raven chose the number nine.

“What type of bed do you prefer to sleep on?” Five images appeared displaying different backgrounds and shapes of beds. She chose one with a contouring shape. One must have lumbar support.

“What type of lighting do you need for sleeping?”

Raven wasn’t sure why this endless, unnumbered sequences of questions were pertinent for job employment, and she most definitely didn’t understand why it had been a total of six hours for the past two days. However, countless people of had tried to qualify for this famed company, but many had failed—as much as ninety percent. The contender would know they were not qualified within the first two hundred questions. It was that probability that made Raven not even try, though anyone, world-wide, could try. A candidate is only given a single chance before being declined from ever trying again. Not even the smartest of hackers could get around the questionnaire’s protocol. It always seemed to easily identify those who had already taken the test, even if they put in a person’s name who hadn’t.

The company’s logo of two worlds interlocked and its name, “Interdependence,” was on the top of the screen, while the next question with choices hovered in the middle.

“Choose between these melodies.” Raven press the buttons, listening to each one, before placing a check underneath the one that was quite lovely to her ears.

“Can you sleep while listening to this song? Yes. No.”

Raven had earlier stated that she didn’t need complete silence while sleeping, and that she favored music to sleep with. Now, she was being asked what types of music she would prefer. She had been asked about different colors that were pleasing to her eye yesterday, and the types of animals that she liked. Before that, it was about physical activities and roller coasters.

“Can you remember your dreams? Yes. No.”

Raven sighed. “From sleep to dreams.” Yes, she dreams in color. Yes, there were some dreams that she would still remember from time to time. Yes, sometimes the dreams reflect her day, and yes sometimes they didn’t. Yes, she believed in dreams. And, yes, she thought they were fun.

Six hours. She had been answering questions for six hours over the last two days, and she was beginning to think that this was all a joke. Interdependence promised the best job one could ever imagine, where one would be completely happy to do, and enjoy doing, the job, and with a salary to match it. These opportunities were given to some in their sixties and some as young as sixteen. It didn’t matter the background or place of living. Alarmingly, even someone on parole could apply. There were no standards. The only thing one had to do was to get access to download the app, and answer the questions.

“Do you like to kill in video games? Yes. No.”

Actually, she didn’t like shoot-’em-ups. Puzzle and adventure games were more her style. And, of course, that was the next question. She answered more questions related to how she enjoyed playing a game, and how long would she play one.

“Do you prefer mornings, afternoons, or evenings?”

The random, off-topic question would appear now and then, and it would proceed from there before going back to its main line of questioning.

“How many stars do you enjoy seeing in the night?” This question came in relation to her choice of preferring evenings. Several images appeared and Raven chose one. Then questions related to celestial bodies, which transitioned to spiritual questions, and went back to similar questions from two days ago, about teamwork, meeting goals, handling stress and mistakes.

“Can you hold a secret? Yes. No.”

Raven thought about it. Should she be honest? Yes. So, she answered No.

“Do you believe a secret should not be told to you? Yes. No.” Yes.

“Do you believe a secret should be shared if told to you?” Yes.

“Do you want to know a secret now? Yes. No.”

Raven laughed. At least this part of the questionnaire was interesting. She answered No.

“But we want to tell you a secret.”

Raven stared at the screen. There was no selection to choose from. Slowly, she tapped the tablet’s screen.

Nothing happened.

She tapped again. But still nothing.

Did the app freeze?

Suddenly, “Will you allow Interdependence to run interference in your life? Yes. No.”

Raven sat up on the couch. “Wait. Am I being offered an opportunity?”

She slowly lifted her finger. Did she pass?

She pressed Yes.

“Will you allow Interdependence to contact your job and family and tell them you have checked into a mental health institution, and will not be allowed to speak to anyone for at least three weeks? Yes. No.”

She raised her eyebrows at that question. Mental institution? Why would Interdependence want to do that? She thought about the many interviews of those who had been accepted by Interdependence and how each beginning was a bit different from the last. At the time of acceptance, candidates were secretly transported out to avoid the swarm of people. Once inside Interdependence, each were individually trained on whatever job that would make them at peace for the rest of their lives. But, she never heard of a beginning that started with lying to family and friends.

The question disappeared and a white screen was shown.

“Oh no.” There wasn’t anything about time sensitivity!

“The package is waiting, Raven.”

Raven froze as she reread the sentence, before it blinked out and the previous question returned.

“Will you allow Interdependence to contact your job and family and tell them you have checked into a mental health institution, and will not be allowed to speak to anyone for at least three weeks? Yes. No.”

She didn’t realize how fast her heart was racing. Was this an opportunity? What if she answered the question wrong?

She knew she didn’t have much time. This had to be time sensitive.

She raised her finger slowly, and then quickly tapped.


The screen went blank, and stayed that way for what seemed like minutes. She didn’t want to close her eyes. She just couldn’t miss the next question.

Then, “Please meet the delivery person downstairs. They will be standing with a sign that says, ‘Game.'” It blinked and then went to the Interdependence logo.

Raven jumped, grabbed her keys, and went out of her apartment. She needed to check to see if it was true, and was shocked to see a woman standing in front of a parked town car, holding up a sign indeed with ‘Game’ written on it.

She went back to her apartment, her mind racing: When did the driver get there? When was I accepted? Was the driver out there when I grabbed my tea? Who should I call? Should I call anyone? This is just too good to be true!

She picked up the tablet and double-checked the app to make sure it was legitimate. It had to be. She didn’t understand the reason why Interdependence wanted to proceed in this way, but she thought perhaps it was another test, like the hours she took taking the questionnaire.

Making a decision, she jiggled her keys, and went to the waiting car.


The cube was the size of two shoe boxes and its smooth surface emitted a warmth that was comfortable to touch, but just a few degrees from almost unbearable. Raven was glad that she had a short walk back to her apartment on the first floor, since any longer it would have been a bit too heavy.

She sat it down on her coffee table and stared at its glossy black surface. She wasn’t given any instructions; the driver simply handed it to her without saying a word, and now she couldn’t find anywhere on how to open it. She wasn’t even sure if she sat it down on its correct side.

Grabbing its warm sides, she turned it over, looking for some kind of button or latch. After examining it, she then began rubbing it, as if it would produce a genie. Then she tried voice commands, but none of it worked. Going back to review the app didn’t help either. Only the Interdependence logo remained.

Finally, she gave up. It had been an exasperating night, and she hadn’t taken her shower yet. The thought made her yawn, as she headed to get ready to settle down to sleep.

In the morning, she decided to take another look at the cube with a fresh pair of eyes, only to be greeted by a holograph of a creature with three twirling tails sitting on the edge of the cube with legs crossed. She wore a knee-high dress, and had ears that swept back along both sides of her head, tips touching. Hair grew in the center of the ears and draped down her back, and her skin sparkled with a hue of blue.

Large black eyes and lavishing eyelashes turned her way as she said, “Good morning, Raven.” Her voice was rather pleasant, with a welcoming tone of someone who was genuinely happy to see you.

“Uh, hello?” Raven answered.

The creature laughed. “I know. I’m quite amazing to look at, aren’t I?”

The comment made Raven chuckle. “I would say, quite unexpected.”

“Well,” the creature said, “you weren’t planning on going to work today, were you? You did accept the agreement to allow us to intervene in your life.”

Raven had almost forgot about that.

“The calls will be made, as soon as work hours begin, and then to the rest of the people in your life.”

Raven meekly asked, “How do you know who is in my life?”

The creature smiled. “We know.”

This is Interdependence. They had global and major resources everywhere. Especially with all the talent they had in all walks of life. They all contribute back to Interdependence in some way or another.

“My name’s Cerasee,” she said with a bright smile. “How do you do?”

Raven nodded towards her, still laughing at the idea of talking to a hologram. “How do you do?”

“I’m sure you have a lot of questions,” Cerasee stated, “and I hope I can answer just the few major ones in my introductory speech.” She cleared her throat. “Are you ready?”

Raven waved the floor to her. “Go right ahead.”

“Yes, I am completely interactive. No, I am not programmed with standard answers. Yes, you can ask me anything and I will try my best to answer your questions as much as I could. Why did we choose you? Because we enjoyed watching your thoughtful expressions before answering. And because of your honesty and bright answers. Yes, we will really contact everyone and tell them you are in a mental institution, and if anyone becomes a bit aggressive with wanting to speak to you, we will provide them with a fake video of you inside a mental ward, and being provided a treatment of meditation and a vow of silence in order to help you regain your balance in the world. No, you will not be able to see this video as we have far too much to do in the next few weeks. And why did we choose this route for you?” She leaned forward, and dramatically whispered, “Because you can’t keep a secret.”

Raven laughed and Cerasee continued.

“Yes, this is really Interdependence and it is happening for you and for real. From this point forward, Interdependence will be responsible for your every meal, your health, your social environment, and simply.your entire being. Starting today, you will be a member of Interdependence and we leave as soon as you have completed your morning routine. I will only answer any remaining questions during our travel to our destination. You should wear a comfortable outfit like when going for a walk in a park, but no tennis shoes, please. Sandals or comfortable strapped shoes would be preferred. No perfumes or jewelry or makeup, please. Lotion and deodorant are acceptable. Breakfast will be provided.”

Cerasee smiled then, quite proud with her presentation. “Well, what are you standing there for?” She waved her hand towards Raven’s bedroom. “Get ready!”

Raven moved with the climb of excitement that made the night sky turn into glimmers of wonder and dawn into shimmering gold. She was quick with soaping her brown skin, being careful not to allow too much water underneath her shower cap as she bent down to quickly clean from her knees to her toes. As she showered, she thought of the many questions that she wanted to ask Cerasee.


It was not just a company that people’s first thoughts were its profitable revenue, but it was tied to making a cherished way of life come true. And somehow, she was one of the ten percent to hold such an opportunity. Or would testing continue once they reached the next stage of this reward? However, Cerasee had said she was already a member of Interdependence. After all of the hours of answering needless questions.. Was it really this simple?

Raven was ready to go, wearing a light sundress and flat sandals. She didn’t use makeup much, so that was not a concern for her, but she did miss her earrings and rope chain necklaces.

The same driver was waiting and helped Raven place the black cube into the town car, still not speaking a word. Raven sat in the spacious passenger compartment, separated from the driver by black sliding glass. She immediately recognized how minimal the outside sounds were as they drove off.

Cerasee appeared again, wearing the same outfit that Raven had on. “I will be with you at all times during this part of your training. What training, you ask?” The small creature didn’t wait for Raven to speak. “We will find that out once we reach Interdependence. For now, please enjoy breakfast.” She waved her hand towards a drawer under the facing seat. Inside, were warmed pancakes, Raven’s favorite, scrambled eggs, and link sausages. “Please eat while I continue.”

Raven picked up the gold fork (she had never eaten from one before, only silver) and listened carefully to Cerasee’s speech.

Though surrounded with a lot of verbiage, the rules were rather simple—follow and do whatever Cerasee asks of her to do. If a continuous defiance occurred, then Raven would not reach the full potential that Interdependence could provide for her. She would be given a manageable and uncomplicated life.

“Like this driver and courier,” Cerasee indicated to the front of the car. “I’m not demeaning, mind you. She is quite content with her life, but she refused to grow for whatever personal reason she wished upon herself. And we will not interfere with that, but will continue to provide until death do us part.”

Interdependence’s workforce was for life.

Cerasee continued to speak, providing information Raven already knew about Interdependence, which was all positive and dreamy-eyed fulfilling. She watched the streets and then the highway, predetermining their destination, and that was the nearest facility outside the city limits. Interdependence owned a 500-acre campus, designed so employees wouldn’t have to go beyond its borders during the course of their work days. From numerous dining options, retail services, health care and child care facilities, there wasn’t anything that the campus couldn’t provide.

IDs were scanned numerous times as the town car made its way from the outside borders of the campus to the interior roads. They drove up a coiled ramp when they entered a garage and exited on level five, with three more levels above. Raven didn’t see when the handle and wheels appeared on Cerasee’s cube, as the handle telescoped to a height easy for her to pull. Interdependence was top in technology.

From walking from the garage to the entrance door of the same fifth floor level, there was more scanning of fingerprints and facial recognition, which included Raven. As Raven pulled the cube, the driver led her down a carpeted hallway, passing several secured doors before stopping at one. Raven scanned her face and the door opened. The driver left.

Inside, was a comfortable studio apartment playing music that Raven had chosen from the app. A kitchen to one side, a king-size bed on the other, and a reclining chair with a swing-away table in the middle. Sitting near the bed was a six-panel dressing screen displaying the silk flowers of a plum blossom tree, an actual moving image swaying gently in the wind. But what really caught Raven’s attention was the black oval contraption towering to the ceiling next to windows displaying the forest bordering the Interdependence’s campus.

“We call it Raindrop,” Cerasee’s voice broke through Raven’s mesmerized eyes. “It’s what will be your life for the next several weeks, and more. And all of this,” she waved around the studio, “will be your dwelling. A chef will come at mealtimes and prepare all acquired substances.”

“What is it?” Raven said, letting go of the cube’s handle and walking towards the device. Its black surface looked identical to Cerasee’s cube: shiny, but with no reflection.

“It’s where we start,” Cerasee said. “There’s a suit behind the dressing panel. Please put it on and we will begin.”

Remembering the rules Cerasee had provided in the town car, she did as instructed. Behind the dressing panel was a three-drawer dresser. A black, shiny jumpsuit sat on top. Raven undressed and didn’t notice the footies and gloves were incorporated into the suit until she held it up. It had a hood and mask as well, with translucent coverings for the eyes. Her entire body would be covered with this suit, zipped without metal interlocks, but pressed together making it almost seamless. Raven left the hood resting on her back as she came to the front of the dressing panel.

“You must have everything covered before entering Raindrop.” Cerasee pointed at the hood.

“Is this some kind of protection against dangerous rays or something?” Raven looked at her arms and hands covered in the black suit, which actually felt quite light, almost as if she was wearing fine silk.

“Nothing like that,” Cerasee said, now also wearing the same suit Raven had on. “Hood please. We have a lot to cover.”

“Okay,” Raven breathed in and pulled the hood on, sealing it closed around the neckline.

“One hand on Raindrop, please,” Cerasee extended her hand, indicating what Raven should do next, and Raven complied.

A part of the contraption melted away, displaying only darkness within.

“Step inside, please.”

Raven tried to see what was inside, but couldn’t make out anything. She looked back at Cerasee and she was standing up on the center of the cube.

With curiosity rushing to its peak, Raven stepped inside, and all light was sealed away.

Raven didn’t hear her own breathing as she stood in the darkness. Then, a small light appeared and grew, until someone was standing in front of her, unclothed. She recognized herself.

“Oh my god!”

“Amazing, isn’t it?”

She heard Cerasee, but she couldn’t find her projection anywhere.

“This is your avatar. Unfortunately, you will not be able to dress her until you’ve acquired the skills. Fortunately, the weather isn’t harsh, so being unclothed while you learn will not be a problem.”

Raven continued to look at herself as if a real person stood right in front of her.

“This is the only time you will be able to see yourself, until you acquire all the items necessary to have those types of luxuries like shelter, clothing, mirrors, etc. Though food can be sought anywhere, since we can only eat fruit.”

The avatar disappeared and a wave of colors filled the air around her, like seeing the smeared rainbow colors in bubbles.

“Here we go!” The excitement in Cerasee’s voice filled up the contraption.

The colors finally stopped, to change to white and yellow sharp spears of light, and then were replaced with sounds of a forest and the cool light of the sky.

Raven looked around to see strange trees with trunks that twisted up to branches with dark green leaves. The ground was covered with the fallen leaves and grass hinting small flowers at their ends. Looking up, she could see a large sun and two moons. One of the moons had a ring.

“Oh my god.” Raven didn’t know she spoke as she noticed that not only could she see, but she could feel wind, and hear creatures, and smell the fresh scent of air.

“Are you okay?” It was Cerasee’s voice behind her and she looked to see a being of her same height, looking as real as her next door neighbors.

She was completely naked, and Raven could see where her three tails stretched from her sides and lower back to make gentle curves that rose above her head. Her smile didn’t contain teeth, but cartilage, blending with the same color as her skin. She had five fingers, but no opposable thumbs. And her blue skin had specks that looked like colorful glitter.

“Are you okay?” She repeated, slightly tilting her head.

Raven was speechless, as her mind went to: Where are we? To: What is this place? To: How can I smell and feel the air? To: What’s going on?

Cerasee laughed as she completely understood. “This is Heofon. The sister world of Earth. You will learn how to live here and, in turn, how to also live on Earth. Everything you do and learn here is a mirror to what you can complete on Earth.”

Raven continued to look around, seeing and hearing the leaves wrestling and some colorful birds flying in the air. “This is some simulation.”

Cerasee laughed. “Your essence, your soul, is using the avatar. Now come, we must work on the first lesson.” She walked towards one of the trees. “You must learn how to speak.” She tapped the tree’s trunk.

Raven look at Cerasee and then at the tree. “You want me to talk to a tree?”

Cerasee nodded. “They have the most patience for teaching those not native to Heofon how to speak, especially those from Latter Ages where life is not capable of enlightenment.”

Raven grasped what Cerasee was softly trying to explain to her, while trying to minimize any insult. “You mean, like Earth.”

Cerasee stood still.

Raven continued to elaborate, in order for Cerasee to know she understood. “Where we’re violent towards each other, at so many levels.”

Cerasee changed the sad subject. “Please place your hand here, and try to empathize with the tree.”

“Empathize?” Raven chuckled lightly. “With a tree.”

“This particular tree,” Cerasee patted the trunk, “is a bit perturbed because it must wait for that other tree to move in order to move itself. It wants to change places, you see?”

Raven looked and saw in the distance a tree slowly moving, its roots lifting it up and dragging along the ground.

“Okay, trees walk here.” Raven took a deep breath. “There is so much I have to learn.”

Cerasee’s tails twitched. “We are one language here. Once you master it, you can speak to any living thing on Heofon.”

Raven placed her hand on the tree’s trunk and thought of how to empathize. To have to wait for so long for another to move in order to move itself. She understood that type of frustration, especially when the other didn’t quite care for your own predicament.

A voice drifted into her mind. She/he did care, but was enjoying her/his walk, thus taking a long time to settle into place. One must allow the joy of others in order to then enjoy oneself.

Raven lifted her hand away from the trunk. “I—I think I heard it.”

Cerasee gave a huge smile. “Yes! Yes, you did! We just knew you would be able to adapt quickly here!”

Raven stared at her hand where she could still feel the impression of the tree. “This place is real.” It was a statement. A fact. It was something she knew to be true.

“Yes, it is,” Cerasee said. “We bring all candidates here, but majority only see it as a simulation. And they bring what they learn back to Earth, a spark of light from Interdependence, one member at a time. But then there are candidates like you, who will learn and, with time, come to stay on Heofon, once your body is slowly transformed by the meals we prepare for you, so that you can actually live here.”

Raven turned to Cerasee. “Why? Why are you doing this for us?”

Cerasee grasped her hands. “Because our worlds are tied to one another, interdependent, where one has more light, and a little dark, and the other has more dark and a little light. We exist in contradictory opposites, but are inseparable. The gateways between our worlds have always existed, but we pass through to each other in different ways as the ages change. In the past, it was through stone gateways monitored by mystics and sages. Today, it is through entertainment and challenges.”

A white horse galloped by with its proud tail curved upward. Its horn caught the rays of the sun and sparked as it spread its massive wingspan and caught the air. Raven watched in awe as the uni-pegasus flew in the direction of one of the moons.

Raven whispered to herself, figuring out the Old English terms she remembered from an anime show. “Eorthe. Earth. Heofon. Heaven. Helle.” She turned to Cerasee.

“Oh, Hell,” Cerasee said. “Its gateways are on the underside of Earth, and handled by a different division of Interdependence. But, we don’t talk much about that world here.”


Fairy Tales have always been a favorite of Deana Zhollis, along with folktales. Yet when she set her eyes on the movie Gargoyles (1972), her young mind began drifting with romance and/with the inhuman. And so the storytelling began, first with dolls and paper dolls, and on to writing Science Fiction and Fantasy—even before she knew what it stood for! Engulfed in the genre, she dreamed over and over of that Happily Ever After, in the adult life, with a fashionable twist. Email: penvizion[at]gmail.com

The Devil’s Take

Three Cheers and a Tiger ~ Silver
Joshua Flores

Photo Credit: Philippe Leroyer/Flickr (CC-by-nc-nd)

Unspoiled vegetables cost too much, almost thrice the price of moldy ones. Rafa picked through the rotting wares.

“Father, why can’t we have fresh carrots for a change? Oh, and some meat?” Samuel pleaded as he pulled on Rafa’s threadbare grey woolen coat.

“Shush now. Devil of a time putting a few pence together. What, with me working all day digging black rock from the ground. Be glad we have something in our bellies tonight and hush down.”

The stall’s owner—a wizened hag—cackled at him to get a move on. Finding a few tomatoes, carrots, and other random provisions with a bit of crunch left to them and very few spots which he could cut away, he paid the crone her blood money.

Vegetable stew then for Rafa and his son tonight. Unless luck was with them and they came across a dead animal on the way home—even a juicy rat would do. Been months with no meat on the table.

Samuel kept pulling on Rafa’s coat as they walked in the middle of the street, avoiding horses and carriages that paid no heed to those in their path. Despite the risk of being trampled, walking on the streets was safer. Never knew when a flying bucketful of human waste and filth would be dumped out a window right onto you if you kept yourself on the side paths.

“Father. I want some milk tonight. Can we get some? Maybe a sweet? Please, Father.”

Rafa sighed. “Sorry, son. None of that for ya tonight. Maybe another day. We have to make do with what we have. Can’t let the Devil get us before our time, eh?”

Samuel pouted but stayed silent as they trudged along, keeping an eye on the gutters for any chance of having meat in his stew. After a few minutes, Samuel tugged on Rafa’s coat again.

‘Father, why don’t you hunt for meat? You were a hunter you told me. You can go out and get a goose, or a duck, maybe even a grouse.”

“Aye, I was a hunter. I hunted all types of game, Samuel. Not all of them were wild animals either. You know why I can’t hunt.”

“But Father, I want some meat.” Samuel’s protest was causing passersby to take notice.

“Hush boy. The forest is owned by the King. He doesn’t give leave to us for hunting. If caught, the penalty for poaching is death. That’s the why, boy. Now keep an eye out for a dead rat.”


Rafa and Samuel entered their home. Rafa couldn’t help but think it had seen better days when Maria was alive. She kept a clean and tidy home. She even patched things up when they needed repair. Now, piles of dirt and debris, webs and tiny insects littered the place. Rafa had to get up when the sun rose, take Samuel to Old Lady Veronica, then head to work in the dark mines digging for coal. He pulled out a few lumps from his bag. Part of his daily pay. He placed them in the stove and stoked a fire. He filled a pot with water and placed it on top of the stove. He then washed off the black powder which covered him from head to toe while the house warmed and the water boiled.

Freshened, Rafa sat at the table near the stove. He added salt and some dried herbs he had picked from the roadside to the pot of bubbling water.

He set to work on cutting off the bad bits from the vegetables, placing them into the pot to simmer. He heard a skittering and without a pause he threw his knife, skewering a rat against the corner. “Samuel. We be having meat tonight after all.” Rafa retrieved his knife and bounty.

Samuel looked up from his cot. “Father, when will supper be ready, I am starving.”

“We only just arrived, boy. Be a few minutes. Make yourself useful and sweep a bit, eh? Looks like the Devil blew through here. Could use a bit of tidying.”

“I’m tired, Father. Had to work on maths today with Miss Veronica. She’s a mean one, she is. Made me work hard.”

“Samuel, ya don’t know what tired is. Tired is where you work until your back is bent and your bones are crackling. Now get up and clean for ya supper.”

“I never knew Mother. I know others have mothers who clean and cook and look after them. Where is Mother?” Samuel asked trying to distract his father.

“We live in terrible times. What, with witch burnings, lynchings, and plagues killing people off. It is how we lost your mother, may God rest her soul. One day she was all cheery-eyed, the next she fainted with fever. Few days later, it took her. Had to raise ya by myself, I did. You were just a babe swathed in cloth then. Been seven years now. We managed to survive alright.”

“But Father…”

“Clean I said. Or may the Devil take you.” Rafa realized he had let his anger come out, but before he could apologize, there was a knock on the door.

Samuel stopped reaching for the broom and looked up at his father.

Rafa put down his knife. He had finished skinning the rat and had started butchering it. He washed the gore from his hands in the wash basin. Another knock.

“I’ll be with you in a moment,” Rafa answered as he kicked some of the clutter into a corner.

Rafa opened the door.

An old stately gentleman stood at the door. He removed his bowler hat and gave a slight bow. “Good evening. Mr. Rafa I presume? I am here to accept your offer.”

“Who are you? What offer might that be?”

“Ah, please forgive my manners. I go by many names: Scratch. Old Nick. Or, your favorite, the Devil. And the offer for me to take your son, Samuel, of course.”

Rafa’s unshaven face wrinkled in disbelief. “The Devil you say? I flirted with you most of my life and I must say, you don’t look like much. So please forgive me if I don’t believe you. Now if you don’t mind, I am making supper for me and my son.” Rafa began closing the door when the gentleman’s cane shot out and blocked it.

“Oh, I am definitely the Devil. I can prove it too.” The old man tapped his cane on the hard dirt floor three times and in an instant the house was clean, repaired, and tidied. A roasted grouse was sitting in the middle of the table with all the trimmings and sides. The aroma wafted over to Rafa. His mouth watered. Samuel ran to the food and was about to grab a leg when Rafa called for him to stop.

“Well, whether you be the Devil or a witch, matters not. I cannot allow you to take my son. I made no offer. So you best be gone.” Rafa straightened himself up to show he meant every word.

“You did make the offer. Heard it myself as I was walking past your place. You said ‘May the Devil take you.’ I may and I will.”

Rafa’s countenance darkened. “’Twas said in frustration and anger. There was no offer being made. Now, you don’t want to make me cross. I am not a nice man when I am pressed.”

“Rafa the Bloodhound. Rafa the Hungry Hunter. Rafa the Shadow. I know you. You have earned your way into my realm many times over. I have many who have entered it thanks to you. You are indeed a formidable man. But you are no match for me. I am not a man. Nor am I mortal. Come, let us partake of the feast I prepared while we come to terms?” Scratch’s arm outstretched towards the table as he tilted his head.

“I think not. You are not welcomed in my home. Take your favors away. We don’t need them.”

“Father. But it’s grouse. A proper roasted grouse. With potatoes and look, gravy! Oh and cranberry jam. Father, I am hungry. We have never eaten like this. Please let us eat?”

The food did smell good and Rafa’s belly was aching to get some into it.

Rafa opened the door wider to let his visitor enter. He allowed the visitor to take his chair while he sat in Maria’s. Samuel stood near his cot, not sure what to do.

“Samuel, come boy. May as well enjoy this food. Our benefactor won’t be staying long.” Rafa motioned for Samuel to take his seat. The boy did so.

Rafa carved the bird, giving Samuel a leg and a wing. He gave Scratch a breast and himself two thighs. Samuel piled potatoes, gravy, and cranberry jam onto his plate. He also poured himself a glass of milk. Rafa also filled his plate up. Scratch served himself some cranberry jam. He then dipped pieces of meat he delicately sliced off the breast in it before sending the fork to his mouth. He chewed quietly but with a smile. Several minutes passed as each of them ate without speaking.

Finally, it was Samuel who broke the silence. “Father, why is the Devil wanting to take me? You didn’t give me away as he says.”

Rafa released a low grunt and responded. “That I didn’t, son. Don’t you worry, you aren’t going anywhere. I will make sure of that.” Rafa’s fork stabbed a thigh, piercing it all the way through, releasing squirts of pink juice. He lifted the thigh and took a large bite out of the meat.

“So Mr. Scratch. Why not chalk this one up to experience and leave us be? We are a struggling folk, trying to survive in troubled times. My son has not yet ripened into a man. Has not discovered the curse of drink, the promise of love, nor the guilt of fight. He has a lot to do before he moves on from this Earth. All he needs is time. You have plenty of that. You don’t need him now. You can afford to wait for him when his time is done. Just like you are waiting for me, I suppose.”

Mr. Scratch finished chewing and swallowed. He then smiled showing bright white teeth.

“My dear Mr. Rafa. Your son is an innocent this is true. And you are not. But will he grow to be like his father? There is no guarantee of that. I don’t want to break up your home, but I must remind you, it was you who uttered the offer. I didn’t come to you unbidden.”

“Then I rescind the offer. No contract has been made.”

“You cannot rescind. There was no contract terms given when you offered. You didn’t ask for anything in return for Samuel.”

Rafa stood up, knife in hand, nostrils opening wide. “You. Will. Leave. Us. Alone.” His voice held steel, his eyes flashed the red of molten metal.

“Now. Now. Mr. Rafa. I’m a reasonable being. Perhaps we can substitute one offer for another?”

Rafa’s body relaxed and he allowed himself to sit down.


“Your old life was, let’s say, profitable to me. When your wife passed, you made the choice to leave that path so you could take care of little Samuel here. You have done a marvelous job of it too, haven’t you? So you took to working menial jobs to help feed you both. But you miss your old life don’t you? I know you still practice to keep your skills honed.”

“That is not my life anymore. I no longer hunt people. For anyone. Not even you.”

“Here is my proposal, Mr. Rafa. You can keep your son. He can grow into a man and do all the things you envision for him. He will make his own decisions and decide his own fate. But you, you have to work for me. Hell has grown so much over the years, so much so that we have occasional misplaced souls. I am certain they have made their way up to the Human Realm. I want you to hunt them down and return them to me.”

“My son needs me. I cannot disappear for long periods of time hunting your sinners.”

“Also, in return for your services, you will be rewarded with enough gold to move from here to a bigger manor and have staff to watch over Samuel. Who knows, you may be able to woo a young lady to become his mother and care for him while you are away working.”

Rafa looked over to Samuel. Gold. Samuel could have meat every night. Fill out into a man of strong and sound body. He could have proper tutors. He could have a future much better than the one currently promised..

“Father. What does the Devil want you to do? I don’t understand.”

Rafa sat for a minute. “He wants me to hunt again. Not animals but people. Like I used to before you were born. He offers me good pay for it too. And, I must admit, I miss that life. It is in my blood.”

Scratch’s smile grew just a bit more. “So do we have a deal?”

Rafa looked at his son. Samuel’s eyes were wide, hopeful.

Rafa returned the Devil’s smile, albeit with yellowed teeth. “We do.”


Joshua Flores manifested in Chicago with Spanish as his first language, the struggle to learn English well lead him to read. He devoured comics and men’s adventure novels. Eventually, he exchanged Doc Savage, James Bond, and Sherlock Holmes for authors. He scoured thrift stores and used book stores for Poe, Bloch, Beaumont, Ellison, and Bradbury. Horror wasn’t a specific genre but whenever Josh found it, it never failed to draw out raw emotions. Those emotions beckoned Josh to write. At ten years old, he two-finger-pecked short stories on an old electric typewriter. He hasn’t stopped writing since. That scares Josh. Email: Squarehopper[at]gmail.com

Risk Assessment

Three Cheers and a Tiger ~ Gold
Annie Percik

Photo Credit: NASA/Flickr (CC-by-nc)

Captain Zheng Gan of the Terran Exploration Alliance flagship, Lapsang, raised his sandwich to his mouth to take a large bite.

“You’re going to die!”

The holographic form of the ship’s Virtual Engine for Risk Notification (VERN) materialised at his shoulder. It appeared as a slender white man in a dark suit and bowler hat, carrying a clipboard. Some programmer’s idea of a joke. The way it screamed right in his ear wasn’t particularly funny.

Gan didn’t even glance at it. “Why this time, VERN?”

“That white bread will spike your blood sugar and eventually all your limbs will have to be amputated! And then you’ll die!”

Gan wished he hasn’t asked. But past experience told him it was always worth checking with VERN before dismissing its warnings. The system’s settings were way off and desperately needed adjusting. But the technician working on the problem had died in the epidemic when the ship’s doctor had ignored VERN’s apparently paranoid rantings about a possible alien pathogen in the air vents. So now they were stuck with it.

To demonstrate his disinterest in VERN’s warning, Gan raised his sandwich and took a huge bite. As he did so, the ship’s proximity alarm sounded piercingly, making him jump. The bite of sandwich shot to the back of his throat, blocking his windpipe completely. He dropped the rest of the sandwich and reached out an arm in supplication, unable to draw in any air or make a sound.

VERN, still at his side, waved its hands frantically. As a hologram, it was unable to assist with the Heimlich manoeuvre.

“The captain is dying! The captain is dying!”

After Gan failed to respond to VERN’s panicked yells, Commander Janet Harcourt looked round from her station, took in the situation and sprang into action. She made two quick strides to the captain’s side, hoisted him up in front of her, placed her hands in the required position under his sternum and jerked backwards. On the third attempt, Gan felt the lodged mass of bread and chicken break free and shoot out of his mouth. It flew in a high arc over the pilot’s shoulder and landed with a squelch on the communications console.

As Gan bent over, gasping and coughing, Harcourt’s arms still steadying him, he caught sight of movement from the corner of his eye. Struggling to regain control of his breathing, he tilted his head to look at the view screen, which showed the wide-eyed face of a Tlagan, staring at him in horror from the bridge of one of their standard battle cruisers. The yellowish tint of the lizard-like alien’s leathery skin told Gan it was a male. The Tlagan opened its mouth and a stream of enraged hissing spewed out. The Lapsang’s translator kicked in.

“How dare you disrespect my people in this way! I will spare your puny vessel, but only because the importance of reporting your egregious disregard for the terms of our erstwhile peace treaty allows for no delay.”

The screen went black.

Gan looked over his shoulder at Harcourt, having difficulty processing what had just happened. The Tlagans abhorred physical contact of any kind—they reproduced by parthenogenesis—and had originally declared war on Terra after witnessing the multitude of ways in which humans used touch to communicate in everyday life. The conflict had been long and bloody, and had only ended six months previously. The Terran Exploration Alliance (TEA) had been founded in the wake of the peace treaty, with the Lapsang launching its maiden voyage to celebrate the new opportunities for exploration without fear of attack.

And now, after the Lapsang’s first encounter with another ship, they were apparently at war again.

VERN flailed its holographic arms. “You’ll all be court martialed! Unless you all die first!”

Gan thought fast. For once, VERN might be right. The TEA was still a branch of the military and High Command was going to be less than impressed with them being responsible for war breaking out again.

“Follow that cruiser, Lieutenant,” Gan called out to the pilot.

Lieutenant Kozlowski turned in his seat and stared at the captain.

“You heard me, Lieutenant,” Gan said, wishing his voice sounded less hoarse. “Get after that Tlagan ship right now. Don’t let it get too far ahead, but try not to attract its attention.”

The Lapsang might not have much weaponry, but it was fast and agile. They ought to be able to keep up with the battle cruiser without drawing its fire. Kozlowski capitulated and turned back to his console, tapping in commands. The starfield visible through the view screen shifted perspective as the ship came about. A small dot far ahead denoted the cruiser’s progress.

“What are you thinking, Captain?” Commander Harcourt asked.

Gan answered her question by issuing more orders. He spun to face the communications console.

“Lieutenant Commander Owusua, can you jam any outgoing signals from the cruiser?”

She looked at him gravely. “I should be able to. Yes, sir.”

“Do it.”

Owusua regarded the sticky glob of ejected sandwich and carefully gave it a wide berth in executing Gan’s order. “Signals jammed, sir.”

“It’s all very well stopping them getting a message out now. But what are we going to do when they get back to Tlagan space?” Harcourt wanted to know. “We can’t follow them all the way home. And if they decide to confront us, we’re toast.”

“I’ve just bought us some time,” Gan said. He had no idea how to solve their dilemma, either. “I’m hoping someone will come up with a plan before things get worse.”

“You’re all doomed!” VERN wailed. “The situation is hopeless!”

“Thanks, VERN. You’re a ray of sunshine as ever.” Gan looked round at the rest of his bridge crew. “Does anyone have anything more constructive to offer?”

Blank, worried faces looked back at him. Strategic planning was meant to be his department, but instinct had only brought him so far. They were hurtling towards what was now enemy space, with no hope of surviving a direct conflict. And, if they turned tail and went back to Earth, they would probably be thrown in prison. He would have to hope something occurred to him before they reached the point of no return.

The atmosphere on the bridge was tense, as Kozlowski worked to keep the Tlagan cruiser in sight and the Lapsang off its radar, while Owusua kept any announcements of the renewed war from escaping the jamming field she had extended around the cruiser. Gan noticed the rest of the bridge crew throwing anxious sidelong glances at him every now and then. But inspiration refused to come.

Eventually, Lieutenant Kozlowski announced, “We are approaching Tlagan space, Captain. What do you want me to do?”

Gan opened his mouth but nothing came out. He was an explorer, not a soldier. How was he supposed to know what to do in this situation. But before the silence dragged out to an embarrassing length, Owusua broke it.

“There’s another ship coming at us fast. From the direction of the Tlagan homeworld.” She turned wide, frightened eyes on Gan. “It’s an elite battle cruiser.” Those were three times the size of the standard ones. “And it’s hailing us.”

Gan felt what little of his sandwich he’d managed to eat turn over in his stomach. They were for it now. VERN was right. He had led his entire crew to their doom. He glanced round the bridge to make sure nobody was touching anyone else. There was no sense in exacerbating the problem even more. Then he straightened his uniform jacket and took a deep breath.

“On screen.”

The starfield was replaced by a larger and fancier version of the other cruiser’s bridge. This time, the purple tint of the captain’s skin denoted a female.

“Greetings, Lapsang.” The translator turned her hisses into a very cheery-sounding salutation. “You’re a long way from home.”

Gan stared at her. Was the jamming field still in effect? Had the other ship not managed to alert this one to the changed war status?

The Tlagan captain continued. “And I see you’ve brought us a present. We appreciate the assist.”

What on earth was she talking about? Gan looked at Owusua, who looked straight back, as baffled as he was.

“Um, you’re welcome…” He trailed off, not wanting to reveal his complete ignorance of what was going on.

“I have to admit I’m surprised that a human ship with little to no offensive capabilities would be willing to risk attack from one of our battle cruisers.” The Tlagan captain’s eyes shone with admiration. “I’m impressed that you humans are taking the peace treaty so seriously. To risk yourselves just to track a rogue ship and broadcast a distress signal on an open frequency to let us know where you were…” She shook her head in amazement. “That took some guts and could easily have gone very wrong for you. But we’ve been looking for this crew for weeks and haven’t managed to track them down. So you’ve done us a huge favour.”

“Um, you’re welcome…” Gan repeated, swallowing hard.

When it became clear he wasn’t going to say anything more, the Tlagan captain nodded. “Right then. We’ll take it from here. We’ve got them secured in a forcefield so they won’t get away from us again. Oh, and I’ll send a communique to Terran High Command to commend you for your actions. I think you’ve just strengthened the peace between our two peoples considerably.”

The screen went blank, leaving Gan opening and closing his mouth like a fish. He turned to Owusua.

“What distress signal?” he asked. “You didn’t send out a distress signal, did you?”

Owusua shook her head. “No, sir. That would have been insane. Anybody could have picked it up and come to find us.” She gestured at the screen. “Just like they did.”

“So what was she talking about?” Gan felt like he was seriously losing the plot. He jumped as VERN appeared at his side again. At least this time, he didn’t have anything in his mouth.

“I sent the distress signal,” the hologram said. “The ship was in imminent danger of destruction! So I called for help! Any kind of help, from anywhere that was listening! It was the only way to save you all!”

Owusua scanned her console, her eyes alighting on the chewed up piece of sandwich. With a grimace of distaste, she flicked it away with her fingers to reveal a bright, flashing yellow light. The distress beacon. It had been going off the whole time.

“You can switch that off now,” Gan told her, then turned to gape at VERN. “I don’t believe it. You actually saved us.”

The hologram adopted a superior expression that actually matched its prim and proper appearance for once. “Of course,” it said. “It is my job to identify risks and protect the crew from danger.”

Gan collapsed back into his captain’s chair and wiped his hand over his face. Talk about a roller coaster of emotions.

“Lieutenant Kozlowski, plot a course for Earth. It seems we’ve averted a war and now we have commendations to collect. Let’s go home.”


Annie Percik lives in London with her husband, Dave, where she is revising her first novel, whilst working as a University Complaints Officer. She writes a blog about writing and posts short fiction on her website, which is also where all her current publications are listed. She also publishes a photo-story blog, recording the adventures of her teddy bear. He is much more popular online than she is. She likes to run away from zombies in her spare time. Twitter: @APercik | Email: annie[at]alobear.co.uk

It Will Happen to You

Beaver’s Pick
Jeff Bakkenson

Photo Credit: Jennifer Boyer/Flickr (CC-by)

“It will happen to you,” Meghan’s dad Tom, Josh’s father-in-law, once told him. Tom was standing suit and tie in front of the open freezer. He’d forgotten to get ice for the party, and now there was no time to go back out before church. So it must have been Christmas. Meghan and her sister Colleen’s footsteps ran in both directions along the hallway between their bedrooms and the upstairs bathroom. Mary, Josh’s mother-in-law, or future mother-in-law at that point, stood at the top of the stairs.

“You didn’t make a list?”

“If I could remember a list, I wouldn’t need a list.” He raised his voice as Mary turned towards their bedroom. “We can stop by Walgreens after church!”

She raised her voice back. “We’ll be late to our own party!”

Tom looked around for allies and found Josh trying to blend into the couch. “You think I’m kidding, but it will happen to you.”

A spray of magazines lay across the coffee table. Tom was constantly rearranging them, tugging their corners into alignment on an undescribed grid. Sometimes in the middle of a conversation, a headline would catch his eye, Sports Illustrated, Golfweek, and he’d lick his finger and gently, still nodding along as you spoke, open to the first page. Not to the article, not the table of contents, just two full-page ads facing each other, and he often wouldn’t get up again until he’d read the magazine straight through or fallen asleep trying.

Probably he’d been sick even then, before Meghan and Josh were married. After a second exam, he called the family together to tell them the secret he hadn’t known he’d been keeping. Or maybe he’d known on some level, thought Josh. The body knows, right?

A procedure was scheduled, and life continued with deliberate normalcy, which was why the morning of the procedure found Meghan and Josh following a guide named Mehmed on a tour of downtown Sarajevo. Why Sarajevo? everyone asked. Because it was cheap.

“Until you hear sniper’s bullet,” said Mehmed. “You do not think this is happening here.”

Despite their best efforts, they kept finding themselves checking their phones to make sure they’d have enough time to call home when the tour was done.

Mehmed’s memories took the form of snapshots vivant as he asked them to imagine families lined against a wall waiting for water. Lives remembered for their premature ending. “Here is Markale Market, site of massacre 5 February 1994, and also 28 August 1995.” “This Bosnia Dragon Street, where sniper shoot.” And once, a literal Polaroid, pulled from the crossbody pouch he wore at his belly button, of two young men sitting against a sofa pushed onto its side. “This is my cousin Harun. Lived by Markale Market.”

Miracle of miracles, Harun himself came hustling out of a cafe a few minutes later. He kissed his cousin and walked alongside him for the remainder of the tour, nodding whenever anyone spoke.

He nodded vigorously when Mehmed explained the city’s ethnic divisions.

“Bosnian Serb is in hills, shooting. Bosniak is me, shot.”

As they walked around the presidential palace, Mehmed pointed out damage left by mortar fire, as well as skyscrapers rising down the street. Meghan stood in front of Josh and leaned against him.

“This finished our tour,” he said. “But I leave you with one idea. My name Mehmed Banjac.” He pointed to his cousin. “His name Harun Banjac. Mehmed and Harun are Bosnian’s first name. Banjac is Serbo-Croatian’s last name. So Bosnia Herzegovina is both Bosnian and Serbo-Croatian.”

Both men smiled. Josh went into his wallet and tipped Mehmed in convertible marks, and as Harun nodded one last time, Josh tipped him too.

A cafe across the street offered WiFi and seemed as good a place as any to FaceTime from. They ordered thimble cups of coffee and sat side by side on wicker chairs, Meghan holding her phone out in front of them. But Tom didn’t pick up. Meghan called again, no answer. She tried her mom, then Colleen, Josh with his own phone ready in case he found a way to help. He watched her cycle again through her mom, dad, and back to Colleen. They confirmed the time difference and she tried again. Nothing. By the time Colleen called back, the procedure had already begun. Whoops, sorry. Enjoy the day, and we’ll let you know how it goes.

They sat blankly for a while. When the time allotted to the call expired, they gathered their things and walked to the car they’d rented to drive down to the coast.

They’d already had the conversation about not feeling guilty for keeping their trip. They’d had the conversation about the difficulty in not feeling guilty despite that being the correct response, and they knew to push the guilt down until they could barely feel it. They were at the point where they could look at each other and say, “I know,” and have that be a whole conversation about their guilt.

At first Meghan looked like she was having trouble swallowing. Once they’d left the curving roads of the city center, she hunched over her phone firing off volleys of texts. The procedure, Tom had told them back in that other world before the procedure began, could take a short time or a long time, depending on what the surgeons found and where they found it. Then, depending, further treatment would be advised.

“It probably didn’t even occur to them because it’s such a routine procedure,” said Josh.

“But didn’t he want to talk to me?”

“Maybe they thought it would make you worry more.”

“I’m not worried. I’m mad.”

Pocket cemeteries dotted the slopes as the city slowly faded into forest. Meghan put down her phone and rubbed her eyes. The highway switchbacked up and up and finally down the other side of a woody mountain, glances of the next valley stealing through the trees, and another mountain beyond it. On the valley floor, they passed a village set around a gleaming slab stitched with consonant-choked names.

“Didn’t Mehmed say the -ic means they’re Serbian?” asked Josh.

“Maybe we’re in Serbia.”

“Check the book please?”

The book, a Rick Steves travel guide, had an inset after the section about Sarajevo. Meghan read aloud, “As you leave Sarajevo, you will see memorials for the Serb fighters who laid siege to the city. While this seems confusing to us now, remember that the conflict… good people on both sides, etc.”

They stopped for lunch in Mostar and ordered a mixed grill plate at a restaurant overlooking the famous humpbacked bridge. A metal cross stood on a hill above, a memorial, said the book, to the fighters who’d used the vantage to fire down into the city. The bridge was a reconstruction.

“I’m kind of done with the war stuff,” said Meghan.

“Me too.”

Their waitress brought out two mounded plates, then two plates more, and two more after that.

There’d been a misunderstanding. Josh waved his hands over the table.

“No more, please.”

“Yes,” she said. “Is more!” She laughed from the back of her throat and brought out a final plate.

They ate what they could of the sausage, another sausage, chicken, thin beaten steak, french fries, raw onions, tomatoes, lettuce, and rice. Meghan’s phone buzzed with a waving emoji.

“She has to text every thirty minutes whether or not there’s news,” she said. “At least this way we’re still in the loop.”

Josh scrolled through his own messages. The last time he and Colleen had texted was on her birthday. The time before that was on his.

“Does she know you’re upset?”

When the bill came, the price was double the price in the menu. The waitress stood over them, waiting.

“Where does it say per person?” asked Josh, but she seemed not to understand.

He relieved himself of a wad of bills while Meghan let Colleen know she might be out of phone range.

Someplace between Mostar and the coast, the woods became scrubby hills. The sky cleared. Meghan played bongos on the dashboard. She folded her arms and picked at her teeth.

“Why is everything here cash only?” she asked.

“It’s real money.”

“So’s a credit card.”

A while after that, Josh heard her humming.

“What are you thinking about?”

“Not thinking, just humming.” But then, “It’s taking a long time, isn’t it?”

The road passed from Bosnia to Croatia, back into Bosnia for a few miles, and then back into Croatia. At each crossing, they stopped and had their passports stamped. At the final crossing, Josh gave a man in a kiosk the rest of their marks, and he gave them a smaller stack of kuna in return.

Meghan read some more from Rick Steves. “Apartment Maria lies steps from the Old Harbor and a secret swimming hole. Nikola is a conscientious host who enjoys helping his guests. Mention this book for a 10% discount.”

Another time she asked, “Are we sure we weren’t wrong not to be there?”

The hills in Croatia were lower, chalkier. There were no more villages with roadside memorials. They rose, descended, rose, and suddenly the ocean appeared, glittering away towards the walled city of Dubrovnik. They pulled to the side and got out to take pictures.

“Fuck!” said Meghan. She sprinted back to the car, found the baggie with the Croatian sim card, and switched it for the Bosnian one. Her phone buzzed with an overdue heart emoji.

At five, 17:00 on the clocks in Dubrovnik, they returned their rental car and caught the last ferry of the day for Riba, an island appearing as the first of a series of smudges stretching out into endless water. They sat on the top deck, bags at their feet. In front of them, a castle passed from left to right along the shoreline.

“What are we watching?” asked Josh.

“Dunno. Check the book.”

The women sitting next to them spoke Croatian. At least Josh assumed it was Croatian. He was a tourist; it was okay not to be sure. There was something comforting, finally, about listening to a voice you didn’t have to understand.

Because enough with this stuff at weddings about, I don’t feel like I’m losing a sister so much as gaining a brother. It was like that thought experiment where you replace all the parts of a boat one by one. At what point does the old boat become a new boat? And at what point do you, let’s say you’re a screw drilled in midway through the restoration, begin to understand why the sails and the rudder pull in opposite directions, what foundational assumptions and unsettled arguments they use to navigate each other? Because whatever else happened, today would be a permanent fixture in that relationship.

Riba was shaped like a goldfish cracker with a walled town at the head and a beach at the tail. Meghan’s phone buzzed just the dock came into view, and she threw her arms around Josh. The surgery was done.

They breathed deeply in and out together.

Josh asked, “You’re doing okay?”


As the crowd gathered on the dock inched closer, they basked in the glow of having been through a close call and coming out the other side still themselves.

“Did they say how it went?”

“He’s still asleep. The doctor will talk to everyone when he wakes up.”

“Then wake him up already!”

Nikola was waiting in the shade of the old city gate. They walked a short distance to Apartment Maria, which was really just a room on the third floor of his house.

Nikola led them upstairs and then back down to the kitchen on the second floor, where a bottle of wine and a scatter of brochures waited on the table. He poured into three glasses.

“The bottle say, Desire is stronger than love, but here there is both.

Meghan went back upstairs to FaceTime Colleen while Nikola shuffled through his brochures. If they wanted to rent a boat, if they needed a guide, his friends had the best prices.

“Now you pay please,” he said. He set a calculator on the table between them, making a show of punching in the room rate times three.

“We have the Rick Steves book,” said Josh. “The ten percent discount.”

Nikola was confused.

“Rick Steves?” asked Josh. “Just a second.”

He mussed around in his backpack and came up with the book and the line about the discount. Nikola shook his head.

“I never have discount.”

“It says so right here.”

Nikola flipped to the author’s photo at the back. Josh thumbed back to the page with Nikola’s name on it.

“This is you, right?”

“You bring this book.”

And a shrug for good measure, as if to say, We have our own set of rules. Like the war had permanently severed them from the outside world. Josh counted out kuna and dropped the money on the table.

“This is my house,” said Nikola.

“Take it or leave it. Do you know this phrase?”

He gave what he felt was a convincing look, and when Nikola reached for the money, turned and ran upstairs.

Meghan was sitting on the bed, phone in her lap, looking out the window. Josh felt a bounciness as he stepped into the room, like his feet were still climbing.

“He’s awake?”

Meghan shook her head. “Nobody’s picking up.”

“Maybe he’s just not awake yet.”

“It’s the same thing all over again.”

It’ll happen to you, Tom had said. Meaning what, exactly? It was like even when they won, they lost. Josh sat on the bed and put his arm around Meghan. The window was a vision of what they were missing, a cobblestone street lined with whitewashed and red-roofed houses, shining for a few more minutes in the summer sun. Below them, a car stopped to let out a man in a leather jacket.

“Do you think they found something bad?” asked Meghan.

According to the guidebook, a path behind the apartment led to a door in the city wall and a stone staircase leading into the water. If they left now, there was daylight left to find the door, leave their clothes by the wall, and sidle down the stairs until the water buoyed them away.

“Josh?” said Meghan.

The water would be warm, and still, and clear. They’d pinch their noses, close their eyes, and slip below the surface.

There was a knock at the door, and Meghan turned to face it.

Josh stood.


In the darkness, surrounded by water, each would be a universe gently sinking. As pressure pounded their ears, their chests quivered, and finally they’d rise, gasping at each other on the surface. A sense of clarity, that trusty fight or flight, and together they’d swim back to shore.



Jeff Bakkensen lives in Boston. Recent work has appeared in A-Minor Magazine, Oblong Magazine, Smokelong Quarterly, and The Antigonish Review. Email: jeffrey.bakkensen[at]gmail.com


Creative Nonfiction
Dian Parker

Photo Credit: Matthew Rutledge/Flickr (CC-by-nc)

Eli came to visit with his girlfriend. I was happily married now. Eli didn’t appear happy.

When I’d first told Eli I was getting married, without hesitation he had kissed my hand, said he was thrilled. We were having lunch.

For years I still wanted Eli, even after we broke up. Felt he was my true love, my for-all-time love. But after six years he broke up with me saying we were holding each other down. We were meant to fly, just not together.

I was devastated. Six years is a long time when you’re young. When you think you’ve got it all worked out.

Being married was not my intention but age and finances interfered. My husband’s social security was more than my meager helping. I’d take a third of his. We had savings. We’d live OK. We were in love.

But the other one, when he came to visit us with his girlfriend, turned strange, manic even. He pounded my husband on the back, telling him he’d done great. Our small house was lovely, and our view stellar. Ripe with green. Quiet. Secluded. Who wouldn’t admire our life, especially Eli who still rented a room in his friend’s house? But his girlfriend was sweet, smart and attentive. I was happy for him.

I was not happy, however, with how he took a painting off our wall to see if I’d really painted it, examining the back for marks of forgery I suppose. Or how he paced around the house looking at everything, anxious, pretending all was well. It wasn’t with him. I was well. I was really well. I was living, finally, my dream.

When Eli and I first met, I was working as a theatre director. I had plenty of work and Eli was a construction worker. His body was muscular. He had a wonderful, strong jaw and thick wavy hair. By the time we broke up, he’d lost most of his hair. He was still lean but his muscles had diminished, through no fault of mine.

Before Eli broke up with me, I had given up theatre to travel around the world with him. We only managed to hitchhike through the Fertile Crescent in the Middle East, never making it to India which had been our intention. That was fine with me. After two years of carrying a backpack through deserts, sleeping on a thin Ensolite pad on church steps, and huddled against stone walls in goat fields, I’d had enough. Eli hadn’t. He always wanted more. More adventure, more risk, more hardship.

After the trip, back in Seattle, we rode our bikes every morning. Five miles for our lattes and croissants to a little hole-in-the-wall café. It was in this café that he, out of the blue (at least to me), announced that it was over. I laughed. It was so ridiculous. We’d just finished (for him, triumphantly), a two-year trip to Palmyra, Damascus, Aleppo, Sinai, Cappadocia. We had traveled well together, mostly because I let him lead, stifling my intense discomfort with the heat and cold and incessant company of men. Eli always wanted the next village, the next mountain pass, the next bend in the road. Even late at night after walking miles in blistering heat he’d search out the best place to lay our sleeping bags. I’d beg him to stop. Not one more mile. But he’d smile and kiss me, saying, “My beauty, you’ll see. I know there has to be a grove of trees soon.” Or a rowboat to turn over and sleep under. Or a beach with sand to carve for a bed (sand is hard, no matter how many indentations you make). Once we found an abandoned, wooden lean-to on a beach in Egypt. The first night for dinner we heated up a can of foul, the Egyptian white bean. We had a stale heel of bread and when Eli went to dip it in the can, the whole mess tipped over into the sand. We ate it anyway. The grit was hard to keep down.


Mid-afternoon light hems the forest floor. An old growth cedar exudes calm and wisdom. I need this now, to calm down, terrorized by lack of money and the fear of being without Eli, my one true love.

I melt into the ragged bark of the tree, the tender smell of damp moss, the soft cedar breeze. When I stand, the light has severely shifted. Hours have passed unawares. I gather a bough of cedar from the forest floor and tuck it down my shirt, the fan cool against my skin. A slim piece of bark goes in my pocket.

I reach my arms around the wide girth of the cedar, only covering half the circumference with my reach. It is then I feel the gash, a deep irruption in the vertical bark.

Walking around the broad base, I see the cut, a deep slice from a woodsman’s axe long ago. I run my fingers along the wound, now grown over with living black tissue, like an old scar. This forest hasn’t been logged for one hundred years and this tree is well over two hundred, towering above the rest. It had survived the last logging. Why?

Once home, I turn on some drum music, heavy and tribal. I do this when I’m sad, as I am so often these days. In one hand I hold the bark and in the other the cedar bough. It is night and the room is densely black. Closing my eyes, I dance. I will dance long enough to forget myself.

My mind moves inside the layered branches, the thick bark, the tip of the dark green crown. Branches sway in the soft breeze of spring and the icy winds of winter. I dance through thunder and lightning storms, through scorching heat that dries up moss. I dance in the sweet loamy soil surrounding the roots, connected to other roots—lifelines crisscrossing beneath the forest floor. The tree grows taller and taller, hundreds of feet up, and out, and down. Never ceasing.

The axe man begins to cut. The first blow ricochets. The second blow howls in the wind. The third blow spikes downward. To the others. They all know what is coming.

Abruptly, the jagged vibrations stop. There are no more blows.

Human again, gone out of the tree, back inside my hot body, a flattening exhaustion overtakes and I drop to my knees.

The moment has passed. A realization remains. The logger stopped his axe because, two hundred years later, I would dance this tree. The tree and I were one, for one long moment. The tree could not be chopped down and carried away. For I was coming. And I was alive.


The scar of Eli remained with me for fifteen years. During those fifteen years after Eli ended us and meeting my husband, I was without a man. I had decided if Eli wasn’t having me, I wouldn’t have anyone else.

Over the years we remained friends. He helped me build a deck around my yurt. Loaned me his truck when I was building my underground (secretly). Late at night we often drove up secluded logging roads into the hills to sleep under the night sky. He’d build a fire and we’d drink wine and eat cheese and bread and stare at the stars. We slept in each other’s arms but never made love anymore. He was my mountain man, my nature boy, my other world—away from cities and social life and money woes. Eli was fearless in the wild and a bumbling fool in society. He left me because he wanted to go into the world of men: politics and dissonance. I wanted out of society, away from cities, into the wild. Untenable.

When Eli visited Tommy and me that last time, he and his girlfriend were supposed to stay three days. They stayed only one night. I was stunned when I woke the next morning and Eli was gone. I’d thought we’d had a lovely day, walking around our land and taking a drive down dirt roads. I’d fixed his favorite food: pasta with lots of garlic, and wine. They went to their room and Tommy and I went to ours. In the morning they were gone.

He left me a note.

Sweet Dian… my apologies to have so quickly worn out your welcome. All fine graces to you. Perhaps, once I am well beyond my present life, we can greet on fresh plains once again. Love, E

I didn’t understand, except that he had scars too.

Eli and I were one once, for one long moment. He ended us. It took a mere fifteen years to the tree’s two hundred, but I found, despite my scars, I could not be chopped down. For I was coming. And I am alive.


Dian Parker’s essays and short stories have been published in The Rupture, Anomaly, In the Fray, 3 AM Magazine, Flash Fiction Magazine, Northern New England Review, Woven Tale Press, Cold Lake Anthology, Kingdoms in the Wild, and others. Parker’s arts writing has been published in Art New England, Vermont Art Guide, Kolaj Magazine, and nature writing in Northern Woodlands/Outside Story, Nature Writing, and OpEd News. She is the curator for White River Gallery in Vermont. Email: dianparker9[at]gmail.com

In a Silent Voice

Bonnie Thompson

Photo Credit: woodleywonderworks/Flickr (CC-by)

The other boys won’t play with Kevin. In his pink pullover and purple leggings, he twirls around on the parking lot by himself, singing softly and shaking his head back as if long hair cascades down behind it.

Ruthie sits on the curb, waiting for recess to end. The thin November sun catches a shard of amber glass in the gutter next to her, its curved edge like a shark’s tooth. Kevin spins an imaginary baton, and when Mrs. Peavey rings the bell, the other kids rush past him for the classroom’s back door. One boy clips him with his shoulder, but Kevin just turns the jolt into a jerky dance move.

Ruthie takes off her jacket as she passes the empty desk next to hers, heading toward the scrum of kids in the closet. She edges around the flying hands and heels, the hard leather soles of the girls’ shoes. Two weeks ago, her best friend, Betsy Greenaway, moved to Pennsylvania. Miss Monroe, lacing her fingers together nervously, reminds Mrs. Peavey that two students still have to make their presentations.

Mrs. Peavey’s black hair sweeps off her liver-spotted forehead like the glossy wings of a crow. “End of the day,” she tells the student teacher, looking over her half-glasses at the skinny little girl already back in her seat, as separate from the commotion around her as if held within a shell.


Mrs. Peavey chalks two columns of numbers on the blackboard, the first in base 10, the second in base 4. Fourth grade is early for this material, but she believes her students can handle it. She describes how base 4 works, and then she writes out a couple of equations.

Ruthie gnaws at a hangnail. To her left, David Weeks has aligned all his pencils at the top edge of his desk, their sharp points aimed toward her. You can use the real numbers on the left, she sees, then translate to the column on the right. She takes her finger away from her mouth—You look like a little rat when you do that—but soon it goes back again.

Mrs. Peavey pulls down the map of the United States, hiding the half of the board that holds the key. The chalk taps like a secret code as she poses another equation.

Ruthie frowns. Then a wave rushes though her head and everything shifts, so that what used to be 4 is now 10. She sits up in the plastic chair anchored to her desk, her hands pressed under her thighs, like two hot little pancakes, and waits for the next equation.

Across the aisle, Donna Schmidt protests. She flips her ponytail, a shimmering yellow plumb line. “But there is a five,” she argues. “You can’t just take it away!” Behind her, lynx-eyed Katy Halloran leans sideways and echoes the objection.

Mrs. Peavey’s lips make a thin maroon line, and she leads the class through more equations. Then she turns to write another problem on the board, the chalk long and cool in her stiff hand.

“Tell me the equivalent,” she says, and next to the base 10 number 16, she etches two options: 40 and 100. “How many people think the answer is forty?” she asks. Donna understands now; her hand shoots into the air, followed by Katy’s and then some eighteen others. “Four sets of four with none left over,” David Weeks chants, repeating the formula.

“And how many vote for one hundred?” Mrs. Peavey says.

Only Ruthie’s arm floats up, sickled above her head.

“Superb!” Mrs. Peavey exclaims. “Ruthie, do you want to tell the class why the answer is one hundred?”

Ruthie shakes her head, a barely perceptible movement. Mrs. Peavey notices the parted sea of faces turned toward Ruthie, their expressions of wonderment and suspicion, and reveals the secret herself: there is no four.


Bolted to the cafeteria’s ceiling are rows and rows of long light fixtures, yet three feet off the floor, everything seems murky.

Ruthie extracts her lunch items from a brown paper bag. She lays the expected peanut butter sandwich on the table and reaches for something soft and silver. When she peels back the tinfoil, it turns out to hold last night’s leftover string beans, now sumpy-smelling and congealed. She presses the foil closed and pushes it back inside the bag, and the last item rolls forward. Under her fingertips it has a familiar, too light feeling.

There is an empty seat next to her, and another one across, where Betsy used to be. Ruthie nibbles at the sandwich’s crust. To her right, a short, round lunch lady with a large magenta birthmark scorched across her neck cackles at something.

Donna jolts the table, shrieking as she jumps up to take a brownie from Katy. Under the fluorescent glare, Donna’s skin looks ghostly, her nose as sharp as a book’s corner. Ruthie cuts her eyes across the aisle as a second grader walks her tray toward the garbage bins. The girl’s spindly legs and knobby knees look like a starving child’s from TV. Ruthie feels queasy and angles her head down, the peanut butter dry in her mouth.


Miss Monroe tries not to startle the little girl, but when Ruthie turns in response to the tap on her shoulder, the expression on her face flusters the student teacher. She squats down at the end of the table, her nylons scissoring as they slide past each other.

“Hi there,” she says. She is aware that this is something Mrs. Peavey, eating her chicken salad sandwich in the faculty lounge, would never do. But the children are not in a one-room schoolhouse, working out the three Rs on slate tablets; the world is more complicated now, Miss Monroe understands, and it can be hard to reach some of the kids.

“We’re all looking forward to your presentation this afternoon,” she says. “Are you excited about it?”

Neither sentence makes any sense to Ruthie, her little fingers wrinkling the plastic baggie.

“It’ll be simple.” Miss Monroe tucks her shiny auburn hair behind one ear and smiles with the sort of confidence instilled by years on soccer fields. “All you have to do is tell the class what your project shows, and then a little bit about how you made it.”

That radiant smile has caused a few of the boys to develop obvious crushes on the petite student teacher. Ruthie sees the pink flesh of her gums above her even white teeth, glistening with saliva, and the pale fine down on her cheek, and, when she blinks, how the eyeliner on her right lid has bled crookedly into the follicles of her lashes.

“You’re a little worried about speaking in front of the class, aren’t you?” asks Miss Monroe, and Ruthie nods. “It’s no big deal,” the student teacher assures her. “Once you get started, it’s easy-peasy.”

Ruthie stares at her, as if hoping to hear how this can be so.

“You’ll do fabulously,” Miss Monroe goes on, shifting a little because squatting is making her legs go numb. But Ruthie only looks as if someone has struck her.

Miss Monroe changes tacks. “Remember that girl from third grade I introduced you to?” the student teacher prompts. “I thought she could be your twin!”

Ruthie pictures a brown-eyed, brown-haired child wearing a sweater like hers, a sky blue crewneck. The girl had been as bubbly as soda pop, as bouncy as a puppy. Ruthie had hoped to never have to see her again.

“See? We’re all alike,” Miss Monroe says.

Ruthie starts putting the last corner of her sandwich back into its flimsy bag.

Miss Monroe places one hand on the table to get some of the weight off her legs. She wants to ask how things are at home. “Is there anything,” she says softly, studying the greenish cast in the hollows under Ruthie’s eyes, “you want to talk about?”

Ruthie’s dark gaze returns to Miss Monroe’s face. She raises one shoulder and tilts her head; Miss Monroe has seen children use that gesture before they bring up something they don’t understand. She smiles again and bobs her head encouragingly, light bouncing off the flat silver heart on the delicate chain around her neck.

Ruthie’s mouth works, and she looks off to the side. In the kitchen, something heavy and metal crashes against something else. She pulls her shoulders in.

When Miss Monroe stands, she finds that her right calf has gone to sleep, and she walks slowly so that the children won’t see her limping.


Ruthie folds the plastic and puts it in her lunch bag with the fragile egg and the packet of squished green beans and walks it up to the trash bins at the front. Ricky Kirwin spikes his own balled-up brown bag into the open receptacle. “He beats the buzzer!” he whoops as he spins around, almost knocking into Ruthie. “Argh, back to class,” he says to her in cheerful grievance. Everyone likes this freckle-faced kid: boys, girls, even other classes’ teachers. His grin is open, guileless, the edges of his front teeth minutely scalloped. Ruthie, smiling back up at him, sees where a green film of mucus has gotten caught partway across one nostril.

Johnny Iovine, returning his lunch tray, tries to wing it through the slot in the wall from a couple of feet away, and it clatters to the floor, mashed potatoes exploding into the air. A small, dark boy, he holds his sides when he laughs.

“Shame on you!” squawks the lunch lady, her neck livid beneath the red blotch.

Ruthie flinches and moves over to the line in which they will return to class.


Ruthie understands that her project isn’t very good. Libby Berger, whose father is an eye doctor, brought in an actual snuffbox, a delicate oval case made of engraved silver worn almost smooth over the centuries, with an enamel portrait of Benjamin Franklin on the lid, and all the kids were allowed to touch it. It wasn’t, technically, relevant to the unit the class is studying—the pioneers’ move westward—but Libby had also made a poster that tied snuff to tobacco and tobacco to how we smoked the peace pipe with the Indians but then took all their land during the Gold Rush.

Back in the classroom there’s an edgy energy, kids clumping and splitting and clumping again. All the projects are lined up on the shelves under the windows, past which brown oak leaves swirl in a coppery wind. While they were in the cafeteria, low clouds crept in, and now it feels to Ruthie like nighttime.

She sits down, her fingernails finding the little ridge at the edge of the laminate desktop. Her whole idea is dumb: a relief map of the journey Marcus and Narcissa Whitman made from St. Louis to the Oregon Country, across the Continental Divide. That is the focal point of the effort, in fact: all that flatness in the east builds to the crisis of the Rocky Mountains, which Ruthie made from a recipe she found in a magazine and painted brown with white tops. Her project was just playing with mud pies, and she doesn’t see how she can explain it to the class. The paste map shows only the route, not how, a few years after that crossing, the Whitmans were massacred.

Mrs. Peavey quiets the children and says that half of them will work on the marine life mural and the other half on their independent Reading Rally exercises. When Ruthie learns that she’ll be in the reading half, she stops pinching the skin of her fingertips between her nails and the desk.


At the end of the day, with only the final two presentations to go, the students are given a few minutes to look again at one another’s projects. A frigid wind seeps in through the loose sash where Ruthie is peering at Katy Halloran’s diorama in a shoe box of a pioneer family’s sod hut, with a dirt floor and two small, dim windows made out of waxed paper. Ruthie has just recognized the Monopoly iron in front of the red-hot fire when Kevin appears next to her and says, in his soft voice, “This stuff is so stupid.”

Ruthie starts and angles her head toward him. He had sewn a perfect replica flag of the short-lived California Republic, with its bear and star, and he’d held it up proudly in front of the class and described how he’d had to use both machine stitching and handwork. She’s gotten nothing from her project that she hadn’t already understood from reading about the Oregon Trail—instead, there’d been a moment of terror when she banged it into a metal seatback on the school bus and thought it would all crack apart.

“Those aren’t, like, volcanoes, are they?” he asks about her line of chocolate mountains, pointing at the snowy top of one that is unintentionally cratered.

Ruthie shakes her head no.

“Because my folks took me to Hawaii last year, which was really beautiful, all these strange flowers everywhere, and we saw a volcano with smoke coming out of the top.”

Ruthie nods. She didn’t think there were volcanoes in the Rockies, but now she wonders if there are, if she should have put one in.

“So how’d you make them?” Kevin asks.

Ruthie sucks in her lips. It was flour and salt and water, but the instructions also called for cream of tartar, which they didn’t have. So she followed the recipe, only skipping the tartar, hoping it didn’t do something crucial, and she spread the mixture on an unused FedEx box, flat for sea level and adding another layer for Oregon’s high desert. And then, obviously, built up the peaks.

“Well, I guess you’ll tell us soon,” says Kevin, his eyes flaring as, at the front of the room, Mrs. Peavey claps her hands sharply to get everyone back in their seats.


Even Johnny Iovine understands that his project is lame. He makes snorting, honking sounds as he sidles up the aisle between the desks to the front of the class, flipping it between his hands, and he guffaws again as he plunks it down on the old metal typewriter table set up there.

It’s a totem pole, like that majestic symbol of the Northwest Indians. Only instead of a large pillar of cedar, his has been made from one of those white foam rollers people use in gyms, and instead of being carved, it’s just painted.

He explains about the figures he drew on it, snickering when he can’t help but point out the divot where his pencil stabbed into the foam, and a speck of spittle flies from his lips. The traditional totem pole typically shows a tribe’s ancestors or its myths or history, he says, so he used his own family. He webs his fingers over the big-toothed grimaces that represent his grandfather and grandmother and the triangular black snoot, as he calls it, of his dog, turning the tube to show it to each side of the class. As he pivots, the kids on the opposite side glimpse blank styrofoam, since he only painted the front.

Mrs. Peavey looks at her watch, then takes off her half-glasses to clean the lenses with a white handkerchief. She puts the cloth back in her purse, the latch catching with the sound of a trap snapping shut.

“OK, Johnny, very good,” she says, explaining that she’s giving him credit for his understanding of the material but subtracting points for his “cavalier attitude.”

Johnny drops his head between his shoulders and shuffles back to his desk. Just before he sits down, he can’t resist bopping Jimmy Dombrowski on the head with his foam totem and guffawing.


Ruthie carries her Oregon Trail project up to the front of the room, the blood rushing in her ears like rolling thunder. As she sets it on the little table, the loose window rattles, and Mrs. Peavey twists in her chair and scowls at it. Ruthie tilts the map up so that the class can see it, but it shakes, skidding on the metal, and she lays it flat again, afraid that the mountains will shear off. An acrylic fiber on one of her knee socks pricks her skin like a needle.

Her tongue feels like it’s been wrapped in gauze. She points at the Rockies, those towering, white-capped peaks, because they’re really the focus of the map, the pioneers’ crucible, the thing that would forever separate life before from life after—if there even would be any life after. In the back of the room, Miss Monroe smiles her big, gummy smile and Ruthie looks away, through the heavy mullioned windows, where, in the seasick light, the wind is whipping dead oak leaves in a fresh fury.

Donna Schmidt torques her neck and pops her eyes at Katy.

Ruthie understands that her map is pointless—basically the same picture from right in their history textbook, only larger and made out of sludge. In her chest, a squirrel’s claws scrabble against wood.

Again she points to the Continental Divide. Rust blisters one edge of the wheeled table under the map. Again Miss Monroe, in the back, nods and smiles, though less widely this time, and again Ruthie looks out the window, at the cold, dead leaves.

To Ruthie’s right and a little behind her, Mrs. Peavey shifts in her chair, the vinyl creaking forward.

“Marcus and Narcissa Whitman.” Her voice sounds tinny and far off, like she is a great distance from herself.

She introduces the pioneers, and in the back of the room, Miss Monroe beams, her cheeks bunched like rosy apples. Donna Schmidt slides down in her chair and fiddles with something in her lap, but Ruthie stares straight ahead, like a horse wearing blinders, and plows on, explaining how the Whitmans traveled by sleigh and then steamboat and then covered wagon.

Mrs. Peavey gently clears her throat and suggests that Ruthie speak a little louder and not so fast. She peers over her narrow glasses at Andy and Russell, who always have to be stopped from battling with their action figures during class but are now both staring, open-mouthed. “You’ve even got the attention of our two rowdies,” she says in a funny lilting tone.

Ruthie takes a ragged breath and projects her thin voice forward, drawing it from deep beneath her ribs, and says how in the mountains, they had to abandon the wagon, leaving behind all their furniture and most of their clothes. Her lungs feel like gills, their filmy membranes fluttering and catching. At the rear, Miss Monroe leans back against the wall, closing her eyes, and Ruthie thinks that what passes over the student teacher’s face is relief, like the lightness in Mrs. Peavey’s voice.

She realizes that they were afraid that she would not talk at all, and she falters and struggles to pronounce the word “flour.” They think she’s triumphantly crossed the mountains, but she knows that’s not true. Remaining silent would have exposed her entirely; only through this pointless and terrifying bout of speaking is she able to conceal herself.


Bonnie Thompson is a writer and book editor who lives in central California. Her work has been published in several literary journals, including the Antioch Review, Ascent, and the late, great Elysian Fields Quarterly. Email: bthompson.xyz[at]gmail.com

A Prisoner is Released

Alexa Recio de Fitch

Photo Credit: molybdena/Flickr (CC-by-sa)

The Present

She steps inside of a place reminiscent of the Count of Monte Cristo’s solitary confinement prison cell. The concrete walls are bare and grey. The only thing that seems to be missing is the markings on the wall counting the days of his incarceration, as he plots his revenge. She follows along the lonely, tenebrous, arched, cavernous tunnels, past the chair with the two bronze bullets placed on it. In this correctional facility-style atmosphere, as she enters another empty room, it appears to be the end. However, it isn’t. Just as she approaches the windowless wall, another tunnel opening curves into view. Suddenly, she seizes a sculpture of a bronze power tool and smashes it into a woman’s head. Her victim falls over, and her blood trickles onto the cement floor. The killer leans over, inside of this basement of the Sculpture Center, in Long Island City, New York, at Fiona Connor’s Closed for Installation exhibit. As she observes the life leaving the woman’s eyes, she knows that just like the Count of Monte Cristo, she is no longer a prisoner.


Nadia Thompson
The Past

“What are you doing, luce dei miei occhi?” my husband, Marco, says to me. His pet name for me means light of my eyes. He has called me that since the day he proposed, in a gondola, in Venice.

“Reading query letters from writers pitching me their novels,” I answer. I am slumped on the couch, still in my pajamas, with uncombed hair and the scent of coffee on my tongue.

“Good luck!” Marco says, in his Italian accent. He takes me into his arms, gives me a long kiss goodbye, and walks out the door. I smile.


Hannah Wallace
The Past

I stare at my laptop, take another sip of my energy drink, and sigh, as I type another follow-up email to Nadia Thompson. I press send and minimize the browser window. On my laptop screen, saved on my desktop, is a Word document with last year’s date. This file is my novel. It’s been sitting there for a full year, and still, Nadia Thompson cannot be bothered to answer my query letter.

I take another deep breath and run my fingers through my hair. Then I slip into the jeans that are on the floor of the apartment I share with three roommates, in Long Island City, Queens. I walk out the door, pass Center Boulevard, and wind up in Gantry State Park. There, right under the willow trees, I sit at one of the picnic tables overlooking the East River and the Manhattan skyline.

A group of women gathers in the picnic table next to mine. They are speaking in my native language, Dutch. I decide not to speak to them, though. They park their strollers and place their babies on a blanket by the shade. I catch myself looking at their babies’ little toes and little eyes. Just then, my thoughts trail to the exam room, at my doctor’s office, after that pregnancy scare. I recall my ex-boyfriend’s face, when my gynecologist tells us that I will never have children. I brush those thoughts aside and try to concentrate on what my therapist has told me—that I do have a child. I have birthed a novel, something I have wanted to do my whole life.

I check my email, on my phone, and there are no new messages. I frown and check again. Still, there’s nothing. Can you imagine checking your email multiple times a day every day for 365 days, hoping for good news, but instead that email never arrives?

There’s a hammock on one of the trees facing the river. I lie on it and search for Nadia Thompson’s website. She works for the Charles Knox Literary Agency. In the “About Us” section of the website, it says that Nadia studied English literature and graduated as Summa Cum Laude, from Cornell. In addition, she has a Literary Arts MFA from Brown University. She worked at Random House and Hachette, before she decided to become a literary agent.


Nadia Thompson
The Past

Again. Again, there’s another email from Hannah Wallace. I shake my head. It’s not like I can go around responding to every single query letter. If more than six weeks have gone by, it clearly means I’m not interested. Why doesn’t she stop pestering me and get the hint?

My boss stops by my cubicle and stares at my laptop.

“Nadia, you haven’t read all of those emails?” she asks. Her eyebrows shoot high above her glasses.

“I promise you I will catch up, Suzanne,” I answer.

“Catch up faster,” Suzanne says.

Before I have a chance to tell her that I’ve been working nights and weekends to read through all of the query letters, she walks away. And just then, fifteen other query letters pop into my mailbox. It’s five p.m. and I haven’t had lunch yet. My stomach grumbles. I open my desk drawer and pull out two menus, one is from a salad place and another is from a burger joint. Even though I know that my bathroom scale says I have gained ten pounds, I tuck away the salad menu back in my drawer.

I grab my cellphone and attempt to order a burger from downstairs, but the man on the other line tells me that the bank has declined my credit card. To top it all off, there’s also an email from my landlord saying I’m late in my rent payment.

Suzanne pops her head into my cubicle again. “Nadia! Have you read the Tom Peters manuscript yet? I need the final edited version by tomorrow!”

As soon as she leaves, I rush into the bathroom and burst into tears.


Hannah Wallace
The Past

I check my email again. Still, there’s no answer from that literary agent. I search for my initial email to Nadia, which I sent a year ago. I know that it’s been a year. I know that. However, I also re-read Nadia’s only response to me, after she read my query letter. She said that she loved it and asked me to send her my full manuscript, and I did. Last I checked on her website, it says that no answer doesn’t mean one is rejected, it just means that the line is long. This experience is like going on a date with the man of your dreams, hearing him say that he’s interested in you, and then never hearing from him ever again. However, you can’t let go, you keep hoping every day that that day will be the day when he reaches out to you.

I continue to read Nadia’s profile. I scan through all of the authors that she has helped publish. Then I put away my cellphone. Stop! I think. You need to write something new, you need to move on. I get off the hammock, in Gantry State Park, and I walk toward the East River. I look at the United Nations building and the Chrysler. Should I write a novel that takes place in this park? What would it be about?

Just then, my phone buzzes. I gasp, stop in my tracks, and check my email. However, it is not an answer from Nadia Thompson.

My thoughts trail to when I was working on my novel. It took me nine months to write it, and then, after that, I spent another twelve months editing. I joined several writing critique groups in Manhattan and recruited six of my friends to function as readers.

There were many nights I spent crying in my room, after listening to their negative feedback, and many mornings I spent, working on revisions, after deciding that maybe the feedback was correct after all. Then, I had to spend money to hire a proofreader. The process didn’t end once my manuscript was in perfect condition, though. When that happened, I had to write customized query letters, after selecting and researching the different literary agents for my novel’s genre. Moreover, I had to write a two-page synopsis of my novel. Additionally, I had to pay money, out of my own pocket, to visit events where I could pitch my book to literary agents. Then, I spent months writing to each of the literary agents. After that, the wait began, along with the dozens of unanswered follow up emails.


Nadia Thompson
The Past

I dry my tears, in the bathroom of my office. All I want to do is go home, to my apartment—to Marco. Then I remember that we can’t afford to live in Long Island City anymore—not since he lost his job. Suddenly, I feel the contents of my breakfast coming up. I vomit into the toilet. Is this stress, or am I pregnant? I can’t be pregnant! I can’t support the three of us on the salary of a literary agent!

The phone in my pocket starts buzzing. I look at it and notice ten more query letters in my inbox. I begin to hyperventilate.


Hannah Wallace
The Past

I chew on the inside of my cheeks. When will Nadia Thompson respond to me? It’s been a year! My fingers rummage through my purse, and I pull out a cigarette, which I then light. I read her profile on the website, Manuscript Wish List. It says Nadia is interested in literary fiction. I continue to read, and I throw my hands into the sky. Everything she lists—in terms of what she is looking for in a novel—every single little thing, is in my book! Just read it and you’ll see, Nadia Thompson! Just read it!

I blow smoke into the air, and the mothers sitting at the picnic table next to mine, glare at me, so I walk away. Then I find myself pacing. Back and forth, I reach the Pepsi sign on the boardwalk and then head to the binoculars facing the East River. The wind blows my hair into my eyes, and, after I move the strands away, I press my palms over my eyes. Why Nadia Thompson, why?

A text message interrupts my rant. It’s my boyfriend. We’ve been dating for three weeks, and he wants to know if I have plans for tomorrow. As I stare at the idyllic view of the East River, underneath the willow trees, I smile.


Nadia Thompson
The Past

Today, I don’t go into the office. Instead, I urinate on a stick and hope for it to be negative. I look at my watch and hold my breath for the longest time. When it’s finally time to check, I notice that it’s positive. Cursing as I remember the figure in our bank account, I leave the bathroom.

Slamming the door, I head out of my apartment. My phone rings. It’s my boss. She probably wants to know why I’m not there. I’ve never missed a day of work in my life. I turn off my phone, and I just walk, with no particular destination in mind. The air in my chest feels constricted, so I press my palm against it and take deep breaths, but that doesn’t work. After walking for half an hour, I find myself close to the Sculpture Center.

That’s when I see them. My eyes blink several times. I have to be sure, so I enter the museum. They take an elevator, and then they’re gone. I press the button for the elevator and take it to the only floor, the basement. There they are, walking ahead. My entire body shivers, even though it’s July, and there is no air-conditioner in this building.

I follow behind and overhear the woman. Her name is Hannah. She is talking about her novel. I remember that plotline. Just then, I recognize her voice. My shoulders become tense. She has called my office multiple times. It’s the same Hannah Wallace who sent me a query letter and has bombarded me with her follow-up emails. He kisses her and calls her, “luce dei miei occhi.” The pet name resounds in my brain, on a loop. I grab my pregnant belly, and my fingers twitch. I look around the empty room, and the first thing I find is a bronze power tool. I seize it and charge toward them. With the power tool, I separate their embrace, and I smash it into her skull. Her chestnut locks tumble onto the cement floor, soaked in blood. My husband accompanies Hannah on the floor, with the same lifeless look on his disfigured head.

pencilAlexa Recio de Fitch is a mystery author. Her debut novel is titled Triggers and will be available soon. Alexa has published stories in the United States, the United Kingdom, and Colombia through Orbis International Literary Journal (featured on the cover), Library Zine! Voices From Across the New York Public Library, and El Heraldo. She worked at Hachette Book Group and McGraw-Hill and holds an English literature degree from the University of Notre Dame. Alexa is from Barranquilla, Colombia and lives in New York City. Twitter: @alexardfitch | Instagram: alexa.reciodefitch | Facebook: AuthorAlexaReciodeFitch Email: alexarecio[at]gmail.com

I Lost My Job and Now I’m Mowing Lawns?

Kyran Lambert

Photo Credit: LancerE/Flickr (CC-by)

When my wife invites me to the kitchen table, a Heineken waits at my place setting. Grave thoughts arrive. As I sit, my wife doesn’t belabor. She makes her ask swift and concise. I process her words. Gratitude for the things she doesn’t say dampens the discomfort of her suggestion.

She isn’t pregnant.

She isn’t having an affair.

She isn’t gauging my interest in a second trip to the adults-only store.

“You want me,” I repeat her exact words, “to go door-to-door to see if the neighbors will pay me to cut their grass?”

She nods, seemingly proud of my comprehension.

“Let me get this straight.” I crack open the beer. “You want me to ask Bill if I can cut his grass?”

“Not just Bill,” she says, “Roger, Kent, The Whiteheads, Murray—”

“But they cut their own grass.”

She anticipates this response and scoots her chair beside mine. She uncaps a blue pen with her mouth and starts doing math on a mortgage statement that happens to be on the lazy Susan.

Something about the scene feels orchestrated. I feel like I will have lines to say rather than decisions to make.

As she writes, I wonder how long she has been preparing for this encounter. On the back of the mortgage statement, she estimates forty neighbors at fifteen dollars per lawn, four cuts per month. Finally, she writes $2,400. My wife doesn’t mention that this used to be my monthly income, but she does extend the tail of the comma to circle the amount.

A month ago, two months since losing my job, we had a similar conversation. That time, a Hostess cupcake waited at my place setting. As I ate the cupcake, she suggested that I ask her brother for financial assistance. When I asked why she hadn’t asked him herself, she told me that she wouldn’t dare, that I was the head of the household and so forth. Her explanation left me willing to ask for help. She managed to make me, a vulnerable man, feel like a regular one.

My brother-in-law is like most brothers-in-law—forty, thin, and successful. He uses words I don’t understand, and I pretend to understand them, and, because of this, he must think I am pretty smart. To an outsider, my brother-in-law is the thinker, and I am the fighter. Sadly, not even this theory stands up as my brother-in-law is a black belt in some version of karate I cannot spell. He is unmarried and nabs girls who are thirty-something but look twenty-five. I’m glad I don’t have a son who will look up to him. My brother-in-law happily gave us the money.

“So,” my wife asks, “what do you think?”

I study the numbers on the envelope. “I don’t know where you’re getting forty lawns from.”

My wife stands to pull out a folded paper from her back pocket. I realize her jeans are almost a decade old. I am lucky she can fit into old jeans. Is she unlucky to be with a man who doesn’t insist she get a new pair?

The note contains the first and last names of our neighbors. I briskly read the list and try to connect the names to people I might have met at our block party or trick-or-treating with the girls. The girls. What will the girls think of Daddy cutting the neighbors’ grass? Do a couple of ten-year-old girls understand that their daddy’s career, or lack thereof, will soon affect them? Was cutting grass even that much different from laying wire for Trent Telecom? At least when I worked at Trent, the stains of my labor were about my uniform and, therefore, seemed to belong to the company. The smears of wet grass will belong to me.

My wife starts explaining the origin of the list, the lengths she went to acquire it. I can see addresses next to each name. There are small descriptions, like this is the house that had the three cats on the roof in ’91. As she speaks, I appreciate the fact that my wife hasn’t reminded me that the grocer disallows her personal checks and that the bills we receive these days are collection notices from out-of-state vendors.

“You’re not saying much.” My wife places her hand on my knee. “This is temporary, and I know you are so much more than this. It’s not our only option, but it’s an option until work comes to town.”

I almost tell her that her idea would be fine—if it were my idea.

Our dog, Travis, barks through the picture window. Travis only barks at the out-of-ordinary. I leave the kitchen table to inspect. I see Bill standing at the end of his driveway across the street.

“What is Travis barking at?” my wife asks.

Bill begins inspecting the irrigation hose beneath one of his rose bushes. “Bill’s fiddling around his drippers.”

Travis wouldn’t have barked if Bill was solely checking his drip system. I, like my dog, sense something spurious.

“I’m going to…” I smile at my wife rather than finish my sentence.

As my patio door slaps shut, Bill rushes to his feet and waves me over. I look back toward my house and see only Travis in the window.

Bill is hard of hearing and always seems to yell rather than speak. “I hear you are looking for work!”

At this, I expect neighbors to rush from their front doors in a coordinated dance, singing, parodying a show tune about neighborly love while rhyming temporary-leaf-raking with auxiliary-wage-making.

I expect to see my plotting wife in the window. Only Travis. “Let me guess—”

“You,” Bill interrupts, “worked for Trent, right?”

I nod.

“My cousin owns an outfit that lays cable for the internet—I don’t have a computer—and, anyway, they need experienced people who worked at Trent. Pay is better. He asked if I knew anyone just a couple days ago, and it hit me that you worked for Trent.”

I feel my brain release a cocktail of joy and disbelief. My skin shimmies. If I were a different man, I’d hug Bill. Instead, I shake his hand and offer to help with his drippers. He tinkers with the timer. The drippers seem to be working fine. When I tell him such, he says the tiny hoses are scared of me.

Bill enters his house to get his cousin’s phone number. When he returns, he hands me a sheet of loose-leaf and warns me that the number belongs to a cellular phone.

I walk back to the house, searching the window. Still Travis.

I hear plates being washed in the kitchen. “Honey.” I move into the kitchen. “You’re not going to believe this.” I wind down my enthusiasm. I take my hat off like men who deliver bad news. I swallow. I am careful not to minimize her role in my discovery.

My wife rips off her dish gloves with a smile. “What?”

“I approached Bill… ready to talk about the lawn idea.”

Her smile turns on like a flashlight. “What happened?”

“Well.” I look between her feet and then to her eyes. “Turns out his cousin owns a communication company very much like Trent.” I hand her the paper with Bill’s cousin’s phone number on it as if the paper outlines guaranteed security. “Bill told me to call today.”

My wife snaps a dishtowel at my rear end. “What are you waiting for?”

I snag the paper out her hand and hold the sides of her face. “I love you.”

“See,” she whispers, half kissing my ear, “I just knew the lawn idea would be temporary.”

I move to the den to make the call. As I dial the number, I wonder if there was anything wrong with Bill’s dripper.


Kyran Lambert is an emerging writer who holds a BA from Arizona State University. Kyran lives in Phoenix with his wife and two young children. When he isn’t circling the state on sales calls, he is changing diapers. Kyran has recently finished a literary fiction novel. Email: kyran.a.lambert[at]gmail.com