Triggers By Alexa Recio de Fitch

Candle-Ends: Reviews
Shelley Carpenter


Triggers by Alexa Recio de Fitch

Alexa Recio de Fitch’s Triggers (Solstice, 2020) is a smartly provocative and well-crafted mystery novel. In fact, before you open the first chapter, you might want to pour yourself a cup, adjust your lawn chair or recliner, and get comfortable for a while because it’s very hard to put down. The writing is clear, crisp, and overall, well done.

One of my favorite features in the novel is the use of setting. Triggers is based in New York City and even if the reader has never been there, they may feel as though they have. Dare I say that they may even feel a bit inspired to go there, too. I was pleasantly surprised to feel so grounded in NYC (pun intended). It’s true. I enjoy stories set in familiar places and I felt a kinship with the characters. It was a treat. And I especially enjoy New York stories. To absorb the reader so early on was no easy task to pull off. It was done with intention and purpose through details, description, and characterization. Overall, a spectacular use of setting!

Keeping with this idea, much of the novel takes place in forgotten, historical places that main character Phillip Weatherly visits in his quest for inspiration. He is an amateur urban explorer. Did I mention his day job? He’s a writer. Weatherly has writer’s block and goes to literal extremes to find his muse. Recio de Fitch has done her due diligence and cultural research as the reader gets a plus one ticket to some of the most famous and infamous places in New York City history via Weatherly’s musings and late night excursions.

Here are a few of my favorites along with the subterranean subway architecture that, yes, I would love to see.

Weatherly is very interested in North Brother Island, one of the uninhabited islands in New York City harbor. Around 1900 it housed a certain Irish immigrant named Mary Mallon until her death some years later. She sounds like a nobody but to many Americans she was also known as “Typhoid Mary.” According to Weatherly, she was held responsible for spreading the typhoid disease in Manhattan and spent her life incarcerated because of it.

Did you know that Washington Park holds a monument with a secret door? (I won’t spoil where it goes or who opened it.) There’s also a green park that covers hundreds of unmarked graves from the previous century: “People just go there with their picnic blankets and their Frisbees, and they sit on 20,000 graves without a clue about what lies beneath them. It’s hilarious…” (83).

Another unknown place of interest is also coastal. Somewhere underwater, there’s a scuba diver’s treasure trove of scuttled railway cars that the city had no use for and more. After reading about these real-life places, I wondered…

Besides location, Triggers also has a cast of cool characters. These people are vivid and all seem connected or linked to one another. It reminded me of the theory of six degrees of separation from Frigyes Karinthy’s 1929 short story, “Chains.” According to The Guardian, “A ‘degree of separation’ is a measure of social distance between people. You are one degree away from everyone you know, two degrees away from everyone they know, and so on.”

One of my favorite characters is nosy neighbor Clara, who seamlessly shifts between protagonist and antagonist. Much is revealed through her point of view. She is also a notable New Yorker to the core: “Where else in the world can you cry in front of complete strangers and have them not ask you if you are okay?” (41). Love her!

There are several other key characters to track and they each have their own points of view in an omniscient narration, allowing the reader to see and hear them, and read their character minds, too. Very helpful in a mystery story but also creating reasonable doubt as some of them are not always reliable while others are full of surprises. Regardless, Recio de Fitch’s characters are fully rounded and realized. They clearly and easily move along the pages and about their business in a realistic manner. Great detail. They do their job working in conjunction to move the plot to its climax. Recio de Fitch builds on their motivations, which are naturally to antagonize or support (sometimes both) the main character, who’s having a tough time when a killer mimics his book. Their dialogue is spot on. I think I may have bumped into one or two of them in the subway or coffee shop. Recio de Fitch takes her time building each of them with backstory and flashbacks between 2012 and 2017, curiously not always in chronological order.

Did I mention Triggers is a crime mystery?

There is a murder, a body, a great setting, and atmosphere. Loads of atmosphere. A cat-and-mouse game plays out on the pages as Recio de Fitch’s main guy, Weatherly, gets squeezed. Meanwhile, with the smorgasbord of suspects that are friends or foes, or perhaps friendly foes, readers may enjoy an interactive NYC hunt of their own to find the killer. Now you see… Now you don’t. Round and round it goes. Who done it? Somebody knows…

*

Alexa Recio de Fitch is a crime fiction author from Barranquilla, Colombia, presently living in New York. Her publication experience spans the United States, United Kingdom, and Colombia. Her work has appeared in Orbis International Literary Journal, Library Zine!, Voices From Across the New York Public Library, Toasted Cheese Literary Journal, Women Writers, Women’s Books, Ancient Paths Literary Magazine, and El Heraldo. Alexa worked at Hachette Book Group and McGraw-Hill and holds an English literature degree from the University of Notre Dame. She’s a member of Sisters in Crime, the New York Public Library Writer’s Circle, and the New York Writers Critique Group. Twitter: @alexardfitch | Instagram: alexa.reciodefitch | Facebook

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Shelley Carpenter is TC’s Reviews Editor. Email: reviews[at]toasted-cheese.com

Celeste Blue by Lou Nell Gerard

Candle-Ends
Shelley Carpenter


Celeste Blue by Lou Nell Gerard

Movement. It was the first thought that came to my mind after reading Lou Nell Gerard’s collection of short stories, flash and poetry in her latest book, Celeste Blue (Cyberwit, 2020). Many of the stories and poetry are literally about commuter characters traveling the pages in cars, motorcycles, canoes, bicycles, and city transit buses as in “New Friend” (127) and “Transit Posts” (128-135). This interested and “moved” me greatly as it evoked a certain nostalgia for a time in my life when I, too, traveled and met some interesting people and made some daily acquaintances.

Gerard captures this idea beautifully in several of her poems and stories such as “Finding Community at the Motor Hotel”:

I love the community that can be found far from home at the old style motel. I’m speaking of a true motor hotel where you drive up to the door or your room… People wander out to sit on a porch. A stranger offers another traveler a beer and shares directions… We recognize each other in a nearby diner and say “hello.” (109)

Other stories travel the opposite direction blasting ahead toward science fiction such as in “Derecho,” where main characters shift in points of view as daily commuters face down an ominous sky at the local diner and hospital. Gerard’s pace is spot on as she cranks up the tension with weather and dialogue: “Well folks hope you aren’t seeing’ the end o’ the world here in ole Pegs.” (19) and “The radio is saying it is what’s called a Derecho, like a giant, fast moving conga line of a storm. The thing is crossing state borders… we are maybe in the middle of the thing.” (20)

Lou Nell Gerard tells her stories with vivid evocative detail. The first story, “Fixies Adrift,” echoes this:

That feeling when there seems no ready explanation, when time slows and life sounds like the lapping water against the raft, soft wind through the reeds, the quiet bark of the canoe against the raft, bird song the occasional splash of fish or a landing lake bird all disappears and is replaced by a tone of the imagination much like the deep deep tonals of the throat singing monks of Tibet… (11)

What makes it so interesting is the juxtaposition of such a gorgeous setting that Gerard takes her time building with the mystery.

Other stories in the collection have a certain classic atmosphere blending old and new into a very interesting modern noir. “Eidolon” is one of these. Written in third person with varying points of view it oozes the ambience of a 1950s crime story with a cool, modern twist. The main character enjoys a favorite podcast during her commute and something unexpected happens in the podcast. Gerard knows the hallmarks of noir and she uses sensory details to deliver a gripping story all of which happens on the road: “Slow down, doll. Get us killed, you’ll get them killed too…” (39)

Police procedurals are another element in several of the stories. Police officers and detectives play protagonists and antagonists in several. They speak, move about on the page, and are perfectly realized while other characters are sketchy giving the reader pause to consider whether or not the protagonist is reliable or telling the truth. Stream of consciousness comes to mind when I read “Hester’s World”: “In a perfect world. I live in a perfect world. It is my world. My reality. My version. When did I first get an inkling that it wasn’t a real world?” (55)

The short stories and flash fiction lead the reader to a series of poems in the section marked Miscellany. The poems range in subject from observations from daily life such as “The Best Loud Child,” which made me smile out loud, to the achingly poignant “Mom Had Alzheimer’s” and “The Day That She Knew Me.” There were also curious ideas and explorations in “Melancholia,” “Empty Park,” and “Terraform,” and a feeling of nostalgia for Woodstock (even though I wasn’t alive back then) in “We who were 18.” Gerard’s poem made me wish I were.

The stories and poems in Celeste Blue are unique and unexpected and full of wonderment as they transport the reader to places and spaces that are as unique as they are familiar. Bravo.

*

In 2020, Lou Nell Gerard published her poetry collection, Skateboard Girl On the 5 Fulton (Cyberwit.net), and Celeste Blue (Cyberwit.net), a compilation of short stories, flash, and poetry. Her work has also appeared in Toasted Cheese: “Eidolon” placed second in the Dead of Winter 2018 contest, “Derecho” placed third in the 2018 A Midsummer Tale Narrative Writing Contest, and “Fixies Adrift” won Gold in the 2014 Three Cheers and a Tiger Mystery Writing Contest. Find her thoughts on reading, writing, film, and friendship on her blog, Three Muses Writing.

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Shelley Carpenter is TC’s Reviews Editor. Email: reviews[at]toasted-cheese.com

Memories from Franklin County, Missouri

Savage Mystery ~ Third Place
Jay Bechtol


Photo Credit: Rachael/Flickr (CC-by-nc-nd)

The old woman twitches in her hospital bed. Her feet move with the nightmare pulsing through her sleep. In her dream she is a small grey rabbit. Her back feet kick up dried leaves and fallen twigs as she zigzags through a pasture. A growling mongrel gets closer despite her frequent turns. The beast’s jangling collar gets louder and louder with each moment. She darts under a fence where the pasture ends and through a tangle of thorn bushes. The dog gains. She cuts hard at a stone structure made by humans; it smells of things burnt. There is a sharp bark as the dog’s snapping jaws miss her haunch.

The grey rabbit is not as clever as her wild cousins, nor does she have the endurance. One last cut toward a stand of trees. The dog’s snorts so close now she can feel its breath pushing through her fur. She dashes toward a small hole at the base of the largest of the trees. She stretches. Behind the dog lunges, aware that the small creature is about to escape. A snarl fills her ears.

She tumbles sideways through the hole under the tree. The dog’s forepaw tripping her last stride. She rolls to a stop, spiderwebs and dirt matting her coat. A long gash in her leg. She lies on her side, tongue out panting, her eyes slashing back and forth in wild terror.

Outside the tree the dog skids to a stop. It barks and scratches for a time. Then her ears pick up the sound of the brute wandering off.

The woman starts awake. Morning filters through the floor to ceiling windows of the long term care unit. An orderly stares down at her.

“Having a dream, Ms. McKenzie?” The smile on his face hides his concern.

She gathers herself, swims through the fog of her dreams, the on-rushing dementia, her guilt, and tries to smile back. “Miguel? It is Miguel, right?” She is relieved to see him nod. “Yes. More of a nightmare.” She tries to focus on the room. Sterile but cozy. “I think I’d like to sit by the window today, Miguel.”

He helps her to her chair and wheels her across the room. The second floor window on the long term care unit looks out across the small town and to the farmlands beyond. He tucks a shawl around her legs.

“Thank you, Miguel. You are kind.” She smiles. “Could you bring me my book?”

“Sure, Ms. McKenzie. Would you like some breakfast, too?” He places the large scrapbook in her lap.

“Breakfast would be lovely. Thank you.” She glances out the window for a moment and then drops her eyes to the book. She opens to the first page, filled with an article from the St. Louis Post Dispatch, Monday, September 3rd, 1962. Almost sixty years since the disappearance. Sixty years of not knowing. She flips a few pages and stops at an article from the Franklin County Tribune.

September 1, 1962

Massive Storm, Tornadoes Across Franklin County Friday

Staff Writer Frank Lamar

A massive storm rushed through wide swaths of Franklin County on Friday afternoon and well into the evening. The storm damaged buildings and property throughout the region and into St. Louis. Local Fire Departments and Police Stations have been flooded with calls of missing persons, lost animals and missing items. Residents from Union and surrounding towns reported seeing funnel clouds touching the ground. The U.S. National Weather Service tracked fourteen separate tornadoes…

She reads a bit more before turning her focus back out the window. Her brain is clear and she lets her mind wander.

*

Claire McKenzie stared at the empty rabbit hutch, glanced at the sky, and scanned the farmyard across the large pasture with its white fence, past the stone incinerator on the other side, and into the trees that surrounded the acreage. The tops of the trees swayed. “Colleen!” she hollered. “We need to get inside, sweetie.”

The young girl stepped from the shadows of the barn and waved, “Over here, mama, just helping daddy makin’ sure the stables are secure.” Dust coated her overalls in contrast to the smile that brightened her face.

“You tell your father he needs to hurry along as well.” Claire glanced back at the hutch. “Do you have Clover?”

“Clover?” The little girl’s smile disappeared. “She should be in there.” She trotted toward her mother. “I haven’t had her out all day.”

Claire turned and examined the large enclosure again. The door swung lazily in a breeze already beginning to show signs of turning into something stronger. She took a step closer and bent, trying to see inside the small wooden shelter. Maybe Clover was tucked away in the back under some hay.

Colleen ran past and dropped to her knees at the side of the hutch. “Clo-ver,” she sang. “You in there, Clover?”

Claire turned her eyes skyward again. The afternoon was darker than it had been minutes before.

“She wouldn’t go far, mama, she doesn’t like to hop away from here unless she’s with me.” Colleen spun on her knees searching across the open areas of the farmyard.

Claire sighed; there wasn’t time to get the barn and the farm secured and send out a search party for a missing bunny. “Clover will be fine, sweetie, we’ll find her after the storm passes. She’ll get in under the barn or under a bush and ride it out.” She hoped she sounded convincing. Rabbits weren’t the hardiest or smartest of animals.

“What if Ray-Ray or something else chased her off? Clover could be hiding somewhere scared and alone.” Colleen’s words started to have that quiver indicating tears might not be far behind.

“Bradford!” Claire called toward the barn. “You got Ray-Ray?”

From inside the barn her husband’s voice came back. “Yep. He’s in here somewhere.”

Claire looked down at her daughter, “Ray-Ray’s in the barn. We haven’t seen a coyote around this entire summer.” She paused, trying to figure out the next thing to say. “Clover’s a smart bunny. She’ll be fine.”

Colleen gave her mother a look of distrust. “It could have been Ray-Ray. I’ve caught him staring at Clover through the chicken wire.”

As if on cue the large dog ambled from the barn. Part hound, part something larger, overly friendly and more inclined to romp and play than pose a real threat to anyone.

Claire rubbed her forehead. “You’ve got five minutes, sweetie. Then we are going in.” Claire headed for the barn and hoped the rabbit would appear. She was not interested in riding the storm out with a daughter anxious about a missing bunny rabbit.

*

In her hospital room she flips through a few more pages of the scrap book. Her hand hesitates on an article from the Franklin County Tribune, its edges yellowed with time, the clear plastic sheeting offering limited protection.

September 2, 1962

Local Girl Among the Missing

Staff Writer Frank Lamar

Franklin County Sheriffs have not given up hope of finding the youngest reported missing person after the storms Friday night. Friends and family members gathered at the McKenzie farm to help with the search for eight-year-old Colleen McKenzie. Making the project more challenging are the numerous downed trees and power lines hindering rescue vehicles and communication.

Colleen’s father, Bradford McKenzie, is coordinating the search. Her mother, Claire, is also…

She stops reading and wishes the dementia was more cooperative. Or at least would filter out the guilt. Her doctor has reminded her numerous times that, in her fight against the disease, painful memories are as important as the positive ones.

*

The wind had increased in intensity for the past half hour. Each gust rattled the house and sent echoes down the creaky wooden stairs to the basement where they huddled on Claire’s grandmother’s old couch.

Colleen sobbed into her mother’s chest and rubbed Claire’s gold locket between her fingers, “She’s not going to make it, mama. She’s too little and she’s never been in a storm before.”

“Hush, child,” her mother repeated, kissing the top of Colleen’s head. She raised her eyes to Bradford and wrinkled her eyebrows up and down.

Bradford recognized the expression, the “do something” signal when words weren’t available. He shrugged his shoulders and raised his own eyebrows back, his “there’s nothing I can do” response.

Bradford knelt on the cement floor and patted his daughter’s back. “Are you sure you didn’t open the door to her hutch today and just forgot about it.” A big gust caught the side of the house and something outside crashed.

No!” Colleen’s voice hardened between gulps. “I already told you.” She turned her face toward her father, her glare as hard as her voice. “Why don’t you believe me?”

“Bradford,” Colleen’s mother said, “let’s not worry about who opened the cage. Let’s remind Colleen that rabbits are resourceful, clever little creatures and…”

Her point was interrupted as a second violent crash came from outside followed by a gust and the tinkling of glass, barely audible over the sounds of the raging storm.

Bradford winced. “That sounded like the front room.”

“And,” Claire continued, “bunnies are good at hiding. So Clover is going to be just fine.” She stroked her daughter’s hair. “Right, Bradford?”

“Yes,” Bradford grimaced. “Clover is going to be just fine, sweetie.”

Colleen covered her ears and snuggled in closer to her mother.

*

Claire stirred and her eyes slowly opened into the darkness of the basement. She raised her head off the back of the couch and fumbled for a flashlight. The wind and storm seemed to have died down to something more manageable, although the house still creaked and vibrated above them. She pressed the switch, covered the front of the flashlight with her fingers and aimed it at her watch. A little past midnight. The flashlight’s filtered glow illuminated the sleeping shapes next to her, huddled under a blanket.

She debated turning on the new transistor radio but at this hour news was unlikely. She peered through the dimness toward the other end of the couch, barely able to see the rise and fall of the blanket under which Bradford and Colleen slept. She rubbed her eyes and tried to adjust her position.

“Hey,” her husband whispered. “Still blowing out there?”

“Yes,” Claire replied, “but calming down. Not looking forward to cleaning up in the morning.” She sighed. “How you doing?”

“In and out. Hard to string together more than an hour at a time of real sleep. How’s Colleen?”

“What?” Claire sat up and pulled her fingers from the front of the flashlight. The beam hit the open wood of the basement’s ceiling and created a glow around the well-worn couch. “Isn’t she under that blanket with you?”

“No, I thought she curled up with you.”

Bradford leapt to his feet. “Colleen?” he called.

Claire jumped up, too, waving the flashlight frantically. “Colleen!

Another gust of wind battered the house.

*

In her hospital room the day outside continues to be bright. Sunlight pours in and warms the room. Her memory is working well today. A nurse pops in and smiles with the practiced cheeriness of many of the staff on the long term unit.

“Can I get you anything, Ms. McKenzie?” the nurse asks.

She shakes her head in polite denial and returns to the pages before her. She flips a large group of five or six together. The cellophane coating crinkles in response and lands on a page with multiple scraps of newsprint. From multiple newspapers around the St. Louis area. Some cut and creased, others torn. All obituaries.

December 26, 1974

St. Louis Post Dispatch

Obituaries

Bradford Adams McKenzie born July 1, 1931 died December 14, 1974 in an accident on the family farm. He was born in Mercy Hospital Washington, the son of Beatrice and Charles McKenzie, one of three children. He was raised on the McKenzie Family farm outside Union, MO. He is survived by…

She stops reading and runs her finger along one of the accompanying pictures. It’s a good day for her dementia and she can remember the feel of his face, coarse with stubble, after a long day working the farm. She lets her finger trace the lines of his jaw. She closes the scrapbook and clutches it close to her chest. The warm sun cloaks her.

*

Claire’s flashlight fought the darkness. “Colleen!” she screamed. The wind shoved the words back into her throat, choked her.

“You should go back inside.” Bradford directed. “If she comes back, someone should be there to make sure she doesn’t go out again looking for that damn rabbit.”

Claire understood what he said, but pointed to her ears and shook her head. “Can barely hear you. I’m going to check the barn then the pasture.”

“Claire!” he shouted.

“Bradford!” she hurled back.

He slumped. “Fine. I’ll go around behind the barn and check back into the fields.” He clutched her arm. “Be careful, I don’t want to lose both of you.”

“You aren’t going to lose either of us.” Claire leaned against the wind and gave him a small peck on the cheek. She turned into the gale and lurched toward the rabbit hutch. It remained empty. She hoped Colleen might have curled up underneath. She hadn’t. Claire circled toward the barn, called her daughter’s name, screamed it, tried to make herself heard above the storm that stole her daughter.

On the far side of the pasture, past the fence and the incinerator, a sharp crack pierced through the night. Splintered wood, a moment of silence, then an earth-shaking whoomp as a large tree came down. She aimed the flashlight in the direction of the sound and was hit in the face with a stinging blast of dirt. She staggered forward both arms outstretched, the beam of the light catching the side of the barn in its shine. She leaned against the wall, steadied herself against the force, and wiped her sleeve across her eyes.

Somewhere behind her another tree crashed to the ground. The heavy sound put her more on edge. “Be careful out there, Bradford,” she whispered into the wind. “Colleen!” she cried out again, barely able to hear her own voice above the withering scream of the winds.

She pushed forward, into the pasture, and left the barn behind.

*

The sun has almost disappeared and her dinner tray is empty. It has been a good day fighting the disease that is slowly erasing her memories. She has spent the entire day leafing through the pages, able to connect almost all of the dots. She rubs the cover of the book and stares out the window toward the distant farmland.

The door behind her pushes open and an orderly enters her small space. “Ms. McKenzie?”

“Yes,” she answers trying to place his face. “Miguel? Isn’t it?”

“Yes, ma’am. You have a visitor. I was wondering if you are interested in seeing anyone this evening.”

She searches her memory for someone that might come to see her. “I suppose, for a few minutes can’t hurt.”

The orderly pushes the door open. A man she thinks she recognizes comes in carrying a manila envelope. He raises a hand in nervous greeting.

“Good evening, Ms. McKenzie. I’m not sure if you remember me. I’m Jim MacLeod, my father Lloyd bought your family’s farm back in ’75 after Mr. McKenzie died.” He raised his eyebrows expectantly.

“Yes, of course.” She was certain she held some vague recollection of his face and his name. “Mr. MacLeod, how are you doing?”

“Very well, Ms. McKenzie. Thank you.” He hesitates and looks at the orderly. Miguel nods to continue. “I spoke with your doctor and he felt it was a good idea to share this with you. He said all memories are helpful.” He steps forward, holding the envelope in front of him like a protective shield.

She takes the gift and turns it sideways, sliding its contents into her lap. A small golden locket and a Polaroid.

“My daughter took that picture. She has one of those old-fashioned cameras. She loves to snap pictures around the farm with it.” He waits for a response then continues. “At the back edge of the property, back where it’s just trees and brush, we found… remains. Under a downed tree. We are clearing, getting ready to expand the farm, bought the property next door…”

He stops when she lifts her hand. She waves him closer and opens the cover of her scrapbook to the first page. He looks over her shoulder.

St. Louis Post Dispatch

Monday, September 3rd, 1962

MISSING GIRL FOUND ALIVE!

By Craig Jameson

In a scene from a Hollywood movie, eight-year-old Colleen McKenzie was found Sunday afternoon almost forty hours after she went missing during the recent spate of storms and tornadoes that cut through Eastern Missouri. According to her father, Bradford McKenzie, young Colleen had ventured out to find her pet rabbit during the height of the storms. Miraculously, she found the small pet and then crawled into the bottom of the family’s incinerator to escape the gale.

One of several large elm trees on the property uprooted during the storm and fell on top of the incinerator. The sturdy stones of the fireplace protected the girl. But the debris and destruction made it difficult…

…the search continues for Claire McKenzie who was last seen the same night hunting for her daughter.

She looks over at the man who has come to visit her. She rubs the chain of her mother’s locket.

He tries to explain, “There was a small ravine—”

She interrupts. “I took Clover out.” A loud sob escapes. “I’ve never told anyone, not my father.” Hiccups and tears impede her words. “No one. I got distracted and forgot to put Clover away. Dad blamed himself, said he shouldn’t have let her go searching for me. He died thinking it was his fault.” Her tears splash onto the cellophane protective covering.

“I’m sure that it wasn’t…” the man offers, but stops when Miguel touches his shoulder.

She peels the plastic sheet back and slides the Polaroid onto the page next to the article. A picture of a ravine and some fallen trees. She presses the covering back down and strokes the plastic.

She weeps. Happy that it has been a good day fighting the disease. Happy she can remember. Happy to know.

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For the last thirty years Jay has been a social worker. He has learned that everyone has a story, and more often than not, several stories. His work is in multiple publications including Penumbric, A Rock and a Hard Place, Crystal Lake and Toasted Cheese. He can be found online at JayBechtol.com and on Twitter @BechtolJay. He can be found in person in Homer, Alaska. Email: bechtoljay[at]gmail.com

Mystery at the Museum

Savage Mystery ~ Second Place
Morgan-McKay Hoppmann


Photo Credit: Dennis Jarvis/Flickr (CC-by-sa)

“I don’t do bones,” Dr. Helen Coultier said, slipping a bit on the damp leaves. The smell of rain still hung in the air. “You’re the forensic anthropologist. Why do they need me?”

Dr. Thomas Lucknow, her colleague at the Southeastern Museum of Antiquities, offered her a hand so she could step over a fallen tree. Last night’s storm had brought down a good many. The wind was still blustery, making the surrounding trees creak alarmingly—she didn’t trust that another wouldn’t come down on top of them.

“You know as much as I do,” Professor Lucknow said, voice gruff as they approached the area cordoned off by yellow police tape. Dr. Coultier waved her pass at the police officer standing by, who nodded and lifted the tape for them to walk under. Up ahead a giant oak tree had toppled, roots reaching for the sky like the gnarled fingers of an old hand. However, it wasn’t the tree itself that was the focus of the two men crouched beside it, but the gaping depression left in the ground by its absence.

The man not in uniform glanced up and immediately straightened. “Lucknow, fancy seeing you here.” He grinned. “And you must be Dr. Helen Coultier, the antiquities expert. Detective Green.” He peeled off a latex glove and extended his hand. She shook it.

“Pleasure,” she said. If she was too curt, it was his own fault—he was much too chirpy for this hour of the morning.

“You say that as if you weren’t the one to call me here,” Lucknow said. “Bones in that hole?”

Detective Green took off his other glove, balling them up. “No bones. Something else.” He jerked his head to the pit. “Take a look.”

The detective’s companion, a younger police officer clearly eager to please, offered Dr. Coultier a box of latex gloves.

Professor Lucknow’s brows furrowed in confusion. “Then why am I here?”

“Connections to a previous case. Remember the museum security guard who was murdered, oh, four years back? Found his body last year?”

Pulling on the gloves, Dr. Coultier approached the edge of the pit.

Ah.

So this was why they called her.

Professor Lucknow grunted. “Skull caved in, struck with something heavy. Member of a smuggling ring, wasn’t it?”

“Yeah, well,” Detective Green said. “We found his stash.”

Artifacts.

She crouched to better see, hand going out to the tree’s roots to keep her balance. A Ming Dynasty porcelain vase. A tribal wood carving from sub-Saharan Africa. A cylindrical seal that she already knew was done in the Sumerian style, making it thousands of years old.

And that was just the beginning. Her eyes ran over the rest, calculating origin, condition, price. “Four million,” she said, chuckling as she shook her head. “At least. Your smugglers knew what they were doing.” She glanced up. “But why here?”

“We think they were using the museum as the staging area before shipping out the artifacts to their final buyers,” Detective Green said. “The security guard was their inside man. You’re here, Lucknow, because I thought you might have some additional insight concerning the crime scene, considering you helped out at the first one. And I miss your sunny personality.”

Professor Lucknow grunted noncommittally, circling to the other side of the pit and peering in, hands clasped behind his back. “You think the accomplice killed him and hid the loot while waiting for things to cool down?”

Detective Green shrugged. “Or the other guy hid the loot and his accomplice murdered him before finding out where. It’d explain why it’s still here.”

A chill wind rushed through the forest, setting the trees creaking again. Dr. Coultier glanced up at the swaying trunks. “Well, it’s not staying here any longer. I want a team. And a tent. We’re doing this right.”

Detective Green nodded. “I expected nothing less. But no press.”

She gave him a look. “I don’t do the press.”

“Good,” the detective said. “I don’t want this getting out. As far as we know, the partner is still out there, and we don’t want him deciding to take back what he views as his.”

“You don’t have to worry about us,” Professor Lucknow said.

Dr. Coultier pushed herself to her feet. “Then let’s get to work.”

 

The sides of the tent shook in the wind. Dr. Coultier finished making a note on the log, then placed the carefully-wrapped piece of jade jewelry into the plastic container.

“You done with that?” she asked, glancing at Detective Green.

The detective turned the Phoenician carving over in his hand. The museum had one very similar to it in its collection. “Think this could be used to bash someone’s head in?”

She held her hand out. He placed the stone in it. “Would you find evidence on it four years later if it was?”

“You’d be surprised,” Detective Green said. “Fingerprints can last over seven years on surfaces, as long as they aren’t destroyed. Furthermore, our forensic team has the ability to reconstruct the shape of the object off the impact wound. But I don’t want to bore you with trivia. How long have you worked at the museum?”

“A little over three years.” She made a note on the log and began packaging the carving. “I had nearly a decade of hopping across archaeological sites around the world. I knew the museum from a few previous visits, so it was the logical place to settle down.”

“So you remember the investigation of a year ago.”

“Vaguely. I didn’t start working at the museum until after the security guard had been killed, so the police saw no reason to question me.”

“How do you feel about Professor Lucknow?”

She snapped the lid onto the container and turned to the detective. “You suspect him.”

Detective Green peeled his gloves off, tossing them into a waste bin in the corner. “He started working at the museum fourteen years ago. The timeline fits with when the smuggling ring first became active.”

“But I thought the dead guard was your inside man. Wouldn’t you need someone from the outside as the connection?”

“See, though, I don’t buy that the guard was the inside man.” Detective Green shook his head. “He had a life, a family. I think he was a witness. Saw the true inside-man making a deal or moving the merchandise, and was killed so he wouldn’t talk.”

Dr. Coultier motioned for the detective to pick up the plastic bin, then undid the straps holding the tent flap closed and stepped into the blustery day. “That’s why you brought him here. To watch him.”

“Right you are,” the detective said cheerfully, starting his tromp through the woods towards the road.

She followed. “What were you hoping from me?”

“Your eyes,” he replied promptly. “If Lucknow is our smuggler, then there’s a good chance he hid the murder weapon in this stash of artifacts, and he won’t want that falling into police hands. He’ll try to get it back. I want you to keep a close eye on him, and notify me if you find any artifacts that might have been used to kill the guard.”

She nodded, casting a glance at the clipboard in her hands. She added one last item to the list—Tefnut statue, Egypt. “We should be finished inventorying the stash later today. I’ll contact you with a list, and you can send one of your specialists over to examine the most likely objects.”

“Thank you, Dr. Coultier.” They had reached the road. Two police vehicles were still parked along the median, along with the green minivan the museum had sent to transport the artifacts. Detective Green paused beside the minivan and glanced at the bin in his hand. “Now, how did I end up carrying this?”

“You volunteered.” She shrugged, opened the back of the van, and he slid the box on top of one of the others. One more, then she’d take them back to the museum.

“Well, thanks again for your help.” Detective Green cast a too-sunny smile at her. “I’d hate for any more antiquities to go missing.”

 

So.

He suspected Lucknow.

She paused wiping down the Tefnut statue—a lion-headed ancient Egyptian goddess—and cocked her head to the side. She supposed she could see his reasoning. However, she wasn’t quite sure why he supposed Lucknow would have waited four years to retrieve the antiquities if he had known where they were the whole time. Still, something to keep in mind.

The anthropologist walked up to her. “How’s it going?”

“It’s progressing.” She handed him the Tefnut statue. “Would you put that on the table?”

He did, and she peeled off her gloves and leaned against her worktable. “Would you say Green is an effective detective?”

Professor Lucknow crossed his arms. “I suppose. I’ve known him since before he got his promotion, so I’m not the most objective person to ask.”

“Oh really?” she asked.

He shrugged. “A lot of police officers will pick up extra shifts working museum security for a little extra cash. So I’ve known him, what, thirteen, fourteen years?” He shook his head. “And he’s as annoying as ever. Anyway,” Lucknow glanced around, “I’m here to help.”

Dr. Coultier found her clipboard and tugged it out from beneath some other papers. “Here’s the inventory list if you want to double-check everything is here.”

He accepted it, glanced it over. “I’ll do that.” He began walking down the aisles and, starting with the Tefnut statue, marked down items.

Dr. Coultier frowned a little as she watched him, thinking over Detective Green’s words once more.

Oh.

That was it.

Detective Green thought the guard was innocent. That meant he wasn’t just looking for one more suspect, but two.

If he thought there were two smugglers still out there…

She shook her head and turned back to her worktable. Hopefully it wouldn’t pose a problem.

 

“We have a problem,” Dr. Coultier said.

The museum curator sighed and pinched the bridge of her nose. “How many?”

“Six,” Dr. Coultier answered. “Detective Green has already been notified.”

“Who was on guard last night?” Professor Lucknow paced down the aisle between the exam tables where the artifacts sat for cataloguing.

“The detective posted one of his men outside the door.” Dr. Coultier drummed her fingers against the table’s metal surface where, the night before, she had set the Tefnut statue. “With the possibility of the murder weapon being among the artifacts, he decided museum security would benefit from the additional presence.”

Professor Lucknow cast her a look, heavy brows drawing close. She kept her gaze fixed on the curator. Did he realize Detective Green suspected him? Perhaps.

The door opened.

“Okay, I’m here, I’m here,” Detective Green announced, sliding out of his raincoat and hanging it on the coat rack. “Sorry, just catching up with my man. Seems we have a bit of a dilemma.”

“More than what we already have?” Professor Lucknow said drily.

“Indeed.” Detective Green marched forward. “It seems that only three people entered this room last night, and none of them left with any object or bag large enough to hide an object.”

“Which means the antiquities must have been taken before they reached the museum,” the museum curator said.

“Impossible.” Dr. Coultier shook her head. “I inventoried them upon arrival and they were all accounted for.”

“I can attest to that,” Professor Lucknow said in his gruff voice. “I aided in the process.”

Dr. Coultier glanced at the detective. “Who were the three people to enter the room? Or two people, I should ask, seeing as how I had to return for my car keys, and I assume your officer counted that.”

Detective Green bowed his head in a nod. “He did. The other two were myself and Mr. Sunny Personality here.”

Professor Lucknow scowled. “Your humor is not appreciated.”

“You’re welcome,” Detective Green said. “But what I want to know is where are the antiquities, seeing as how no one could have taken them.”

Dr. Coultier motioned to the hundreds of yards of shelving that stretched up and down the room. “Obviously, then, they never left.”

The museum curator released a sigh. “Are you sure? What would be the point in hiding something in the same room where it already was?”

Dr. Coultier shrugged. “Confidence.”

Detective Green nodded, casting a glance at Professor Lucknow. “Once the investigation was concluded, assuming he wasn’t caught, the thief would be free at any point to return and collect the items he had hidden away.”

Professor Lucknow nodded a head towards Dr. Coultier. “Or she. No offense, Helen.”

Dr. Coultier smiled, just slightly. “Let’s test that out, shall we?” She turned to Detective Green. “If the thief, and your murderer from four years ago, did indeed hide these six objects, that must mean your murder weapon is among them. Find these artifacts, and you find your murder weapon.” She gestured to the shelves. “We might as well start alphabetically.”

 

Dr. Coultier and Professor Lucknow were not allowed to participate in the search, of course, although their expertise was certainly called upon regarding whether the antiquities matched the labels. She supposed she couldn’t fault the police officers for that. Not everyone could tell the difference between a Ming Dynasty and Qing Dynasty vase.

Or, in this case, a Bastet and a Tefnut statue.

“You’re sure?” Detective Green turned the statue over in his hands. “I seem to remember Bastet being a goddess with a cat head, which this one has.”

“This one has the head of a lioness,” Dr. Coultier corrected. “That makes her the lesser goddess Tefnut, rather than Bastet. My guess is that the Bastet statue that was previously here will be found in a more obviously displaced position, with the goal that we would mistake it for the missing Tefnut statue.”

“Which means this is most likely our murder weapon,” Detective Green concluded.

“You’ll have to run forensics to be sure,” Dr. Coultier cautioned, “although it is a very distinctively shaped object.”

“And our dead guard had a very distinctively shaped dent in his head,” Detective Green said. He handed the statue to the young police officer behind him and turned to her. “Thank you very much for your help, Dr. Coultier. You are now under arrest.”

Helen stepped back abruptly. “Excuse me?”

“You heard me. Hands, please.”

“Oh dear,” the museum curator said, clearly out of her depth.

Dr. Coultier held out her hands and the detective snapped the cuffs on. “I—I don’t understand. You have to check the statue for prints. You can’t arrest me on no evidence.”

Professor Lucknow stepped forward. “No, Helen. You wiped the statue clean and then handed it to me, making sure my prints were the only ones on it. You were trying to set me up.”

“No, I—I suppose I did, but that was just because I wasn’t really thinking—”

Detective Green chuckled. “Give up the act. The whole thing was a trap.”

Dr. Coultier froze.

A trap? But that meant—

“I’m afraid I don’t understand,” the museum curator said, fingers flittering nervously in the air. “Surely this must be a mistake. Dr. Coultier has been here for the past three years—”

“Three and a half years,” Detective Green corrected. “Becoming a permanent staff member six months after the murder of that security guard. Oh, and she made a brief visit to the museum six months before that. What did you do? Kill the guy because he wanted more than his fair share of the loot?”

Dr. Coultier tried to chuckle. “Coming back to the scene of the crime would be awfully stupid of me, don’t you think? Besides, you said you thought the guard was innocent.”

“I lied.” Detective Green shrugged. “All part of the trap.”

“The trap,” she said flatly.

The detective nodded. “See that lovely Tefnut statue you led us to? Lucknow here found it miscataloged three weeks ago. Since he worked on the original case, he knew the general shape of the murder weapon and thought to send it to forensics. He was correct. And yes, we checked for fingerprints, and yours were indeed on it.”

Dr. Coultier rolled her eyes. “So what? I’ve worked at the museum for over three years. It’s no surprise if something here has my fingerprints on it.”

“Exactly,” Detective Green said. “Hardly enough evidence for a conviction.”

“Wait, wait!” the museum curator said, looking between Lucknow and the detective. “How could you have found the statue miscataloged when the tree wasn’t blown over until just a few days ago?”

“Because there was no stash under the tree,” Lucknow said. “That was the trap.”

Ah. So that Phoenician carving had been from the museum’s collection.

“After pulling your fingerprints,” Detective Green continued, “we asked ourselves: What could prompt a murderer who so clearly got away with it to return? Obviously, the answer was money. You killed your partner before finding out where he had hid the stash, and you had come back to try to fix that problem.”

Dr. Helen Coultier released a long sigh. “And so you accessed my travel records and reconstructed what might have been in the stash based off where I had been. You bet on the fact that, four years later, I wouldn’t remember exactly what I had smuggled out of those countries.”

Lucknow nodded. “And you didn’t.”

She finally let the edge of a smirk sneak onto her face. “So you let the detective put the idea in my head that Lucknow did it, and the murder weapon was still among the stash. The moment I retrieved the statue from the shelves and handed it to him, you had proof I did it.”

Detective Green shook his head. “Actually, the moment you wrote Tefnut statue on the log of items found in the stash, we had proof you did it. Because we had placed all those antiquities under that tree. And we knew there was no Tefnut statue.”

She couldn’t help it—she laughed. “I suppose I did.” She cocked her head, smiling at the detective. “But since that was the stash you planted, I take it you don’t know where the real stash is?”

The detective motioned for her to start forward and she did, slowly, in no hurry to be put into the jail cell. “No clue,” the detective said. “That remains a mystery for another day.”

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MM Hoppmann is a junior at Coastal Carolina University. She is an assistant editor of the Weekly Intelligence Brief and has been writing fiction since she was 14. Email: mmhoppmann[at]gmail.com

Off Your Block

Savage Mystery ~ First Place
Cara Brezina


Photo Credit: CJS*64/Flickr (CC-by-nc-nd)

“So this all started with a fairy house?” Vanessa asked, skepticism and perhaps a hint of derision in her tone.

“No, not in the least,” I assured her hastily. “Well, maybe. An idea for a fairy house. There was a cavity at the bottom of the root mass of the fallen tree that formed this little triangular recessed nook. It would have been perfect for maybe a table and a couple stools. All biodegradable material, of course. Bark and twigs bound together by grapevine, maybe a woven coaster as a rug…”

I shut my mouth. I wasn’t winning her over with my interior decorating schemes.

“Here, look.” I tugged on the leash to bring Penny to a stop and located a picture on my phone. “See what I mean?”

“Hmmm.” She peered at the image of the fallen tree, a magnolia in the courtyard of my apartment building. Cicero, her pitbull mix, pulled at his leash and whined. Vanessa and I were dog friends. Our dogs had fallen in love at first sight—despite both parties being neutered—and we’d established a routine of walking the dogs together after work.

“I’m still not clear on how this leads to you turning up with a black eye gabbling about Toby jugs,” she said as we continued down the sidewalk. “I looked them up on the Internet. Those things are awful, Russ. What happened, did one of the fairies punch you out after you tried to install a Toby jug in his house?”

“Ha. Ha.”

It had really all started a couple nights ago, I told Vanessa, with a storm that brought a spectacular lightning show, torrential rain, high winds, sustained peals of thunder, and a freaked out black lab quaking underneath the covers of my bed. I immediately noticed the downed tree in the courtyard when I stepped outside the next morning.

Seen from the bottom, the roots of the tree splayed up and outward in a vertical semicircle, forming a hollow partially nestled into the ground. Penny and I were both intrigued by the possibilities. Fairy abode, I thought.

Excavation, she thought.

“Penny!”

I made a grab for her as she began to dig in the gooey mud, then froze in place as my hand tightened around her collar. She’d uncovered an off-white curved contour of an object buried a couple inches down.

A shard from a shattered skull, my imagination supplied.

A second glance revealed that the object was perfectly circular and coated with glaze. I scrabbled down and drew out a medium sized flat bottomed bowl of handmade pottery. I turned it around in my hands, trying to figure out a scenario in which it had ended up underneath tree roots.

Penny was still digging.

“Enough, girl.”

She didn’t listen, and I failed to stop her before she thrust her snout deep into the mud.

“Penny!”

When she emerged, she was triumphantly clenching the remains of a boot in her jaws.

I didn’t attempt much forensic work on the pair of boots other than observe that the soles were probably a bit larger than my own size eleven, but I made some interesting observations when I washed the bowl. The bottom was decorated with a black pawprint, and the artist had signed and dated it. Tara Pratt, 1999.

The Internet informed me that Tara Pratt was a multimedia artist living in Houston, but she’d graduated from Copley College close by my neighborhood in 2001. From the photo on her Etsy page, she looked more like a CEO than the burlap-clad sort of person I’d pictured working a potter’s wheel.

“Yeah, I did sell dog bowls back then,” she told me over the phone. “At rummage sales, school fairs, going door to door. Anything to earn a buck for tuition.”

“I don’t suppose you’d remember if you ever sold one at my building?”

“I doubt it. I sold so many of them, so long ago.”

I mentioned the address, and there was a moment of silence. When she spoke again, there was an edge to her voice.

“Does the name Maria Fosco mean anything to you?”

It was my turn to fall silent.

“Oh, my,” I finally said.

“Exactly.”

Vanessa broke into my account. “The woman can’t be that bad, really.”

“She can, indeed. Her first complaint against me came the day that I moved in. The movers were being too loud.”

Maria Fosco had lived on the top center apartment of the building for more than thirty years. Her hobbies were cosseting her pair of Yorkies and amassing grievances against neighbors.

“Fortunately, she likes animals a lot more than people,” I said. “Penny is my saving grace, in her eyes.”

I’d never knocked on her door before. I came bearing an offering of pastries bought from the bakery around the corner. Her home health aide showed me into the living room.

“Of course I remember buying that dog bowl,” Maria told me. “I special ordered it from that art student, but it took the girl three tries before she got it right.”

I nodded in commiseration. I’d heard the same report from Tara Pratt.

“What happened to the bowl, do you remember?”

She looked at me over her glasses dubiously.

“It’s right there.” She pointed toward the kitchen.

“That’s not possible!” I blurted out.

Her dog bowl, although similar to the one I’d unearthed, was smaller and darker brown. It was also decorated with pink hearts surrounding the paw print.

“But…” I brought out my cell phone and showed her an image of the bowl. Her face softened.

“Oh, that poor little girl. That was such a tragic loss.”

“What happened?”

“Her little beagle puppy was stricken with parvovirus and died. Milo never even had a chance to grow up to drink from that bowl.”

“Was this about twenty years ago?”

Her eyes narrowed. “How did you know?”

I thought that it was pretty obvious that the girl, Caitlin, had buried her beloved pet in the flower bed and planted the magnolia as a memorial. No way, according to Maria.

“Watts would never have allowed it, not even for a sweet little girlie like her. Plus, all those magnolias by the building were planted at the same time. That tree wasn’t planted special for Caitlin.”

Upon reflection, Maria was right. Our landlord probably wouldn’t have allowed his tenants heat or running water if it wasn’t required by law.

“You know what happened?” She rapped her knuckles on the coffee table. “Derek Gillespie. No good ever came of that kid, but he had a good heart. He did odd jobs for Watts and he was probably the one who planted those trees. If Caitlin had asked him to bury Milo under a magnolia, he would have done it for her.”

As I was leaving, Daniela, the home health aide, followed me out to the landing. She glanced back nervously toward Maria’s apartment.

“Would you mind if I came down and took a picture of the bowl?” she whispered. “I’m a contributor to Off Your Block. I think this would make a great local history piece.”

Off Your Block was a local news site. It was notable mainly for the ferocious slugfests found in the comments section for each story.

“Um, sure.”

Daniela carefully arranged the bowl and the pair of rotted boots on a table in front of a sunny window in my apartment as if she were a curator at the Met. She thanked me profusely after taking a dozen pictures, and I walked her to the door.

When I looked back toward the window, one of the boots was gone.

“Penny!”

I retrieved the reeking boot and told her that she’d make herself sick chewing on that particular delicacy.

Less than an hour later, my doorbell rang. I took no notice. Usually, it was food delivery for one of the other apartments.

The ringing persisted. I finally went over to the intercom.

“What?”

When I opened the door, I was perplexed to find that my visitor was a teenage boy. He introduced himself as Connor and asked if he could see the artifacts.

“The what, now?”

“The artifacts, you know?” He held up his cell phone. I saw a picture of the dog bowl and boot under the headline: “Storm uncovers unbelievable artifacts.”

“Right. Wow. This way.”

I’d put the boots in a plastic bag and hung them up high by the back door. I brought them down for Conner to examine. His eyes darted from the boots to the bowl and back again.

“Can I borrow them?” he finally burst out as if he’d been working up to the request.

“Why?”

“For— for a school project.”

“What kind of project?”

He bit his lip. “Uh, science. Or maybe history.”

“But it’s summer,” I said in confusion before realizing that whatever reason he had for coveting the artifacts, it had nothing to do with a school project.

I told him that I’d consider it if he brought a note from his teacher.

“Probably a dare,” Vanessa put in.

“Knock on a stranger’s door and attempt to obtain their newly-discovered dog bowl by chicanery? It’s not the sort of thing teenagers do today.”

We’d reached my building, and I could see the prone magnolia next to the walkway.

“Hey, want to come in and see the spectacle?”

I unlocked the gate and let Penny off her leash. Vanessa followed suit with Cicero.

“So maybe it’s a weird dare for a teenager,” she conceded as we entered the courtyard. “But do you have a better explanation?”

“Ah. Wait until you hear what happened next.”

The doorbell rang. I tensed and hoped that it was just somebody else’s food delivery. Once again, the caller sat on the button.

Instead of buzzing them up, I went outside to the gate in the courtyard.

I expected the same pudgy teenage boy with the unfortunate skin. Instead, it was a pudgy teenage girl with a spray of freckles across her face. She introduced herself as Olivia and asked if I was the guy who’d found the buried stuff.

“I was wondering if maybe I could borrow the artifacts. My brother’s really into local history, and he’d love to see them, but he’s sick.”

I probably would have assented without a second thought if I hadn’t already had another visitor trying to finagle the objects away from me.

“I’ll certainly consider it, but I’m a little busy right now. Maybe you can give me your email address and I’ll get back to you?”

“That clinches it,” Vanessa said. “Definitely a dare. The first kid failed, so Olivia came along to see if she could do better.”

We were standing by the hollow below the root mass of the tree. Vanessa was attempting to restrain Cicero from diving into the churned up ground.

“Did you dig any deeper, see what else is down there?”

“Well, no. I didn’t really want to find the bones of Caitlin’s little puppy.”

“Good point.”

“Anyway, I still say it wasn’t a dare. I haven’t gotten to the part about the Toby jug yet.”

Midnight, and Penny began barking, deep and resounding.

Penny never barks. I half fell out of bed, threw on a robe, and followed the sound of her voice.

As I staggered to the back of the apartment, I became aware of a second voice, this one thin and human.

“Good dog, good doggie, be nice…”

The back door was wide open, and a figure was sprawled on the floor in front of my kitchen cabinets. Penny had him at bay. The intruder scrambled to his feet when he saw me and rushed for the door. Penny sprang past him, and he pitched over onto my back stairs. I dashed forward as he regained his footing. Penny bounded toward me in excitement, and my shins met her flank. I toppled.

“Ow, ow, ow…”

“So that’s how you got the black eye,” Vanessa surmised.

“Yeah. Probably from the edge of the door. The intruder was gone by the time I got to the stairs, but I know who he was.”

I waited for a gasp of anticipation. I was disappointed.

“One of those teenage kids. Gotta be.”

“Well, yeah,” I said, nettled. “But I have proof. He dropped his cell phone in his tussle with Penny, his unlocked cell phone. The name’s Connor. Connor Gillespie.”

“Okay. As I said, one of the teenagers.”

“With the last name of Gillespie. Just like Derek Gillespie, the one-time handyman who planted the magnolias.”

Maria Fosco sounded bleary when I called her around eleven the next morning.

“Maria, yesterday you hinted that Derek Gillespie got into some sort of trouble. Do you happen to know the details?”

Her voice became more animated now that she had the opportunity to dish out dirt.

“Yeah, the kid was arrested for breaking and entering a house here in the neighborhood. Terrible thing. He stole a whole bunch of valuable collectibles and they were never seen again.”

“Do you remember the name of the person he robbed, by any chance?”

“Of course. Arlene Voss, a lovely woman. She still lives around here.”

I brought up the online newspaper archives through the public library and confirmed that Maria’s account was partially accurate. Arlene Voss had reported a robbery twenty years ago and accused Derek Gillespie of stealing her prized Toby jug and several other collectible toys and curios.

The Toby jug was a bizarre piece shaped like a rabbit’s head, with its ear functioning as the handle of the vessel. I couldn’t imagine a teenage boy breaking in to steal it any more than I could understand the recent adolescent interest in possessing the dog bowl.

Derek denied the crime, the police could find no proof, and the items were not recovered. But my eyes fastened on one final detail, an unproven claim made by Arlene Voss. The police had found footprints in the soil outside the broken window. She was convinced that they had been made by Derek Gillespie.

“Wait, you’re not saying that those boots—” Vanessa broke in.

“Exactly, Watson. Derek Gillespie steals the Toby jug and other goods. Then he hears about the footprints and decides to get rid of the boots. He’d just helped Caitlin bury her poor little puppy, so he knows where there’s a large, deep patch of soft soil where he could bury them very easily, never to be seen again. Are you with me?”

She didn’t say no.

“Then, twenty years later, his nephew Connor Gillespie reads about the boots resurfacing and figures out what happened. He tries to get the boots away from me, first by asking, then by breaking in. I’m sure he got a copy of the master key for the building from his uncle. It should have been easy—just sneak in the back door and grab the boots. But Penny heard him come in, and I’d moved the boots down to my storage locker in the basement anyway. They stank.”

“Russ, have you reported all of this to the police?”

I hesitated.

“Not yet. I’m not really sure what to do about Connor. I don’t really want to see the kid arrested for being loyal to his uncle and maybe sort of stupid.”

“But considering what you told me about the boots—”

“I haven’t told you all of it yet,” I said hurriedly. “The name Voss sounded familiar to me. And this is why.”

I showed her a note on my cell phone: the name Olivia Voss, along with her email address.

“Connor Gillespie wanted the boots so that he could keep them buried for good. Olivia Voss wanted them so that she and her grandmother, Arlene Voss, could take them straight to the police.”

Before we parted, I promised Vanessa that I’d talk to the police the next day. But as it turned out, it was unnecessary. That morning, a breathless Off Your Block article linked the boots to the unsolved robbery. The police were examining the evidence.

Flummoxed, I went down to my storage locker. The boots were gone.

The cased was to remain unsolved. The police determined that the rotted boots did not serve as sufficient proof to link Derek Gillespie with the robbery.

I changed my dog walking schedule and route. Within a week, however, Vanessa caught up with me.

“Hey,” she said, too cheerily, as I strode grimly through the park.

“‘Sup.”

The silence stretched between us. I was the first to crack. “So, what’s the deal? What’s your connection to Arlene?”

“I have no idea what you’re talking about!” she said unconvincingly.

“You were the only one who knew were I’d stashed those boots.”

“Ok, she paid me five hundred bucks.” It came out in a rush.

“Huh?”

“She saw us together in the courtyard that day, and approached me wondering if I thought you’d be willing to give her the boots. I said that you’d already refused two people, so she asked if I’d be willing to help her out. Russ, do you know how much I owe in student loan debt?”

I didn’t have anything to say to that.

“Anyway, I thought you’d want to know the last few details of the story. You almost got it right. But Olivia actually wanted the boots to stay buried, too, as it turns out. Arlene Voss wasn’t Olivia’s grandmother. She was her step-grandmother. Big difference. Arlene Voss threw Olivia’s mother out of the house on her eighteenth birthday and refused to let her take along several items with sentimental value that had belonged to Olivia’s real grandmother.”

“Such as a Toby jug?” I put in despite myself.

“Exactly. Olivia’s grandmother had used it as a vase for flowers. Arlene Voss put it in a locked display case. So Derek Gillespie volunteered to reclaim the goods.”

“Breaking and entering runs in the family.”

“Apparently so. Anyway, I’m glad you didn’t report Connor to the police. It’s refreshing to meet someone who’s willing to forgive.” Her tone was insinuating.

“He didn’t profit from his crime, though.”

“Neither did I, in the end. Arlene’s son visited me yesterday. He told me how his mother’s mentally ill and not competent to handle money. Asked if I’d consider returning the five hundred bucks.”

“And you agreed?”

“I wasn’t feeling great about the deal anyway. So, back to our usual dog walking routine tomorrow?”

I watched the dogs romping. Cicero lunged for Penny’s throat. Penny knocked him violently to the ground. They looked ecstatic.

“Sure, sounds good to me.”

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Cara Brezina is a freelance writer who lives in Chicago. Email: borealisblue[at]gmail.com

An Eligible Life

Broker’s Pick
DRC Wright


Photo Credit: shainamaidel/Flickr (CC-by-nc)

The residents of Brookside Hospice were a colourful bunch, a living oral history I was fortunate to engage with daily that summer. I called it my internship but that was a bit of a stretch. I had no intention of pursuing a career in medicine or any such profession, although I’ve always found enjoyment in helping others. And while the myriad of stories were both inspiring and fascinating, the job could be downright depressing. But that’s the way it is with end-of-life care.

Of all the residents—we didn’t like to call them patients—Henry was my favorite. When I first arrived, he was cantankerous to the point of cliché. Mumbling, growling, and calling me “boy” every time he wanted or didn’t want something.

“Come now, boy, I asked for that water an hour ago.” (It had been two minutes.)

“What did I say, boy? No onions in my salad!” (They were radishes.)

Then he’d get flustered and wave his hand, shooing me away with a grumbling bah. I guess I saw something of myself in him.

Some of the nurses referred to him as Scrooge 102—on account of his room number—but I never saw the humor in it. It only made me question why they chose such a line of work in the first place.

Much to everyone’s surprise it took just three weeks for Henry to finally warm to me and I told them it was on account of my radiant smile. It was a Wednesday afternoon when he finally came around. I knew before he opened his mouth that a kind word was coming. I could tell because that acidic glare of his was no longer there. His eyes had let me in. It’s always in the eyes.

“Excuse me, son, may I ask you a question?”

“Of course, sir. That’s what I’m here for.”

“That’s actually my very question.”

“Sir?”

“What are you doing here? I am of course aware of what your job function is, so I guess the better question is why are you here?”

“I’m here to make the residents more comfortable. To help with—”

Henry raised a palm. It wasn’t the first time he cut me off in this manner, but he did so in a much gentler way. “No, son, that is the still the what. You sound like you’re reciting a job description. I am curious as to why you chose to do this work. Why you have chosen to surround yourself with death on a daily basis? Why deal so much with the ending of lives when you are at the beginning of yours?”

It was a question many people asked me and something I seldom answered truthfully. But I wanted to be honest with Henry, so I told him the story of my brother.

“When Francis passed away, even though he was only eleven, he was ready for the end. And even though I was two years younger, so was I. But without the palliative care he received, neither of us would have survived that day.”

I rarely spoke about Francis to anyone. Not even my parents. But that summer I spoke of him a lot. I told Henry about the time we got lost in the woods overnight and about the treehouse we built in the forest behind our house. I told him how Francis could multiply in his head any two-digit numbers faster than I could type them into a calculator.

Henry shared tales from his childhood as well. He told me stories from throughout his life, often with his eyes closed, and I felt like I was there just as much as he did. Whether through embellishment or some form of eidetic memory, his recollection of detail was as extraordinary as it was poetic.

As we neared the end of summer I knew there was still one story left untold. But I didn’t want to pry. So far I hadn’t directly asked him anything. Everything just flowed naturally into our conversations and he seemed to prefer it that way. And so did I.

But there had been signs that Henry and I wouldn’t share too many more stories. His coughing grew harsher and more frequent. His eyes grew heavy sooner and his mouth got parched after fewer and fewer words.

“Is there something you want to get off your chest, sir?” I thought I knew what it was.

Henry looked at me. He was lucid and awake and his eyes were sad and yearning for someone or something.

“Maybe some other time.” I shrugged. “But you told me all about college, about your work, about your incredible travels, but you never told me if there was someone special. You never got married?”

Henry chuckled. “Not for me, I’m afraid. I’m not really the marrying kind.”

“You mean like Thoreau?” I smiled, teasing him.

“I was hoping you saw me more as an Al Pacino.”

He laughed so I decided to risk it. “My grandfather used to say there are only two kinds of lifelong bachelors: womanizers and homosexuals. But he got married at eighteen.”

“And you don’t see me bunny hunting at the Playboy Mansion, is that it?”

“I don’t know too many people who would fit in at the Playboy Mansion, but I don’t think there’s any shame in being yourself. Especially nowadays.”

“I’ve led a careful life, son. One that, unfortunately for me, exceeds discretion. Perhaps I’ve finally let my guard down talking with you these past months. And don’t get me wrong, I’ve enjoyed it. It even now feels liberating to a degree, but my family is a different matter altogether. They have never had—and never will have—the slightest inkling about my orientation.”

“Well, sir, I’d hazard to wager that your family has known for a very long time.”

Henry shot me a startled look, almost defiant, but he quickly conceded and I noted a glint of introspection unfolding beneath his brow. He sat silent, pensive, quickly scrolling through a reel of eighty-plus years of memories. He winced halfway—focused and concentrating—slowing to review frame by frame a moment in his life. How far back had he gone?

Reading my mind, Henry picked lint from his lap and answered. “It was 1961.” He shook his head. “So long ago.”

“Over fifty years.” I used the obvious to fill the echo of silence that followed.

“For so long.” He sighed. Lifting his eyes to meet mine, he stiffened his jaw. “You’re right, you know.”

“Right about what?”

“All this time. The swinging sixties, selfish seventies, and excess eighties. Even the nineties when gay became en vogue, I remained in the closet. And this new century—when nobody even gives a damn—what was I thinking?” He closed his eyes and dropped his chin. “What have I missed?”

“Are you okay, sir?” I had pushed him into a place he didn’t intend to go, perhaps ever, and it was not a comfortable place for him to be. A knot of compunction swelled in my chest and I silently prayed for the return of his dignified smile.

“I’m so foolish. Who did I think I was fooling? Evidently I was only fooling myself. All these years—these decades—I guess I’ve been quite the joke to those who know me.” There was no smile.

“Sir, I’m sorry if I—”

“No, no. Please, none of that.” He spoke softly, raising a frail palm from beneath his robe; the mauve silk sleeve hung loosely from his wrist. Then I bore witness to catharsis. Embracing some long-dormant introspection he mustered his composure and his jawline relaxed. “In fact, I should thank you.”

“Thank me, sir?”

“Most certainly. For a stubborn old weight has been lifted from my chest. You’ve outed an old man, albeit one who was apparently never quite in except to himself. But now, for whatever time he has left—be it weeks, months, or years—well, he can at last be himself. Who he truly is. Who he always should have been.”

“Sir—”

“Would you please, please, stop calling me sir? You make me feel like a withered old schoolmaster. Call me Henry for god’s sake.” He smiled. “I think you’ve earned that right.”

“Okay, Henry—” I adopted my most challenging tone. “—tell me about 1961.”

He looked out through the thin glass of his bedroom window, then focused on its white wooden frame. “The paint is peeling. Has been for years.”

“If you don’t want to talk about it, that’s fine. Honestly. We can talk about something else.”

He lingered a moment longer on the window and I saw a faint tug at the corner of his upper lip. The charming dimple of his younger years was still visible among the gentle corrugations of a modest yet comfortable life.

“Peter.” He was distracted as though observing someone on the lawn. “His name was Peter.”

“The man in 1961?”

“Man?” He chuckled again. “I guess he was. I guess we both were. But in my mind we are just boys, it was so long ago.”

“How old were you?”

“I was twenty-seven; Peter was a year younger. We had both left our suffocating small towns in search of fresh air. In search of freedom. In search of each other is what Peter used to say. He wrote that to me in one of his impromptu poems during coffee and Eggs Benedict overlooking the bay in Sausalito. I still have it you know, the napkin he wrote it on. A cloth napkin, if you can believe that. It’s in a small wooden box in my dresser’s bottom drawer.” Henry’s smile fell. “Hidden away like some dirty little secret.”

“All important keepsakes are hidden away. It simply makes them precious, not dirty.”

Henry gave me his wryest smile. “How old did you say you are?” He quickly raised his hand. “Don’t tell me. I feel ancient enough as it is.”

“You must have loved him.” I was hesitant to pry but the urge was too great. Not for my own curiosity but to help Henry reconcile a seminal piece of his past. “What happened? You didn’t stay together?”

His face paled with somber introspection. We had unearthed long-buried feelings and I felt guilty for digging.

“No, we didn’t stay together. We had planned to. Oh, how we had planned. Peter was a remarkable dreamer.” He paused, eyes shut with a closed-lip smile. “First a trip to Europe—Paris and Rome. And Greece, of course. Then back to the Bay Area to open a bed and breakfast. That was one of the plans. Another had us in New York with a bookstore in The Village. It all sounds so cliché now.”

“It sounds nice.” I smiled because it was true.

Clasping his fist he spoke with sudden fervor. “The young dreamer, full of potential, must not risk becoming a lifetime of missed opportunities!” He blushed then lowered his hand and smoothed his lap. “Another thing Peter used to say. Especially when I’d start in on him with my stifling rationalities—how would we pay for this? How would we pay for that? Romantics are not the ideal match for pragmatic men.”

“Everybody needs romance.” It sounded glib and my cheeks got hot but he was kind enough to keep talking.

“He fancied us as another Sal and Dean, you know, from On The Road, when truth be told we more like Oscar and Felix. But somehow we made it work. For a while at least.”

“Oscar and Felix?”

The Odd Couple? Are you serious? It was a play that became—oh, it doesn’t matter. Opposites attract, isn’t that what they say? He had long hair, you know. Can you believe that? Long hair.” His sigh unfurled into a grin overflowing with adoration. “Perhaps it wasn’t long by today’s standards, a snip below his ears, but in 1961 it made quite the statement. And he would toss his head back to the side and he seemed to move in slow motion. Like a shampoo commercial before there were shampoo commercials. Shiny, chestnut brown and so straight. Not a wave in it. Not even a ripple.”

I pictured Peter in my head, affording Henry a spell of quiet to reminisce.

“It garnered a lot of attention. Unwarranted of course but you know how people can be. Especially back then. He got a lot of looks. Whispers, sneers, and sideways glances. But Peter didn’t care. I think he actually fancied it.”

Henry grinned at the memory of his whimsical lover, and I knew he had recovered a long lost part of his heart. He had me invested as well and I dared to pry a little more.

“So what happened between the two of you? If it’s not too…” I draped the words across our freshly-found confidence, still offering a way out.

“I killed him.” He said it softly but firmly.

It was not the answer I was expecting. “You what? What do you mean you killed him?”

“Not directly, of course.” His frail hand waved away my nonsense.

“What do you mean?”

“How can I put this delicately?” He paused a moment. “Before Peter, I had never—”

I let another moment pass before lifting the silence that had fallen upon us like a heavy winter blanket. “You had never been with a man?”

“Been with anyone.”

“Oh?”

“Yes.” He nodded, a slight blush on his forehead. “I was a virgin. A double virgin, I guess you could say. I’d never had a girlfriend, even in my youth. Actually, I hadn’t been attracted to anyone. All through high school I’d not had a single crush, boy or girl. Isn’t that a little sad?”

“I guess so—well, no. That’s pretty common, I guess. Maybe.” I shrugged. It was a lot sad. “But how did you, or why did you…?”

“Kill him?”

“Yes.”

He exhaled and began. “Seeing as I had never been with anyone before I was naturally quite hesitant. I was afraid. Heck, I was terrified. Peter and I met in the spring of 1961. On April Fools’ Day if you can believe it. We connected immediately. Right from the beginning we were close. Intimate, but not in a physical sense. Peter knew I was a virgin. He knew everything about me. So we took it slow. But by August he was growing impatient. Justifiably so, I’d say. So one night after enjoying a wonderful dinner and two bottles of wine at our favorite restaurant, his patience had seen fit to expire.”

I knew where this was heading and half-raised my hand. “You don’t need to—”

“Oh no, my God no. Not what you’re thinking. Peter would never do anything like that. He was fit and strong but he wasn’t a violent or forceful man. No, but we did have an argument. Right out on Market Street walking home from the restaurant.” He closed his eyes, took a breath, then looked up at me, almost apologetically.

“We’d both had more than enough wine. We were both yelling. Saying hurtful words we didn’t mean and careless words we did. When I tried to walk away he grabbed my arm and yelled how much he loved me. How he couldn’t live without me but he needed more. He needed me. It was time. Some men on the other side of the street, complete strangers, caught the end of our little fracas. They saw me struggling to get away and thought he was trying to force himself on me. So they came running over and they stopped him. And they beat him. They beat him so bad he fell into a coma. He was in the hospital for three long days before he died.”

Had they been spray-painted on the wall behind him I could not have found the words. “Henry, I’m so sorry. I can’t imagine. I don’t what to say.”

“Thank you. But really, it was a long time ago. Certainly well beyond the window for condolences.”

“Regardless.” I was in shock but needed more. “Did they catch the men?”

“It was 1961. There were no men to catch. They didn’t run. They thought they’d rescued me from a sexual deviant. So did the police. So did everyone.” His cracking voice slipped through a whisper, like a song fading out at the end.

“So you never met anyone else?”

“I had already met my soul mate. Where can you go from there?”

“I guess. So your whole life, you’ve never—” I was confused, but then again I hadn’t met my soul mate.

“Never had sex? No, never. And you may think that’s the saddest thing of all. But I didn’t view it like that after Peter died. It’s possible that I’m the only octogenarian gay virgin to ever walk the Earth.” He winked. “Something of a miracle I guess.”

We shared a smile.

“I don’t know about that, Henry. It’s a big world. And quite a few people have walked upon it.”

“That is very true.” Henry looked off the side of his bed. “Do me a favor, will you? In the bottom drawer, under the green sweater.”

“The box?”

Henry nodded and I freed the small wooden box hidden deep beneath his clothes. He lifted the lid and gently removed an old cloth napkin. He didn’t unfold it. He didn’t need to. A hitherto unseen serenity transformed his demeanor and he wore it well. I’d never seen him look so relaxed. So at ease. Unguarded. And content. He passed away three days later, his secret safe with me.

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DRC Wright lived across Canada before settling in Japan where he lives with one leg, two kids, and his wife. This is his first published story. Email: drcwright[at]hotmail.com

Sienna

Beaver’s Pick
Laura Mazzenga


Photo Credit: Via Tsuji/Flickr (CC-by-nc-nd)

I’m in therapy. Technically, it’s one incident that landed me here. The baby started crying, and it wouldn’t stop. I forced myself out of bed and pulled it out of the bassinet. I let it nestle in the crook of my neck, bounce in my arms, and spit down my chest. I don’t know for how long. It wouldn’t take formula. Shushing and humming seemed to infuriate it. Jake said he woke up and saw me, arms extended, shaking it like an old piggy bank.

The next morning, I sipped my coffee black and pretended to look through the bay window at a passing bird. I watched Jake fidget behind me in the reflection of the glass, trying to find his words. Finally he said “Um, about last night.” That’s why we’re here.

The office is in the same building where we consulted with a fertility doctor two years ago. It couldn’t be more different from that sophisticated suite we visited, with screens emerging from flat surfaces and espresso on demand. There was so much hope in that room, and whether or not it was false, I liked the feeling of being there.

Family therapy was my suggestion, but I’m questioning it with each minute that passes. It happens in a tiny room on the ground floor, with a drab color scheme of browns and grays. It smells of day-old soup. The therapist is a thin, fragile lady with round frames on her powdered face. She wears pastel cardigans and speaks in a soft voice that I imagine all therapists were instructed to speak to patients with. She sits across from us, behind a small, lamp-lit desk. There is a window behind her desk, too small for me to even fit through, which faces the parking lot. I see a dumpster just a few feet away and wonder if that’s where the soup smell is coming from.

She starts the session by asking how life has changed for us since we became parents. I hate her first question, but I run through the list. No sex, no sleep, no sanity. Today, I could barely find a bra under the heap of diapers and onesies and burp cloths my own stuff was buried under. I’d love a cocktail, a cigarette too. I could go on, but I already sense that these observations aren’t being received well. I stop myself and course correct, say something like “less time for me.” Jake nods and puts his hand on my lap, as if we’ve had this conversation before in private. He says that it’s been “particularly tough on Marla.” The therapist wants to know more about that, but I can’t find words that will satisfy either of them. What I really think, I am not ready to say. I think the baby and I have a mutual dislike for one another.

In the hall, I can hear the faint ding of the elevator, the sound of the doors opening and closing. I can’t help but envy the people out there, with medical problems that have solutions. Bad joints can be replaced with artificial knees and hips. Dermatologists can scrape off a troublesome mole. Plastic surgeons can laser off belly fat or chisel down a bumpy nose. But there is no cure for this. I want to go back to suite 306, where the pretty people are, with the lattes and the jazz music. Even if they will lie to me and tell me I have a chance at my own kid, I’d prefer it to this.

The shaking incident comes up halfway through the session, but only because I bring it up. Jake and the therapist had been waffling, dancing around it for twenty-five minutes, so I put us out of our misery. I shook the baby, I say. I am waiting for the questions to start, the same ones that have been swimming around in my own head, which I have no answers for. I expect I’ll be escorted out of therapy and taken directly to some inpatient facility to get my head examined properly. There’s no way I’m going back home.

But the therapist looks caught off guard by my admission, frozen for a moment, and then her eyes dart from me to Jake. Maybe she thought she’d have to slowly work that confession out of me, and I’ve taken that opportunity away from her. If there’s a certain choreography to these sessions, I’m certainly disrupting it. Jake shifts ever so slightly next to me, and I hear his chair squeak.

There looks to be a trace of empathy in the therapist’s eyes, but it’s intended for Jake, not me. She nods slowly and leans forward in her chair. She tells us that shaking is dangerous because babies’ craniums aren’t fully formed yet. They’re soft, so when you shake them, the brain bounces around in the head without anything to absorb the shock. Jake listens like he’s never heard this before, but of course we both already knew this. All new parents are warned of the dangers of shaking a baby. Is this what we’re paying $220 a session for, I joke. No one laughs.

Again, I have said the wrong thing at the wrong time. Jake is looking down, his neck a deep shade of crimson. His knee bounces, while the rest of his body is oddly still. I look past him, to the framed photos on the therapist’s desk. They are all of her and the same woman, in various places: sitting on the beach, at some event in cocktail dresses, lying on a hammock with a furry dog between them. No kids. I wonder how she could possibly be qualified to tell me not to shake my baby.

Session two, Jake does most of the talking. He has come prepared this time, summarizing the whole history of our failed attempts at IVF, and the subsequent adoption process. He is the person who keeps track of details. He knows all the dates, all the specialists and procedures, the amounts of money that corresponded with each exhausting step in the process. I remember less. I wanted a baby, more than anything, but the memory feels so distant it’s paper thin. It’s like when someone tells you of something you did when you were drunk. You were there, you know you did it, but you can’t touch the memory in any meaningful way. All of it, the miscarriages, the doctors, the poking and prodding and inserting, even the disappointment, feels like a distant dream. I can only remember suite 306, when I still believed I’d make a good mother.

What I had wanted was a baby of my own by 33. Preferably a little girl. I would name her Sienna. What I got was a three-month-old boy, a virtual stranger off a waiting list. He looked so alien—bald with bulging gray eyes that always drifted desperately beyond me. We named him Nicholas. By the time we got him, I was 36 and it was already too late. The grueling path we’d taken to become parents had already changed both of us. It had made Jake ashamed and passive. It had made me sarcastic and inconsiderate. One of us would have probably left if that baby hadn’t arrived when it did.

I am still here though. There is a gentle tap on my forearm, and I realize they are both looking at me. Sorry, I say, I’m tired. This time, the therapist seems annoyed. She doesn’t smile, but instead she flops back in her oversized chair as if I’ve exhausted her too much to even sit up straight. It has always bothered me that the doctor gets the nicer chair than the patients. We are sitting on creaky high-backed chairs that wobble when we move. I notice a piece of cardboard shoved under the left leg of my chair. I don’t remember the chairs in suite 306 but I imagine they were ergonomically designed for women struggling with fertility. She says she would like to know how I see myself as a mother. I look at the clock above her head. Still fifteen minutes left.

I give my clumsy answer, trying this time to be honest. It’s been hard for me to see myself as a mother, I say. I still don’t feel like the baby is mine. The therapist writes something on her pad, then looks cautiously from her notes to Jake’s face. He does that close-lipped twitch that passes for a smile. It means I’ve said something less than satisfactory. It means “sorry about her.”

The therapist reassures me that people often panic when they finally get the thing they have wanted for so long. It’s overwhelming. She says it’s natural to feel depressed that being a mother is not what I thought it would be.

I suppose she is right. It’s not what I thought, because the baby isn’t mine. We all know it. On some level, even the baby knows it. I want to tell them that I feel lonely, and that every time I walk into the room the baby seems to detect my smell and wrinkle his nose like the room is filling with noxious gas. In my arms, he is a fussy, squirming thing, never content. I don’t want him, and he knows it. I want to run away, leave both of them, but I don’t even have the guts to do that.

Thanks, I say. I think you’re right.

On the way home, Jake cuts someone off on the highway, then curses under his breath when they honk at us. I am sure it’s because of something I did or didn’t say in therapy, but he won’t talk to me. I wish he’d yell, or do something to show that he’s in pain too. I’d give anything for a good fight. But he’d never do that. At some point, around the third miscarriage, he stopped saying what he was thinking.

Session three, I resolve to tell the truth. I won’t let Jake or this holier-than-thou therapist bully me into saying what they want to hear. I’ll be real and raw and fearless, no matter how much it hurts me, or how much it scares them. The only trouble is that we are doing some ridiculous show-and-tell exercise, which feels like another attempt to get us speaking from scripts. We’ve been asked to bring in photos of the baby and discuss our selections. We are to say how the photo makes us feel, why, and what we perceive as obstacles to our fulfillment as parents. The therapist warns us to avoid blaming language—“you” statements—and instead focus on our individual experiences/feelings as parents—“I” statements. I practice in my head.

I am not good at bullshit nursery school hand-holding exercises.

I find it impossible to express myself without getting steamrolled by two sets of judgemental eyes.

I want to run away and leave this entire nightmare in the past, before I do something I can never come back from.

Predictably, Jake goes first. Always prepared and eager to please, Jake has brought exactly the photo I expected he would. It’s a photo his mother took from the week we brought the baby home. In it, he’s sitting on the couch, cradling it robotically beneath the white muslin blanket it’s wrapped in. He is smiling, but I know that particular smile means he’s nervous. His mother is the type to stage photos with frilly pillows and accent pieces to “add dimension.” She’d been sliding around furniture and adjusting lighting. She’d put a vase of lilies in the background, making sure everything was perfect for the photo. The only thing she’d forgotten was me. Not that I cared.

This photo makes him proud to be a father, he says. It makes him want to be a better person for his family. Looking at it now, it occurs to me that the baby looks a bit like Jake. Just by chance, they have the same coloring. In the future, people will probably say things like “he takes after his father.” I don’t have the same Nordic features. I’m darker, with wiry hair, eyes that are a shade shy of black. I look like the one who doesn’t belong in the family.

When the therapist prompts him about obstacles and fears, he keeps his eyes on the photo, his voice shaking as he speaks. There is a worry in his heart that he will be raising this baby alone, he says.

“I feel like Marla is not giving this baby a chance,” he says.

I am stunned. Somehow Jake has found a loophole around the language rule. He found a way to attack me while using an I statement. I want to attack him back.

I never had a mother or anything that even resembled unconditional love.

I wanted to start my own family more than anything.

I can’t help my past, just like Jake can’t help that he was raised by a cow who wears pearl necklaces and talks down to busboys.

Instead I present the photo I picked. It’s a close-cropped photo from the christening ceremony, just before he was dunked. I hadn’t wanted to have a christening—we aren’t church people—but his mother insisted. He resembles a little old man in the white collared onesie I got him, and for once he appears content in the priest’s expert hands. It went as these things always do. The priest takes the baby, holds it underwater, everyone watches with bated breath, waiting for him to lift it out. Then the baby emerges, sputtering and crying, but alive and saved. The guests applaud, relieved.

What are you feeling, the therapist wants to know.

During that sliver of silence, when the baby was underwater, I could finally breathe. I felt the air fill my lungs completely, and my heart expand. Relief stretched over me like a warm blanket. I never wanted it to end. Looking at the photo, I can almost inhabit that moment again. I run my fingers over the baby’s glossy image, his face and hands, the lip of the water basin just barely visible at the bottom of the photo. I’ve been chasing that moment for weeks and months, but I can’t get there.

“I think Jake is right. I cannot do this,” I say.

They tell me I am strong. That I am so much more capable than I think.

There is nothing you cannot do, the therapist says.

You have everything you could ever want, Jake says.

Those are not I statements, I want to point out, but the therapist is relentless with the script. Why. The next question is why do you feel that way.

Most nights when he cries, I squeeze him so tight that he can’t make any noise. I feel his arms struggling to free himself, fighting against me like a weak little puppy. The more he struggles, the harder I squeeze. Sometimes I feel bad after. Other times I’m just more angry. But I always let go, eventually.

“I don’t trust myself,” I say.

There’s something in me that’s growing stronger, more powerful everyday. It’s suffocating that other part of me, the tender, loving part. The part that would let go and stop myself before it’s too late. Every day the hopeful girl from room 306 gets smaller and smaller. And the angry, orphaned, resentful, infertile version of me expands to take her place. Soon there won’t be any way to contain her. Soon the old me will be gone.

“I’m scared that something will happen, something of my control. I will hurt it.”

I’ve said it, I think. It’s all on the table now and there’s no taking it back.

The therapist takes a long breath, removes her glasses and uses the corner of her cardigan to wipe a smudge. When she puts them back on, her face is rearranged, from confusion to understanding. I sense a shift in the room and automatically I feel better, an ounce lighter. Jake has turned his head to look at me, but I’m pretending I don’t notice.

The therapist rarely takes notes, but now she’s scribbling on a pad, nodding with more certainty as she goes.

“I’m writing you a prescription,” she says.

She slides it across her desk but I don’t touch it. The letters are long and neat, but my eyes won’t focus. I’ve been on plenty of meds in my life. Clomiphene citrate. Xanax. Bromocriptine. Paxil. I am certain there is no prescription for fear that I will strangle and kill my baby.

Lack of control is a common struggle, she says, and it’s typical among new parents.

I want to interrupt her. She’s misunderstood, again.

But now Jake has chimed in to agree. He is nodding and squeezing my hand in that really genuine way and I can feel his relief that we have finally found the source of my neurosis and a pill that can fix it.

The photo explains a lot, she goes on. You’re afraid that you’ll fail as a parent and leave your child in a vulnerable position. That some kind of harm will befall him because you aren’t doing enough. “That’s why I recommend these exercises,” she says, clearly proud of herself for her unfounded diagnosis.

I am so pissed off that one hot angry tear slides down my cheek, followed by another, then another. Jake tenderly wipes them away. The therapist beams and praises my vulnerability. She says that the raw emotion I’m sharing is where healing becomes possible. I think she might actually start clapping. Jake gathers me in for a hug. I love you, he whispers. It’s going to be okay. He hasn’t said that in months. When we separate, his smile is toothy and pleading. It begs me not to correct him.

I give a brave nod and swallow my feelings, tucking the photo into my back pocket. I can’t bring myself to pick up that Rx paper from the desk, but Jake’s eager hand extends to take it before I have a second to waver. We stand and say goodbye, Jake holding onto me tighter than he did on the way in.

Thank you, I tell her, smiling through tears.

Inside I am screaming, as the last trace of that hopeful mother-to-be fades away.

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Laura Mazzenga is an MFA student at San Diego State University and the associate editor at Fiction International. She writes short fiction and non-fiction, and is currently finishing her first novel. Email: lrmazzenga[at]yahoo.com

Four Poems

Baker’s Pick
Marchell Dyon


Photo Credit: Chiara Cremaschi (CC-by-nd)

Tiny Dancer

She dances…
Like all ugly ducklings do.
After, finally, discovering she is indeed a swan…

She dances…
With her daydreams.
Here metal never chimes—

Her leg braces the link of chains and
Hinges will never
Weigh enough to hold her down.

She dances…
In daylight to California rock she sways—
Watch her dance while sunlight glistens her room.

She rounds again, her many phantom partners.
A chair-bound Ginger Rogers,
Popping wheelies, turning angles,

This wheelchair is not a defeat.
These four wheels are a part of her magic.
This chair

With rainbows streamers is
A thing of beauty
As art is the faith of doing.
All her moves are holy:
All are sacred rhythms.
She sways to the bass section—

Her fingers draw a guitar from air—
While she bangs and grooves
Her head as much as her body would allow,

Like footprints on the tile floor
Her wheelchair makes step impressions.
Her soul has choreographed,

Every movement
Like an appendage the music and she
Become one pulse.

One electric nerve.
A lightning sharp as each of her senses.
Never are her movements dull or in vain.

Never are these movements without metric feet.
A harmonious dance of metal and skin, pure poetry!

 

The Guitar

He named the guitar Maria.
Upon her body,
He caresses each chord.
Like long-lost lovers untied
Once more in the dark.

Behind a locked door she occupies
A space.
On tall fragrant lit candles
Her ghost shadows, on all four walls
Her torso dances.

She twirls her skirts high above her thighs…
In rainbows of chiffon
Heels clapping,
She breathes through walls.
In waves of wild raw and ravenous chords

She echoes when finished a cool Cuban smoke.
That takes him farther away from me.
Far from the kiddy carpools and the mortgages
Back to tequila sunset
And cabana nights

Back to the beach where he roamed.
Where he found the girl with perkier breasts
The one he made love to all day on the sand.
As he tanned, eclipsed in blankets of ebony hair
Under a then-jealous sun.

 

Two Left Feet

The measure of the dance has
Never been with me.
The rhythm of body language
The curve speech like

Red polished fingernails.
The sway of hips
Like a Victorian fan singling seduction.
Only the sway of hormones

Caught me.
Through a sorted pique of feelings
A funnel cloud of emotions
Breaking and turning dancing sideways

Up and down.
Many tap dance romances surround me
Down these high school halls
Everyone is coupled up.

Everyone knows how to dance
Everyone but me.
My two left feet trip up
The interest of willing to try.

He tries to square dance pass
My naive awkwardness
I step on his toes too many times.
He walks to

The locker next to mine.
To a girl that
Knows
How to bat her eyes.

In my sad soliloquy
I am a grieving prima ballerina
At my first recital, tutu feathers thinning,
Glass in my slipper, singing the blues.

 

Eurydice’s Ghost

I electric slide through mediums
My eyes light up like disco balls
My eyes even sparkle in deep shadows

My voice of rhyme—mirrors that of poets
Listen as I smite
The sea with the colors of thunder

While my laughter becomes one,
With the phases of the moon
Hear me, singers

Melody makers—dancers before the flame.
Turn kings into beggars begging for the smooth moves
Of urban urchins.

Make proud queens envy us,
We, who can lift our skirts swinging them high—
Till all can see our embroidered thighs

Make the priest and all the holy rollers tap-
dance into the underworld and
The choirs of Orpheus sing.

And the great doors of Hades open; let those freed, and those still.
Be charmed to climb out of darkness into daylight.
But speak not a word or try to see my face.

Like smoke,
I will ghost away into the wind—
Leaving all without

The musings of a gypsy woman’s hips
Watch as she gyrates to deafening guitar chords
She invites all—

To step into the fire
Dancers become one with flames
But when the melody of this moment ends

The gypsy woman wanders away
Lite as a feather—
Into the crowd

So too, am I.

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Marchell Dyon is a survivor of both schizophrenia and bipolar disorder. She has published in many magazines over the last twelve years. She has been nominated for the Best of the Net prize as well as winning the 2012 Romancing the Craft award from Torrid Lit Journal. She has taken many workshops; she has worked hard to improve her education within the craft of poetry. With stars in her eyes and a deep-rooted imagination she continues to write in Chicago, IL. Email: marchelldyon[at]yahoo.com

Death at a Distance

Creative Nonfiction
David Sapp


Photo Credit: Tim Pierce/Flickr (CC-by)

Somehow, I navigated my mother’s death from a desk. Actually, I wasn’t that far away—only eighty miles or so from everyone and everything, but there was a distance between us. I got a call at the office from Rosemary. Aunt Rosemary and Uncle Perry, my mother’s phlegmatic older brother, lived on the edge of Cincinnati amidst cul-de-sacs, in a tidy, ordinary raised ranch with avocado green siding. Even at eighty-something, her thick German accent came clipped and efficient over the telephone wires.

Perry brought Rosemary back from Germany after he was stationed there in the army not long after WWII when her country was still hungry and ruined—love among mounds of bones and brick. The last time I’d seen them I was fourteen, when I stayed a couple of weeks after Mom returned from the psych ward—when Mom and Dad pretended to sort out their marriage. I rode roller coasters at Kings Island with cousins Clara, Carl, and Kevin. I never really liked them very much and never really knew why. Still don’t. I gathered the details from Rosemary, politely asked after her family, and braced myself for the funerary routine.

Apparently, funeral homes, in turns, receive the indigent or corpses with inadequate instructions. Over the phone with the undertaker, overall a nice-enough-man, I got right to it as I’d been through the checklist with Dad: forms, prices, pick-up and delivery. (Was grief on the agenda?) No, I wouldn’t be buying a casket or urn. Very cordially but evenly I said, “Waive the surcharge or I’ll walk away.” With striking alacrity, he took my credit card numbers. I never saw Dad dead. I’d taken a day off from the hospital vigil and missed the end. To comfort me, the hospice volunteer said, “Sometimes they wait.” And, oddly, “When the toes curl, it’s time.” But there on the computer screen was my mother’s digital face required for identification. I was compelled to claim her after all. (What if I didn’t?) Her image fixed and final, I wouldn’t know how she aged or what about her remained the same. Was there a gesture or expression I’d recall? I typed, “That’s her,” and I envisioned her being wheeled to the furnace. My newly re-discovered cousin Candy picked up Mom’s ashes packed in a non-descript bag and box (I wondered at the lack of advertisement printed on the cardboard to boost sales: Bob’s Funerals: Caskets for Corpses and More.) and returned her to our hometown where she sat, still flummoxing us all.

I never traveled to the Nazareth Apartments, the Catholic-run assisted living facility in Columbus (coincidentally, just around the corner from Grant Hospital where, for a short while, Dad was pumped for-no-damn-good-reason with chemo). Was it a home? Was it a good or bad place? Were her keepers kind or incompetent? The first person I talked with when I called confused Mom with another, I’m sure, much more pleasant resident. There were two deaths that day. When I explained who my mother was, the nice lady seemed to be unaware of my mother’s absence. And when the identity finally dawned on her, her condolences thinned, her voice strained—distant. Either, oh, I was the son who never visited, or she was also the recipient of Mom’s mania. I didn’t know. Didn’t ask. Didn’t care.

The second seemed to be a little more with it, an administrator in charge of something or other. From her voice I imagined a thoughtful but naïve young woman. After Mom’s body was discovered and removed, her room was surveyed and inventoried. I asked knowingly, “And what did you find?” Clearly astonished, she described a hoard of wide-eyed baby dolls glad to be rescued, precarious towers of paperbacks, and ten grand in small bills rubber-banded in rolls, some of the cash stacked in a cigar box wrapped and padlocked with a rusty dog chain—likely my dog, Smokey’s, who would not be tied and who’d died forty years before. The reliquary rattled her a bit. She sealed the room and I wished her good luck and “Do whatever needs done.”

Before the cremation, I sent an email to the Diocese of Columbus asking for a priest and last rites. I thought this would be what she wanted and what a dutiful son might do. Hopefully, they’d forgotten about how she’d sent the bishop a fetching Playboy centerfold with hard candy glued to the nipples. I was informed that no priest was available (Couldn’t they rustle up an altar boy at least?) and that last rites were reserved for those still breathing—thus, the qualifier, “last.” Maybe there was simply a shortage of holy water at the time and they were too embarrassed to confess. I dispatched a fiery email to the Vatican, I’m sure, handled by the Swiss Guard with asbestos gloves, and a cardinal’s secretary assured me that Mom was with God. I thought, so what’s with all the fuss over these rituals? What’s the point of the essential oils? I should have reminded them of Luther, his 95 Theses and the public relations disaster of indulgences. Instead, I pretended to be a good Catholic boy, felt guilty, and let it all go. There remained a distance between us.

My mother’s remains languished with Uncle Wayne—Mom in Limbo, what-to-do-with-her Purgatory. Her three brothers, a blind, morose lot, insisted on this and that: “Your mother would have wanted…” I asked how much they’d like to chip in for what she “would have wanted,” thousands to bury her grit beside their mother: hole, crypt, plaque, fees and commissions. I suggested scattering her in a field near the farm where they all grew up. To be fair, this probably resurrected memories of a hard life with their cruel, abusive father. When I offered, “How about I dump her in a ditch?” abruptly the letters, emails, and phones fell silent. How were these uncles, themselves victims, unaware of the violence she brought to our home—the flying jelly jars and coffee cups, garbage neatly tucked in shoes, Dad’s torn shirts?

After writing the obituary for the local news, I’d had enough. (I included her high school senior picture, a portrait when all was black and white, when she smiled with genuine Eisenhower-era optimism—before divorce, custody battles, the years of rage, and three decades of exile.)

For a while, the decisions and details were all mine. When my sister finally returned my calls, our first conversation in ten years, her voice was more shrill than I remembered: the ignorance, prejudice, and purposeful poor grammar more pronounced. When she commented tangentially on Obama, “that half-breed in the White House,” I nearly hung up. I could hear our mother. We wouldn’t be meeting for a nice quiet lunch. The distance remained between us. Still, thankfully, my sister took over: probate, checks, the sorting of possessions. When I spoke with the lawyer, our tone was conspiratorial. I pointedly treated him kindly knowing he was required to work for the ghost of our dead mother. There was a service. A priest blessed Mom after all. I wasn’t there.

I showed up in person a few months later. My sister found a plot in St. Luke’s Cemetery, a nice, cheap spot overlooking the blue-hazed Ohio hills. Dad was there. Mom would be a few slots down and to the right. But that was a guess as the headstone wasn’t planted yet and there were two fresh graves from which to choose. To weep, I’d need to return, but either little mound of earth was, equally, a complete stranger. Despite the popular and over-rated notion of closure, a distance remained between us.

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David Sapp, writer, artist and professor, lives along the southern shore of Lake Erie in North America. A Pushcart nominee, he was awarded an Ohio Arts Council Individual Excellence grant and an Akron Soul Train fellowship for poetry. His poems appear widely in the United States, Canada and the United Kingdom. His publications include articles in the Journal of Creative Behavior; chapbooks Close to Home and Two Buddha; and a novel, Flying Over Erie. Email: danieldavidart[at]gmail.com

Write As If Your Parents Were Dead

Creative Nonfiction
Kimberly Cullen


Photo Credit: nonlineargirl/Flickr (CC-by-nc-nd)

I’ve been reading Anne Lamott’s Bird by Bird. My friend Dan, a writer himself, recommended it to me many years ago when I first started posting my writing. I bought the book and then held onto it until this summer. I have read it at a snail’s pace, a few pages at a time, giving myself the chance to absorb her advice and sit on the thoughts for a while.

When I announced at work over a year ago that I would take a sabbatical beginning this fall in order to focus on my writing, I spoke with honesty and openness. I also unknowingly set myself up for failure. Because I created an expectation that I have not met. People honestly don’t really care what I’m doing on my sabbatical, but by committing to writing publicly, I created this expectation in myself to produce. And so as I slid into the start of the sabbatical, I frantically and frenetically created this website where I moved all of my blog posts over and told myself and others that I would write. I wrote a piece, one that came from the heart, highlighting one of the many silver linings from the COVID confinement we all experienced last spring. I did a little marketing campaign on social media: get ready, coming soon, just a few days left, launching tomorrow. And I published. I had tons of readers, lots of support. I even got an email from my son’s high school English teacher saying he loved the piece and would be following my work.

And then I froze. I tried to write, and couldn’t think of one thing to say that was worth a damn. I wrote fragments, and realized that the only thing I wanted to write about was stuff that I wasn’t sure people should have to read (I mean, really, why would they put themselves through that?). I started rereading things I’ve written in the past — other unpublished work: thoughts that I had, feelings that I processed, events that happened.

I read through the account of my brother’s funeral, and that horrific night — when my dad lost his shit and my mom wanted to leave, and everyone was drunk, and I walked into the screaming match and stayed most of the night. And I realized that I wanted to write about those things, to wrestle with the demons that my optimism tries to stifle. I realized that I want to write about the times when my dad was drunk and horrible, the abuse he dished out to my mom, and the shitty parent he evolved into as we got older. I wanted to write about my brother —the one that is left — and the disintegration of what was once an idyllic mother–son love story. And I sat there in front of my computer screen, unable to write any of it because all I could focus on was the hurt those words might cause.

I have felt so responsible for my mom since my dad and oldest brother died that I couldn’t even begin to imagine causing her to revisit so much of the pain that she has tried to overcome. And I cried. I cried at frustration for her that she has experienced so much pain and had to work so hard to redefine who she is in this world. And I cried at my own pain, this sense of impotence washing over me. If I can’t write about this stuff, how the fuck will I ever deal with it? And if I can’t deal with it, how am I supposed to connect with others who may have experienced similar things? And how will my life have served any purpose if my growth doesn’t help others? And this sense of frustration threw me into a dark writer’s hole… a space where I have all of the ability, but none of the motivation.

Write for what? became my mantra. I continued to journal, relying on that to feed my daily need to write. But the journal was more of a homework assignment as I was dutifully following Julia Cameron’s instructions from The Artist’s Way. I found that I would pour out a few thoughts on those pages, and then would go about my day without writing anything more. I continued to work on a much more straightforward writing project that I’m collaborating with a friend on, and what little creativity might have been sitting under the surface came out in those pages. But the real stuff — the raw and bloody emotions that are deeper down —they stayed where they were, safely hidden away from the eyes and judgements of others —most of all those of my mom.

And then yesterday, I was sitting on the sofa, reading a few pages of Bird by Bird. I was tired from having slept very little the night before. I am in Florida with my mom —making up for some lost time since we hadn’t seen one another since December last year. We were prepared for a tropical storm, but not quite the roaring and howling that came with the unexpected Cat 2 Hurricane Sally. So after a night of craziness, and as the winds began to die down, I sat there on the sofa —in my pajamas because there is kind of no place to go on the day after a hurricane —reading Anne Lamott.

My mind was alert enough to consider what I was reading, and my body tired enough to not pull me away to the usual distractions. And I read this: “Write as if your parents were dead.” I stopped cold. I looked out the window, watching the palm trees moving in the wind, and then read it again, slowly. I highlighted the sentence and those around it. I took pictures and sent them to my husband.

Write as if your parents were dead. I realized that that is the only way for me to do this. To write with the honesty that would exist if they weren’t there to read it. And so this morning, I woke up with a new perspective. Write for what? For me. Maybe I don’t need to publish everything. But I can’t publish anything if I write nothing. Writer’s block be damned. I am going to face those demons one by one. Writing for me will not be an act of betrayal. It is an act of hope and at its core, an expression of love, and it’s time for me to get back to the joy that comes with wading through a whole lot of muddy shit to find that single solitary flower that might otherwise not have been noticed.

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Kimberly Cullen is a thinker and learner, writer and storyteller, counselor and coach. After almost of quarter of a century in k12 education, she is now on sabbatical, taking some time to breathe, reflect, dream, explore life’s many gifts, and write. When she was around 8 years old, she starting writing down my dreams and these turned into stories. She has been blogging about life since 2010, and has published several articles about the need for change in how and what young people learn. Hope and gratitude are common themes in her writing, her work, and in her life in general. Email: cullen_km[at]hotmail.com