Closing Doors

Beaver’s Pick
Maithreyi Nandakumar


Photo of a chiffon scarf loosely hanging/fluttering in front of a window with light shining through the panes. The focus is on the scarf in the foreground; the window in the background is out of focus.

Photo Credit: glasseyes view/Flickr (CC-by-sa)

The doors around her kept swinging in the breeze. She tried to slam them shut but they were stubborn and wouldn’t close. How could they when everything needed so much maintenance?

Dharini went to make herself some tea and sat on her chair that faced the garden. Some of those doors had rickety hooks to hold them together and had never been strong. When she was in this big old house at night, the sound of their banging kept her company, reminding her of all the people in her life who had come and gone or disappeared. The French window opened into a wilderness, full of thorny brambles and deadly weeds. Dharini examined the scratches on her forearms—she ought to have worn a long-sleeved top before tackling the overgrowth. She struggled with the bindweed wrapped tightly like a thick plait around the wild roses and imagined it winding around her. Here she would stand, take root, become a mummified tree with bindweed blooms to decorate her body. She moved backwards to pull more effectively and fell on top of the wilful plants and lay there, stuck. By the time she extricated herself, her clothes had ripped, and her hair literally had been through a hedge.

Dharini sighed at the brilliant sunshine that was yet to subside on this long summer’s day and it hurt to see everything turned on high volume—the light, the birds, the noise inside her head that made her thoughts play on a loop, in that familiar cycle. She had learnt to live with it, to ride the darkness within and allow those doors to keep on swinging.

First thing that morning, she’d walked to the collection centre of the post office to pick up a parcel that had come in her name. They must’ve tried to deliver when she hadn’t bothered to answer the doorbell yesterday. She trudged all the way up the busy roads, across the zigzag traffic lights, past the shops selling cheap plastic buckets and mops, under the thundering railway bridge, and then that bleak stretch with care homes, walking past expensive vehicles and their bad-tempered grunting in the stationary traffic.

As she stood in the queue, she kept hearing planes up above—some were labouring against gravity, as if climbing an invisible mountain, some sounded like racing cars at peak volume. Dharini waited, sweating in her dress, thighs chafed from the walk, wondering who would have sent her anything. It made her more than a little nervous. When it was her turn, she glanced at the man serving customers, one of her tribe—a painted red streak on his forehead, and clearly unimpressed at her dishevelled appearance. Dharini produced her driving license as ID and collected the box and shuffled out before she blurted out a request for a knife to prise it open then and there to examine the contents and possibly leave them behind. She squinted at the sender’s address, but the box had a dent where the label had been damaged.

All day it remained on the kitchen worktop amongst the overflowing stuff that she had not bothered to put away or declutter. She reached for it and held the lightweight parcel on her lap. She shook it and heard a vague rustle—it seemed empty. Opening the drawer next to her chair, she took out a dinner knife and jabbed at the thick tape. She knew who it was from as she recognised the handwriting and the packaging technique. In a flash, she was taken back to their holiday in Tunisia. They’d come up with a plan to pack a large cardboard box full of dirty clothes to mail it back to England, so that they could carry the fragile colourful ceramics in their luggage. Dharini smiled at the memory of shopping at the Aladdin’s Cave with its courtyard full of tagines and stunning platters hanging on the high walls.

Why now? After years of abrupt silence, was this an attempted rapprochement?

As she tackled the gaffer tape, she remembered an earlier gift, a marble coaster that read, “A friend is one of the nicest things you can have and one of the nicest things you can be.”

Dharini snorted loudly as the tape burst open along with the cardboard flaps. There was more opaque packaging inside, the contents still a mystery. Using scissors to cut the thick plastic, she pulled out an unmarked envelope and noticed that there were none of the embellishments of before. Dharini’s name wasn’t written in glitter pen with quirky sketches. Inside, the card read To Dharini, Happy Birthday, From H, in a carefully artistic swirl. Dharini swallowed down disappointment at the lack of anything personal or remotely affectionate. No more ‘Dear Dharini’ or ‘Love H’.

So, that night, when she was in bed, she pulled open her laptop and emailed a polite thank you note. “Very kind of you to remember my (landmark) birthday, Dharini.” She shut down the machine and placed it on the floor and fingered the thin piece of indigo chiffon with the pattern of fine fronds—it was a good choice, she’d allow her that much.

Where would she wear it, though? Dharini turned off the lamp and heard the door banging downstairs. She lugged herself out of bed and went down to tie this wisp of chiffon to close the damn thing.

pencil

Maithreyi Nandakumar is a writer of fact, fiction, and verse. A former BBC journalist, her stories and poems have been published in print, on radio and online. She’s working on a second novel—a family saga tracing back to a 10th century puzzle and meandering through to the present day. She lives mostly in Bristol, UK but can also be found in London and Chennai.

Two Poems

Beaver’s Pick
Judith Taylor


A diptych of two black-and-white images. The top photograph: a woman with long, slightly messy hair leaning against a white wall. She's wearing jeans and a T-shirt and has a bandana wrapped around her wrist. Her legs are bent with knees up in the foreground. The bottom photograph: a woman lying on her back on a made bed on a comforter with a striped pattern. Her left arm is raised, elbow up, with her hand placed over her right eye. Her face is slightly turned toward the camera and her left eye is closed. She's wearing a plaid shirt. The rest of her body is out of frame.

Photo Credit: ashley.adcox/Flickr (CC-by-nc-nd)

Cycle

The body adapts to dearth.
Starve it of food and it will struggle on
consuming itself, as long as self remains to it.
Starve it of sleep, and it tries
—good body—to please you

adapts to papery eyelids, sugar cravings;
that feeling of running hot, as if your skull
has become a light source and you can’t switch off;
that tendency to weep.
It only needs a little training

—staying up late, rewriting lists
from all you haven’t achieved today
into what you’ll achieve tomorrow;
or scrolling down your phone screen
for a change of news—

and the body will take what’s given it
for the new normal: wake you
after two or three hours, as if
it’s had enough; and never allow itself
to dive down into the deep waves

between your frittering dreams, as if it’s fearful
it might never regain the surface.
You can teach yourself to be
terrifyingly, constantly alert this way.
People do. Not just in wars:

there’s a kind of politician who boasts
in their memoirs, of their appetite
for the tough task; of their iron will.
How they trained themselves to exist on
two or three hours of sleep. And nobody

cuts in to say the obvious:
that living like that will make you sick
in the end, will make you
borderline mad. Like us, in bodies we force
to stay awake beyond endurance

afraid of what’s being done, that we’ll have
to surface to. Another day
to scroll down through, our eyes dry
and painful. Another list. A bad dream
we are too lit up to wake from.

 

Daughter

In the dream, he says get out of here
and don’t come back. I think it’s a joke:
he likes to do the stern Victorian patriarch.

It’s an act, he says
—confronting us with our own bourgeois morality
for our own good, since we’re too weak in the head
to be led on rational lines.

I play along
but I think about that business with the earrings
and that he’s a hypocrite too. Oh
that teenage word!
—but who can you use it on if not your father?

In the background,
in the dream, my mother frowns. She knows this game
is going to make me late in leaving
and she’s seen too much, all these years,
to find it funny now.

It’s only once I’m awake I realise
that I called her up about as grey as she is now,
and as cynical. My father, though
I must have dreamed at least a decade younger.

Still arguing, for the sake of it, still maintaining
black was white, too, if he thought it likely
someone would answer back
and give him a chance to overbear them. Not

in the slightest doubt of himself.
Not hesitant
yet. Not fragile.

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Judith Taylor comes from Perthshire, in eastern central Scotland, and now lives and works in Aberdeen, where she is one of the organisers of the monthly “Poetry at Books and Beans” events. Her first full-length collection, Not in Nightingale Country, was published in 2017 by Red Squirrel Press, and she is one of the Editors of Poetry Scotland magazine. Email: j.taylor.09[at]btinternet.com

Drive

Beaver’s Pick
Laurel Doud


Black-and-white image of a winding two-lane highway stretching into the distance. There is a car in the oncoming lane in the midground and one in the right-hand lane in the distance. Utility poles line the right side of the road. Low fences line both sides of the road. The landscape is rolling fields with no distinguishing features. The road curves and disappears over a hill at the horizon. There is a hazy mistiness to the photograph which gives it a dreamy quality.

Photo Credit: Thomas Hawk/Flickr (CC-by-nc)

My stepdaughter was a freshman at an all-girls Catholic high school when she asked me for a song recommendation.

I had only been in her life for a year, but I knew how important this assignment was. The lyrics should embody something about herself, something, perhaps, she was striving or hoping for.

Farrah was painfully shy and socially awkward, though smart, sensitive, and good in school. She figured the other girls would choose songs by Britney Spears and Kelly Clarkson, Backstreet Boys and NSYNC. She wanted something different, perhaps even something shocking.

The song “Drive”* by the alternative funk band, Incubus, came to mind. It would be surprising for someone like Farrah to choose this song and the lyrics were worthy, especially for her age group.

Sometimes I feel the fear of uncertainty stinging clear
And I, I can’t help but ask myself
How much I’ll let the fear take the wheel and steer…

But lately I’m
Beginning to find that I should be the one behind the wheel.

From that freshman year on, Farrah took those lyrics to heart and drove her own life.

She pushed herself into the most challenging experiences and grew to be this marvelously self-confident young woman with wonderful friends and a wonderful heart. In college, she studied abroad in Cairo, Egypt. After college, she spent two years teaching English in the Peace Corps on an island in Micronesia that was two-and-a-half miles long and a half-mile wide. She graduated from an accelerated nursing program at Johns Hopkins and did her labor and delivery internship in Uganda. After working in the largest labor and delivery hospital in the United States, she moved from Virginia back to California to be closer to family.

A year ago I put the Incubus CD on and when the track “Drive” came through the speakers, it made me nostalgic. I called Farrah and we laughed about it, but I told her how inspiring it was that she took control of the wheel of her life for these past eighteen years.

I’m beginning to find that when I drive myself, my light is found.

Then Farrah decided it was time to have a baby regardless of her relationship status. She picked a donor—for one reason he looked Egyptian—and got pregnant.

Last month I watched Farrah deliver her daughter, Samira, who was four months premature. Samira was well formed, but too small for the NICU. She was a fighter, though, and lived for seventy minutes before dying in her mother’s arms. Farrah compressed a lifetime of love into those seventy minutes.

It was the most heartbreaking thing I’ve ever witnessed.

In the hospital the next day, we talked about many things, practical and philosophical. We talked about what people were going to say, what we were saying ourselves. All those well-intentioned platitudes that would still sting. You’re young. You can try again. Maybe it was meant to be.

We also talked about how there are just some things we can’t drive in life; they’re out of our control. This was one of them.

When I recently finished a first draft of this essay, I asked Farrah whether she would like to read it.

Already? she texted.

Such an innocuous word, already, but it meant something profound. My ready was far different than her ready and I realized we were processing our grief on different timelines. While I was writing this to process mine, she was immersed in hers, and her Already? was a glimpse into her surprise that time was going faster for me than for her. It made me ashamed to realize I hadn’t thought about that.

The ending is weak, I texted back.

Yeah. Well, the ending in real life kinda sucks right now too. Can’t help you with that. Can I read it tomorrow?

Another word that resonated in my head. Tomorrow. I knew she was having a bad day and it would be tomorrow, or the tomorrow after that, before she might feel strong enough to read this. Just not today.

It also made me realize that tomorrow means so much more than the concept of future time. Tomorrow is a declaration of hope. What we didn’t get done today, what we failed at, what was too overwhelming for us to complete, we can find tomorrow.

Farrah may not be able to fathom this yet, so while she grieves at her own pace on her own level, there’s not so much that I can do but continue on mine and be there for her when tomorrow comes.

Whatever tomorrow brings I’ll be there
With open arms and open eyes, yeah
Whatever tomorrow brings I’ll be there
I’ll be there.

 

*“Drive” by Brandon Boyd, Alex Katunich, Michael Einziger, Jose Pasillas, Chris Kilmore

pencil

Laurel Doud’s novel, This Body, was published by Little Brown, translated into German as Wie Das Leben So Spielt, and optioned to Hollywood where it disappeared into development hell. Bummer. Her short stories and creative non-fiction essays have been published in various online magazines and literary journals such as Air/Light, Into The Void, Goat’s Milk Magazine, Blue Mountain Center Commons and others. She lives in the Sierra Foothills of California and is an academic librarian at a local community college. Email: ldoud555[at]aol.com

Two Poems

Beaver’s Pick
Jenny Hockey


Photo Credit: Donnie Ray Jones/Flickr (CC-by)

Weaned

Submerged in our north-facing bath
I remembered you’d had no evening feed.

Tummy to sheet in your cot,
by then you were soundly asleep

and so they were over for good
my long damp hours in big white bras,

so soon in our years of making a start.

 

Lost for Words

Miss Stanage is usually mute, lies on her bed
being ninety—a swaddle of plaid blanket,
a long, thin shape. It haunts me

now I’ve seen them wheeling Elsie
to the morgue, careful to block
the view of the armchair-bound,

nags me like the question of how well
you and I are not getting on
and whether I should leave,

of whether I can complete
my research on old age
that no one has funded

and what to do about my shoes
that make me sound like Matron
and frighten staff on a sly puff break.

Miss Stanage rarely speaks—
I go round scouring the sinks,
suddenly mute when she asks me:

‘So what are your special interests in life?’

pencil

Jenny Hockey lives in Sheffield, UK. She belongs to Tuesday Poets, Hexameter, The Poetry Room and Living Line – with poems in magazines such as The North, Magma, The Frogmore Papers and Orbis. She retired from Sheffield University as Emeritus Professor of Sociology to write and read more poetry and in 2013 received a New Poets Award from New Writing North. Oversteps Books published her debut collection Going to Bed with the Moon in 2019. Twitter: @JHockey20 Email: j.hockey[at]sheffield.ac.uk

Sienna

Beaver’s Pick
Laura Mazzenga


Photo Credit: Via Tsuji/Flickr (CC-by-nc-nd)

I’m in therapy. Technically, it’s one incident that landed me here. The baby started crying, and it wouldn’t stop. I forced myself out of bed and pulled it out of the bassinet. I let it nestle in the crook of my neck, bounce in my arms, and spit down my chest. I don’t know for how long. It wouldn’t take formula. Shushing and humming seemed to infuriate it. Jake said he woke up and saw me, arms extended, shaking it like an old piggy bank.

The next morning, I sipped my coffee black and pretended to look through the bay window at a passing bird. I watched Jake fidget behind me in the reflection of the glass, trying to find his words. Finally he said “Um, about last night.” That’s why we’re here.

The office is in the same building where we consulted with a fertility doctor two years ago. It couldn’t be more different from that sophisticated suite we visited, with screens emerging from flat surfaces and espresso on demand. There was so much hope in that room, and whether or not it was false, I liked the feeling of being there.

Family therapy was my suggestion, but I’m questioning it with each minute that passes. It happens in a tiny room on the ground floor, with a drab color scheme of browns and grays. It smells of day-old soup. The therapist is a thin, fragile lady with round frames on her powdered face. She wears pastel cardigans and speaks in a soft voice that I imagine all therapists were instructed to speak to patients with. She sits across from us, behind a small, lamp-lit desk. There is a window behind her desk, too small for me to even fit through, which faces the parking lot. I see a dumpster just a few feet away and wonder if that’s where the soup smell is coming from.

She starts the session by asking how life has changed for us since we became parents. I hate her first question, but I run through the list. No sex, no sleep, no sanity. Today, I could barely find a bra under the heap of diapers and onesies and burp cloths my own stuff was buried under. I’d love a cocktail, a cigarette too. I could go on, but I already sense that these observations aren’t being received well. I stop myself and course correct, say something like “less time for me.” Jake nods and puts his hand on my lap, as if we’ve had this conversation before in private. He says that it’s been “particularly tough on Marla.” The therapist wants to know more about that, but I can’t find words that will satisfy either of them. What I really think, I am not ready to say. I think the baby and I have a mutual dislike for one another.

In the hall, I can hear the faint ding of the elevator, the sound of the doors opening and closing. I can’t help but envy the people out there, with medical problems that have solutions. Bad joints can be replaced with artificial knees and hips. Dermatologists can scrape off a troublesome mole. Plastic surgeons can laser off belly fat or chisel down a bumpy nose. But there is no cure for this. I want to go back to suite 306, where the pretty people are, with the lattes and the jazz music. Even if they will lie to me and tell me I have a chance at my own kid, I’d prefer it to this.

The shaking incident comes up halfway through the session, but only because I bring it up. Jake and the therapist had been waffling, dancing around it for twenty-five minutes, so I put us out of our misery. I shook the baby, I say. I am waiting for the questions to start, the same ones that have been swimming around in my own head, which I have no answers for. I expect I’ll be escorted out of therapy and taken directly to some inpatient facility to get my head examined properly. There’s no way I’m going back home.

But the therapist looks caught off guard by my admission, frozen for a moment, and then her eyes dart from me to Jake. Maybe she thought she’d have to slowly work that confession out of me, and I’ve taken that opportunity away from her. If there’s a certain choreography to these sessions, I’m certainly disrupting it. Jake shifts ever so slightly next to me, and I hear his chair squeak.

There looks to be a trace of empathy in the therapist’s eyes, but it’s intended for Jake, not me. She nods slowly and leans forward in her chair. She tells us that shaking is dangerous because babies’ craniums aren’t fully formed yet. They’re soft, so when you shake them, the brain bounces around in the head without anything to absorb the shock. Jake listens like he’s never heard this before, but of course we both already knew this. All new parents are warned of the dangers of shaking a baby. Is this what we’re paying $220 a session for, I joke. No one laughs.

Again, I have said the wrong thing at the wrong time. Jake is looking down, his neck a deep shade of crimson. His knee bounces, while the rest of his body is oddly still. I look past him, to the framed photos on the therapist’s desk. They are all of her and the same woman, in various places: sitting on the beach, at some event in cocktail dresses, lying on a hammock with a furry dog between them. No kids. I wonder how she could possibly be qualified to tell me not to shake my baby.

Session two, Jake does most of the talking. He has come prepared this time, summarizing the whole history of our failed attempts at IVF, and the subsequent adoption process. He is the person who keeps track of details. He knows all the dates, all the specialists and procedures, the amounts of money that corresponded with each exhausting step in the process. I remember less. I wanted a baby, more than anything, but the memory feels so distant it’s paper thin. It’s like when someone tells you of something you did when you were drunk. You were there, you know you did it, but you can’t touch the memory in any meaningful way. All of it, the miscarriages, the doctors, the poking and prodding and inserting, even the disappointment, feels like a distant dream. I can only remember suite 306, when I still believed I’d make a good mother.

What I had wanted was a baby of my own by 33. Preferably a little girl. I would name her Sienna. What I got was a three-month-old boy, a virtual stranger off a waiting list. He looked so alien—bald with bulging gray eyes that always drifted desperately beyond me. We named him Nicholas. By the time we got him, I was 36 and it was already too late. The grueling path we’d taken to become parents had already changed both of us. It had made Jake ashamed and passive. It had made me sarcastic and inconsiderate. One of us would have probably left if that baby hadn’t arrived when it did.

I am still here though. There is a gentle tap on my forearm, and I realize they are both looking at me. Sorry, I say, I’m tired. This time, the therapist seems annoyed. She doesn’t smile, but instead she flops back in her oversized chair as if I’ve exhausted her too much to even sit up straight. It has always bothered me that the doctor gets the nicer chair than the patients. We are sitting on creaky high-backed chairs that wobble when we move. I notice a piece of cardboard shoved under the left leg of my chair. I don’t remember the chairs in suite 306 but I imagine they were ergonomically designed for women struggling with fertility. She says she would like to know how I see myself as a mother. I look at the clock above her head. Still fifteen minutes left.

I give my clumsy answer, trying this time to be honest. It’s been hard for me to see myself as a mother, I say. I still don’t feel like the baby is mine. The therapist writes something on her pad, then looks cautiously from her notes to Jake’s face. He does that close-lipped twitch that passes for a smile. It means I’ve said something less than satisfactory. It means “sorry about her.”

The therapist reassures me that people often panic when they finally get the thing they have wanted for so long. It’s overwhelming. She says it’s natural to feel depressed that being a mother is not what I thought it would be.

I suppose she is right. It’s not what I thought, because the baby isn’t mine. We all know it. On some level, even the baby knows it. I want to tell them that I feel lonely, and that every time I walk into the room the baby seems to detect my smell and wrinkle his nose like the room is filling with noxious gas. In my arms, he is a fussy, squirming thing, never content. I don’t want him, and he knows it. I want to run away, leave both of them, but I don’t even have the guts to do that.

Thanks, I say. I think you’re right.

On the way home, Jake cuts someone off on the highway, then curses under his breath when they honk at us. I am sure it’s because of something I did or didn’t say in therapy, but he won’t talk to me. I wish he’d yell, or do something to show that he’s in pain too. I’d give anything for a good fight. But he’d never do that. At some point, around the third miscarriage, he stopped saying what he was thinking.

Session three, I resolve to tell the truth. I won’t let Jake or this holier-than-thou therapist bully me into saying what they want to hear. I’ll be real and raw and fearless, no matter how much it hurts me, or how much it scares them. The only trouble is that we are doing some ridiculous show-and-tell exercise, which feels like another attempt to get us speaking from scripts. We’ve been asked to bring in photos of the baby and discuss our selections. We are to say how the photo makes us feel, why, and what we perceive as obstacles to our fulfillment as parents. The therapist warns us to avoid blaming language—“you” statements—and instead focus on our individual experiences/feelings as parents—“I” statements. I practice in my head.

I am not good at bullshit nursery school hand-holding exercises.

I find it impossible to express myself without getting steamrolled by two sets of judgemental eyes.

I want to run away and leave this entire nightmare in the past, before I do something I can never come back from.

Predictably, Jake goes first. Always prepared and eager to please, Jake has brought exactly the photo I expected he would. It’s a photo his mother took from the week we brought the baby home. In it, he’s sitting on the couch, cradling it robotically beneath the white muslin blanket it’s wrapped in. He is smiling, but I know that particular smile means he’s nervous. His mother is the type to stage photos with frilly pillows and accent pieces to “add dimension.” She’d been sliding around furniture and adjusting lighting. She’d put a vase of lilies in the background, making sure everything was perfect for the photo. The only thing she’d forgotten was me. Not that I cared.

This photo makes him proud to be a father, he says. It makes him want to be a better person for his family. Looking at it now, it occurs to me that the baby looks a bit like Jake. Just by chance, they have the same coloring. In the future, people will probably say things like “he takes after his father.” I don’t have the same Nordic features. I’m darker, with wiry hair, eyes that are a shade shy of black. I look like the one who doesn’t belong in the family.

When the therapist prompts him about obstacles and fears, he keeps his eyes on the photo, his voice shaking as he speaks. There is a worry in his heart that he will be raising this baby alone, he says.

“I feel like Marla is not giving this baby a chance,” he says.

I am stunned. Somehow Jake has found a loophole around the language rule. He found a way to attack me while using an I statement. I want to attack him back.

I never had a mother or anything that even resembled unconditional love.

I wanted to start my own family more than anything.

I can’t help my past, just like Jake can’t help that he was raised by a cow who wears pearl necklaces and talks down to busboys.

Instead I present the photo I picked. It’s a close-cropped photo from the christening ceremony, just before he was dunked. I hadn’t wanted to have a christening—we aren’t church people—but his mother insisted. He resembles a little old man in the white collared onesie I got him, and for once he appears content in the priest’s expert hands. It went as these things always do. The priest takes the baby, holds it underwater, everyone watches with bated breath, waiting for him to lift it out. Then the baby emerges, sputtering and crying, but alive and saved. The guests applaud, relieved.

What are you feeling, the therapist wants to know.

During that sliver of silence, when the baby was underwater, I could finally breathe. I felt the air fill my lungs completely, and my heart expand. Relief stretched over me like a warm blanket. I never wanted it to end. Looking at the photo, I can almost inhabit that moment again. I run my fingers over the baby’s glossy image, his face and hands, the lip of the water basin just barely visible at the bottom of the photo. I’ve been chasing that moment for weeks and months, but I can’t get there.

“I think Jake is right. I cannot do this,” I say.

They tell me I am strong. That I am so much more capable than I think.

There is nothing you cannot do, the therapist says.

You have everything you could ever want, Jake says.

Those are not I statements, I want to point out, but the therapist is relentless with the script. Why. The next question is why do you feel that way.

Most nights when he cries, I squeeze him so tight that he can’t make any noise. I feel his arms struggling to free himself, fighting against me like a weak little puppy. The more he struggles, the harder I squeeze. Sometimes I feel bad after. Other times I’m just more angry. But I always let go, eventually.

“I don’t trust myself,” I say.

There’s something in me that’s growing stronger, more powerful everyday. It’s suffocating that other part of me, the tender, loving part. The part that would let go and stop myself before it’s too late. Every day the hopeful girl from room 306 gets smaller and smaller. And the angry, orphaned, resentful, infertile version of me expands to take her place. Soon there won’t be any way to contain her. Soon the old me will be gone.

“I’m scared that something will happen, something of my control. I will hurt it.”

I’ve said it, I think. It’s all on the table now and there’s no taking it back.

The therapist takes a long breath, removes her glasses and uses the corner of her cardigan to wipe a smudge. When she puts them back on, her face is rearranged, from confusion to understanding. I sense a shift in the room and automatically I feel better, an ounce lighter. Jake has turned his head to look at me, but I’m pretending I don’t notice.

The therapist rarely takes notes, but now she’s scribbling on a pad, nodding with more certainty as she goes.

“I’m writing you a prescription,” she says.

She slides it across her desk but I don’t touch it. The letters are long and neat, but my eyes won’t focus. I’ve been on plenty of meds in my life. Clomiphene citrate. Xanax. Bromocriptine. Paxil. I am certain there is no prescription for fear that I will strangle and kill my baby.

Lack of control is a common struggle, she says, and it’s typical among new parents.

I want to interrupt her. She’s misunderstood, again.

But now Jake has chimed in to agree. He is nodding and squeezing my hand in that really genuine way and I can feel his relief that we have finally found the source of my neurosis and a pill that can fix it.

The photo explains a lot, she goes on. You’re afraid that you’ll fail as a parent and leave your child in a vulnerable position. That some kind of harm will befall him because you aren’t doing enough. “That’s why I recommend these exercises,” she says, clearly proud of herself for her unfounded diagnosis.

I am so pissed off that one hot angry tear slides down my cheek, followed by another, then another. Jake tenderly wipes them away. The therapist beams and praises my vulnerability. She says that the raw emotion I’m sharing is where healing becomes possible. I think she might actually start clapping. Jake gathers me in for a hug. I love you, he whispers. It’s going to be okay. He hasn’t said that in months. When we separate, his smile is toothy and pleading. It begs me not to correct him.

I give a brave nod and swallow my feelings, tucking the photo into my back pocket. I can’t bring myself to pick up that Rx paper from the desk, but Jake’s eager hand extends to take it before I have a second to waver. We stand and say goodbye, Jake holding onto me tighter than he did on the way in.

Thank you, I tell her, smiling through tears.

Inside I am screaming, as the last trace of that hopeful mother-to-be fades away.

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Laura Mazzenga is an MFA student at San Diego State University and the associate editor at Fiction International. She writes short fiction and non-fiction, and is currently finishing her first novel. Email: lrmazzenga[at]yahoo.com

Three Poems

Beaver’s Pick
Jenny Hockey


Photo Credit: stupidmommy/Flickr (CC-by-nc)

Waking Up in Someone Else’s House

7.15, not too bad
and bright North Sea light
edging through the shutters.

The floor will be cold, I know—
not the floor but a granite hearth
under my side of the bed.

Nose into socks and tread right round
to the door. All the lights still on. Heating
not yet. But sun tumbles down the stairs

and a city discovers the shape of today.

Into the kitchen, a crunch of crumbs
and ease the curtains back, set Remy
scrabbling in his cage.

An odour of something
under the floorboards, here and there—
a kindred rodent at peace

Find a clean cup.

 

Unreliable Witness

I know that I cried—
I was your child,
but whether the nurse
took hold of my hand
or I took hold of hers
I forget.

I know she called me at 3 am

when the four-lane road
to the Humber Bridge
was mine.

Did she say you were poorly?
I know she lied, your pillowed face
already wax,

your forehead
skimmed by my lips
in the end.

 

Cambridge, June 1969

Elder thickened daily in the yard,
putting pressure on the windows.
It needed hacking back.

I was elbow deep, awash
in tiny bibs and socks,
cold feet on the quarry tiles.

Elder thickened nightly in the yard
muffling the strains of May Ball bands
a thousand miles away.

I was swagging nappies
on my shoulder, losing pegs
among the weeds.

pencilJenny Hockey‘s poems range from the sad to the surreal to the celebratory. A retired anthropologist, she takes an oblique view of the ups and downs of everyday lives. In 2013 she received a New Poets Award from New Writing North, Newcastle, UK and, after magazine and anthology publications from 1985 onwards, Oversteps Books published her debut collection, Going to Bed with the Moon, in 2019. Twitter: @JHockey20 Email: j.hockey[at]sheffield.ac.uk

Island

Beaver’s Pick
Jerri Jerreat


Photo Credit: robmadeo/Flickr (CC-by)

When you live on an island, you need to practice Buddha-like views on life.

The ferry will be on time, but you will arrive seconds too late. The ferry will be an hour late, and you will be racing to the market with fresh eggs and your sauces tucked all around you.

Om.

The garden will thrive and you will bake gorgeous quiches and exquisite salads to sell at the university. Or there will be heat wave after heat wave and the well will dry up. Or rabbits will eat all the leaves of organic beets and heritage carrots. A thunderstorm will beat your tomatoes into bursting; rows of squash leaves might turn white with mold.

Om.

Your partner will be a great support to you, both reading aloud from farming books at Toronto cafés for a year beforehand, excited for this challenge you truly believe in. He will learn about sheep, and care for thirty—plus twenty chickens—and you will laugh together over silly sheep stories. You will take classes in spinning, weaving and dyeing wool, then hang it up like art around your open kitchen/living area in the fixer-upper cabin that you purchased from the last farmer who failed.

Or your partner will begin to curse the sheep and kick them, tell you the chickens are your job now, and complain the wifi is never working and how the hell did you talk him into living god-knows-where with no f—ing Internet?

Om.

When you live on an island you must learn to breathe. Slowly, deeply. Five slow breaths in, five to exhale, pause. Repeat.

You will learn to drive a standard on a twenty-year-old truck, and to rebuild a chicken pen after foxes made away with all the chickens except the only one who won’t lay. You will learn to hand dig a post hole, put in a post, shovel cement around it, and breathe. You will stretch chicken wire around your large garden, then around your chicken pen. (Also along the broken fence where the sheep keep disappearing and which your partner will not repair.) He will no longer cook joyfully with you, experimenting; will come to think in terms of gendered work, which was not The Deal. You will work at learning to enjoy running a farm alone as part of your own personal journey to completeness.

Om.

 

When you live on an island you will read library books on truck engines in the second year and tinker with the ornery steering problem, though it’s likely a power fluid leak. If your partner has difficulty turning when he makes his fast Friday night trip to the city, claiming he has business in the city and will just crash on his old friend’s couch, again—and the truck can’t make that ninety-degree turn to the ferry at high speed, well he—

—should have practiced his Buddha-like views of life.

Om.

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Jerri Jerreat‘s fiction has appeared in Feminine Collective, The New Quarterly, The Yale Review Online, The Penmen Review, and The Dalhousie Review among others, and was featured in anthologies published by World Weaver Press and Edge Publishers. Her play was a finalist at the Newmarket National Play Festival in 2019. Email: jjerreat[at]gmail.com

It Will Happen to You

Beaver’s Pick
Jeff Bakkenson


Photo Credit: Jennifer Boyer/Flickr (CC-by)

“It will happen to you,” Meghan’s dad Tom, Josh’s father-in-law, once told him. Tom was standing suit and tie in front of the open freezer. He’d forgotten to get ice for the party, and now there was no time to go back out before church. So it must have been Christmas. Meghan and her sister Colleen’s footsteps ran in both directions along the hallway between their bedrooms and the upstairs bathroom. Mary, Josh’s mother-in-law, or future mother-in-law at that point, stood at the top of the stairs.

“You didn’t make a list?”

“If I could remember a list, I wouldn’t need a list.” He raised his voice as Mary turned towards their bedroom. “We can stop by Walgreens after church!”

She raised her voice back. “We’ll be late to our own party!”

Tom looked around for allies and found Josh trying to blend into the couch. “You think I’m kidding, but it will happen to you.”

A spray of magazines lay across the coffee table. Tom was constantly rearranging them, tugging their corners into alignment on an undescribed grid. Sometimes in the middle of a conversation, a headline would catch his eye, Sports Illustrated, Golfweek, and he’d lick his finger and gently, still nodding along as you spoke, open to the first page. Not to the article, not the table of contents, just two full-page ads facing each other, and he often wouldn’t get up again until he’d read the magazine straight through or fallen asleep trying.

Probably he’d been sick even then, before Meghan and Josh were married. After a second exam, he called the family together to tell them the secret he hadn’t known he’d been keeping. Or maybe he’d known on some level, thought Josh. The body knows, right?

A procedure was scheduled, and life continued with deliberate normalcy, which was why the morning of the procedure found Meghan and Josh following a guide named Mehmed on a tour of downtown Sarajevo. Why Sarajevo? everyone asked. Because it was cheap.

“Until you hear sniper’s bullet,” said Mehmed. “You do not think this is happening here.”

Despite their best efforts, they kept finding themselves checking their phones to make sure they’d have enough time to call home when the tour was done.

Mehmed’s memories took the form of snapshots vivant as he asked them to imagine families lined against a wall waiting for water. Lives remembered for their premature ending. “Here is Markale Market, site of massacre 5 February 1994, and also 28 August 1995.” “This Bosnia Dragon Street, where sniper shoot.” And once, a literal Polaroid, pulled from the crossbody pouch he wore at his belly button, of two young men sitting against a sofa pushed onto its side. “This is my cousin Harun. Lived by Markale Market.”

Miracle of miracles, Harun himself came hustling out of a cafe a few minutes later. He kissed his cousin and walked alongside him for the remainder of the tour, nodding whenever anyone spoke.

He nodded vigorously when Mehmed explained the city’s ethnic divisions.

“Bosnian Serb is in hills, shooting. Bosniak is me, shot.”

As they walked around the presidential palace, Mehmed pointed out damage left by mortar fire, as well as skyscrapers rising down the street. Meghan stood in front of Josh and leaned against him.

“This finished our tour,” he said. “But I leave you with one idea. My name Mehmed Banjac.” He pointed to his cousin. “His name Harun Banjac. Mehmed and Harun are Bosnian’s first name. Banjac is Serbo-Croatian’s last name. So Bosnia Herzegovina is both Bosnian and Serbo-Croatian.”

Both men smiled. Josh went into his wallet and tipped Mehmed in convertible marks, and as Harun nodded one last time, Josh tipped him too.

A cafe across the street offered WiFi and seemed as good a place as any to FaceTime from. They ordered thimble cups of coffee and sat side by side on wicker chairs, Meghan holding her phone out in front of them. But Tom didn’t pick up. Meghan called again, no answer. She tried her mom, then Colleen, Josh with his own phone ready in case he found a way to help. He watched her cycle again through her mom, dad, and back to Colleen. They confirmed the time difference and she tried again. Nothing. By the time Colleen called back, the procedure had already begun. Whoops, sorry. Enjoy the day, and we’ll let you know how it goes.

They sat blankly for a while. When the time allotted to the call expired, they gathered their things and walked to the car they’d rented to drive down to the coast.

They’d already had the conversation about not feeling guilty for keeping their trip. They’d had the conversation about the difficulty in not feeling guilty despite that being the correct response, and they knew to push the guilt down until they could barely feel it. They were at the point where they could look at each other and say, “I know,” and have that be a whole conversation about their guilt.

At first Meghan looked like she was having trouble swallowing. Once they’d left the curving roads of the city center, she hunched over her phone firing off volleys of texts. The procedure, Tom had told them back in that other world before the procedure began, could take a short time or a long time, depending on what the surgeons found and where they found it. Then, depending, further treatment would be advised.

“It probably didn’t even occur to them because it’s such a routine procedure,” said Josh.

“But didn’t he want to talk to me?”

“Maybe they thought it would make you worry more.”

“I’m not worried. I’m mad.”

Pocket cemeteries dotted the slopes as the city slowly faded into forest. Meghan put down her phone and rubbed her eyes. The highway switchbacked up and up and finally down the other side of a woody mountain, glances of the next valley stealing through the trees, and another mountain beyond it. On the valley floor, they passed a village set around a gleaming slab stitched with consonant-choked names.

“Didn’t Mehmed say the -ic means they’re Serbian?” asked Josh.

“Maybe we’re in Serbia.”

“Check the book please?”

The book, a Rick Steves travel guide, had an inset after the section about Sarajevo. Meghan read aloud, “As you leave Sarajevo, you will see memorials for the Serb fighters who laid siege to the city. While this seems confusing to us now, remember that the conflict… good people on both sides, etc.”

They stopped for lunch in Mostar and ordered a mixed grill plate at a restaurant overlooking the famous humpbacked bridge. A metal cross stood on a hill above, a memorial, said the book, to the fighters who’d used the vantage to fire down into the city. The bridge was a reconstruction.

“I’m kind of done with the war stuff,” said Meghan.

“Me too.”

Their waitress brought out two mounded plates, then two plates more, and two more after that.

There’d been a misunderstanding. Josh waved his hands over the table.

“No more, please.”

“Yes,” she said. “Is more!” She laughed from the back of her throat and brought out a final plate.

They ate what they could of the sausage, another sausage, chicken, thin beaten steak, french fries, raw onions, tomatoes, lettuce, and rice. Meghan’s phone buzzed with a waving emoji.

“She has to text every thirty minutes whether or not there’s news,” she said. “At least this way we’re still in the loop.”

Josh scrolled through his own messages. The last time he and Colleen had texted was on her birthday. The time before that was on his.

“Does she know you’re upset?”

When the bill came, the price was double the price in the menu. The waitress stood over them, waiting.

“Where does it say per person?” asked Josh, but she seemed not to understand.

He relieved himself of a wad of bills while Meghan let Colleen know she might be out of phone range.

Someplace between Mostar and the coast, the woods became scrubby hills. The sky cleared. Meghan played bongos on the dashboard. She folded her arms and picked at her teeth.

“Why is everything here cash only?” she asked.

“It’s real money.”

“So’s a credit card.”

A while after that, Josh heard her humming.

“What are you thinking about?”

“Not thinking, just humming.” But then, “It’s taking a long time, isn’t it?”

The road passed from Bosnia to Croatia, back into Bosnia for a few miles, and then back into Croatia. At each crossing, they stopped and had their passports stamped. At the final crossing, Josh gave a man in a kiosk the rest of their marks, and he gave them a smaller stack of kuna in return.

Meghan read some more from Rick Steves. “Apartment Maria lies steps from the Old Harbor and a secret swimming hole. Nikola is a conscientious host who enjoys helping his guests. Mention this book for a 10% discount.”

Another time she asked, “Are we sure we weren’t wrong not to be there?”

The hills in Croatia were lower, chalkier. There were no more villages with roadside memorials. They rose, descended, rose, and suddenly the ocean appeared, glittering away towards the walled city of Dubrovnik. They pulled to the side and got out to take pictures.

“Fuck!” said Meghan. She sprinted back to the car, found the baggie with the Croatian sim card, and switched it for the Bosnian one. Her phone buzzed with an overdue heart emoji.

At five, 17:00 on the clocks in Dubrovnik, they returned their rental car and caught the last ferry of the day for Riba, an island appearing as the first of a series of smudges stretching out into endless water. They sat on the top deck, bags at their feet. In front of them, a castle passed from left to right along the shoreline.

“What are we watching?” asked Josh.

“Dunno. Check the book.”

The women sitting next to them spoke Croatian. At least Josh assumed it was Croatian. He was a tourist; it was okay not to be sure. There was something comforting, finally, about listening to a voice you didn’t have to understand.

Because enough with this stuff at weddings about, I don’t feel like I’m losing a sister so much as gaining a brother. It was like that thought experiment where you replace all the parts of a boat one by one. At what point does the old boat become a new boat? And at what point do you, let’s say you’re a screw drilled in midway through the restoration, begin to understand why the sails and the rudder pull in opposite directions, what foundational assumptions and unsettled arguments they use to navigate each other? Because whatever else happened, today would be a permanent fixture in that relationship.

Riba was shaped like a goldfish cracker with a walled town at the head and a beach at the tail. Meghan’s phone buzzed just the dock came into view, and she threw her arms around Josh. The surgery was done.

They breathed deeply in and out together.

Josh asked, “You’re doing okay?”

“Better.”

As the crowd gathered on the dock inched closer, they basked in the glow of having been through a close call and coming out the other side still themselves.

“Did they say how it went?”

“He’s still asleep. The doctor will talk to everyone when he wakes up.”

“Then wake him up already!”

Nikola was waiting in the shade of the old city gate. They walked a short distance to Apartment Maria, which was really just a room on the third floor of his house.

Nikola led them upstairs and then back down to the kitchen on the second floor, where a bottle of wine and a scatter of brochures waited on the table. He poured into three glasses.

“The bottle say, Desire is stronger than love, but here there is both.

Meghan went back upstairs to FaceTime Colleen while Nikola shuffled through his brochures. If they wanted to rent a boat, if they needed a guide, his friends had the best prices.

“Now you pay please,” he said. He set a calculator on the table between them, making a show of punching in the room rate times three.

“We have the Rick Steves book,” said Josh. “The ten percent discount.”

Nikola was confused.

“Rick Steves?” asked Josh. “Just a second.”

He mussed around in his backpack and came up with the book and the line about the discount. Nikola shook his head.

“I never have discount.”

“It says so right here.”

Nikola flipped to the author’s photo at the back. Josh thumbed back to the page with Nikola’s name on it.

“This is you, right?”

“You bring this book.”

And a shrug for good measure, as if to say, We have our own set of rules. Like the war had permanently severed them from the outside world. Josh counted out kuna and dropped the money on the table.

“This is my house,” said Nikola.

“Take it or leave it. Do you know this phrase?”

He gave what he felt was a convincing look, and when Nikola reached for the money, turned and ran upstairs.

Meghan was sitting on the bed, phone in her lap, looking out the window. Josh felt a bounciness as he stepped into the room, like his feet were still climbing.

“He’s awake?”

Meghan shook her head. “Nobody’s picking up.”

“Maybe he’s just not awake yet.”

“It’s the same thing all over again.”

It’ll happen to you, Tom had said. Meaning what, exactly? It was like even when they won, they lost. Josh sat on the bed and put his arm around Meghan. The window was a vision of what they were missing, a cobblestone street lined with whitewashed and red-roofed houses, shining for a few more minutes in the summer sun. Below them, a car stopped to let out a man in a leather jacket.

“Do you think they found something bad?” asked Meghan.

According to the guidebook, a path behind the apartment led to a door in the city wall and a stone staircase leading into the water. If they left now, there was daylight left to find the door, leave their clothes by the wall, and sidle down the stairs until the water buoyed them away.

“Josh?” said Meghan.

The water would be warm, and still, and clear. They’d pinch their noses, close their eyes, and slip below the surface.

There was a knock at the door, and Meghan turned to face it.

Josh stood.

“Hello?”

In the darkness, surrounded by water, each would be a universe gently sinking. As pressure pounded their ears, their chests quivered, and finally they’d rise, gasping at each other on the surface. A sense of clarity, that trusty fight or flight, and together they’d swim back to shore.

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Jeff Bakkensen lives in Boston. Recent work has appeared in A-Minor Magazine, Oblong Magazine, Smokelong Quarterly, and The Antigonish Review. Email: jeffrey.bakkensen[at]gmail.com

Light-Up Shoes

Beaver’s Pick
CJ Maughan


Photo Credit: malouette/Flickr (CC-by-sa)

Krista finally found them. Kneeling on the orange department store carpet, she pulled the black shoe box from the shelf and brushed the dust off the top. The lid flapped open and revealed the size eight shoes that she was searching for.

There were ruby gems embedded in the heels and there were pink stripes lapping at the tongue. Stars, rainbows, and sunlight danced along the sides. These images were the solemn promise of Velcroed possibilities. Yes, you can jump higher, run faster, longer, better than all the things. These shoes are made of magic. These shoes will make you magic.

Krista unzipped her windbreaker, tossing it aside, and slipped her feet into the shoes. The lights in the heels flickered as she stood. She wiggled her toes. There was room to grow and room to run. It would require a test, of course, and there was only one way to know their true power.

The fresh rubber squeaked, leaving a black mark where she ground her toe into the white tile of the store aisle for good luck. Heels to the block, knees to the ground, elastic in her veins—she took off.

Pumping her arms as the shoe lights flashed along the whites of the floor. Reflecting through eternity in the long store wall mirror. She saw a glimpse of herself, a blur of lights and a white shirt. Her hair billowing behind her. Her legs strong and quick.

She ran down the walkways and the aisles. She skirted around registers. She darted around strollers and jumped through clothing displays. She spun through jewelry racks and sashayed across the escalator track.

She didn’t see the ruby-lipped, ice-haired girls stepping off the elevator. The shoes were fast; they only knew two speeds: fast and faster. They did not know how to stop once started, but still, she tried.

Krista locked her knees; the ice queens watched, wide-eyed and jagged, but it was too late. Together they entered the realm of confusion, slamming into each other with a force greater than each of their lives. Blackness reigned. Terror threatened. Voices cried out. The ceiling was the floor. The floor was the ceiling.

Krista bravely jumped first to her feet. Her lungs sore, her knees scraped, but her pride intact. “Sorry,” she said, wanting to run away, but schoolyard lessons kept her locked in place.

The less-blonde girl helped the other blonde girl up from the floor. “Jesus Christ, watch where you’re going, kid.” They bent and gathered the impossibly tiny hangers that held the impossibly tiny clothes.

“Are those for your dolls?” Krista asked.

The girls held up the hangers and looked at each other. “They’re bras, kid. Haven’t you ever seen one before?”

“God, the dumb kid has never seen a bra before. How old is she you think?

“Eleven?”

“Barely.”

Krista didn’t understand.

The girls looked down at Krista, closely inspecting her white shirt. “Hey kid,” the more-blonde girl said. “You’re giving the boys a free show, you know.”

Krista shifted her feet nervously and the lights danced across the floor once more. And then there was the worst sound of all: laughter.

“Oh my god, I just saw. She’s wearing light-up shoes!”

“They still have the price tag on them!”

“Are you shopping with Mommy today? Maybe if you’re good, she’ll buy you a pretzel.”

“I think I was five the last time I wore those.”

“I know, right? What a baby.”

Krista looked down, surprised by her own feet. The lights flickered as she moved.

“See ya later, little kid,” the girls said. As they swung their hips away, Krista watched the big, bold words they left behind in their wake. She reached and touched each of these words. They were words that she never before thought about. Boys. Too old. Free show. Bra.

But there were also other words. Krista looked around, surprised to realize that she didn’t see them the first time. Embarrassed. Naked. Under-dressed. Unable and undeserving.

Ugly.

Krista crossed her arms across her chest. She didn’t understand why, but she wanted her jacket. She wanted her mother and she wanted to go home. The lights on the shoes were now a dim glow of their shadowy past.

She passed the tall mirror again and watched herself walk past. Slowly now, a distinct shape took form. Yellow hair that frizzed into a triangle. A stomach that rounded the edges of her jeans and something, two somethings, up top that she hadn’t noticed before.

“There you are,” Mother said. “I turn for one minute and you run off. I’ve been looking everywhere.”

Krista stared at the shoe box on the ground, its lid turned open like the soft pages of a book.

“Take those off,” Mother said, pulling out her cellphone as it rang. “Hello? Yes, I’m still here. Just shopping with Krista. She’s being impossible.” Mother pointed at Krista’s feet. “I’m serious. Take those off. You’re way too old for those. Yes, yes we’ll be home soon. I just need to get her a bra and then we’ll be done. No, her teacher said something. She said the boys in the class…”

Krista didn’t hear the rest. She didn’t need to know. She pulled the shoes off one by one and slowly closed the box on her childhood. The lights from the shoes flickered as she stuffed the box on the shelf. She didn’t bother looking back to watch them stop.

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CJ Maughan is a former chemist who realized she was much better at writing fiction than lab reports. She is oddly fascinated with melancholy and tends to prefer stories that are depressingly beautiful. Her debut novel, Eighteen, won the 2018 League of Utah Writers Golden Quill award for adult fiction. Twitter: @CJ_Maughan Email: hello[at]CJMaughan.com

Love Means Nothing

Beaver’s Pick
DS Levy


Photo Credit: Dustin Gray/Flickr (CC-by-nc)

The Tennis Champ of the Whole Wide World drills forehands at the backboard with the accuracy of a cold-hearted laser beam. The green wall with its imaginary net issues a dull echo: Thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump. The Tennis Champ of the Whole Wide World could drill like this all day. She’s a machine that never misses. Before the yellow ball ricochets off the backboard she’s already got her Ultra-Lightweight Composite Professional Tennis Racquet Endorsed by The Tennis Champ of the Whole Wide World’s extra-wide head poised to pounce. Overhead, the sun crosses. Her shadow dances west to east, the pleats on her white tennis skirt flounce up and down. Geese fly high overhead in pattern. The moon rises. Lightning bugs dodge her blistering forehands. Orion cinches his belt a little tighter. The Big Dipper looks like a ball-hopper she doesn’t need. Her boyfriend walks down the asphalt path. She hears his sneakers before catching a glimpse of his shaggy brown hair. He laces his fingers between the chain-link fence, pokes his nose through and whispers: “Are you ever, ever coming in?” The Tennis Champ of the Whole Wide World says yes, no, maybe. When you’re a winner, you have to stay on top of your game. Everyone wants to knock you off the trophy perch. “In tennis,” she reminds him, “‘love’ means nothing.” And when he trudges off into the dark, she blasts the nap of the fluorescent ball and the hollow ping it makes echoes in the darkness. The Tennis Champ of the Whole Wide World isn’t willing to lose—not even her own cold, uncompromising heart: Thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump-thump.

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DS Levy’s work has been published in New Flash Fiction Review, Little Fiction, MoonPark Review, Cotton Xenomorph, The Alaska Quarterly Review, Columbia, Brevity, and others. Her collection of flash fiction, A Binary Heart, was published in 2017 by Finishing Line Press. Email: deblevy[at]frontier.com