Closing Doors

Beaver’s Pick
Maithreyi Nandakumar


Photo of a chiffon scarf loosely hanging/fluttering in front of a window with light shining through the panes. The focus is on the scarf in the foreground; the window in the background is out of focus.

Photo Credit: glasseyes view/Flickr (CC-by-sa)

The doors around her kept swinging in the breeze. She tried to slam them shut but they were stubborn and wouldn’t close. How could they when everything needed so much maintenance?

Dharini went to make herself some tea and sat on her chair that faced the garden. Some of those doors had rickety hooks to hold them together and had never been strong. When she was in this big old house at night, the sound of their banging kept her company, reminding her of all the people in her life who had come and gone or disappeared. The French window opened into a wilderness, full of thorny brambles and deadly weeds. Dharini examined the scratches on her forearms—she ought to have worn a long-sleeved top before tackling the overgrowth. She struggled with the bindweed wrapped tightly like a thick plait around the wild roses and imagined it winding around her. Here she would stand, take root, become a mummified tree with bindweed blooms to decorate her body. She moved backwards to pull more effectively and fell on top of the wilful plants and lay there, stuck. By the time she extricated herself, her clothes had ripped, and her hair literally had been through a hedge.

Dharini sighed at the brilliant sunshine that was yet to subside on this long summer’s day and it hurt to see everything turned on high volume—the light, the birds, the noise inside her head that made her thoughts play on a loop, in that familiar cycle. She had learnt to live with it, to ride the darkness within and allow those doors to keep on swinging.

First thing that morning, she’d walked to the collection centre of the post office to pick up a parcel that had come in her name. They must’ve tried to deliver when she hadn’t bothered to answer the doorbell yesterday. She trudged all the way up the busy roads, across the zigzag traffic lights, past the shops selling cheap plastic buckets and mops, under the thundering railway bridge, and then that bleak stretch with care homes, walking past expensive vehicles and their bad-tempered grunting in the stationary traffic.

As she stood in the queue, she kept hearing planes up above—some were labouring against gravity, as if climbing an invisible mountain, some sounded like racing cars at peak volume. Dharini waited, sweating in her dress, thighs chafed from the walk, wondering who would have sent her anything. It made her more than a little nervous. When it was her turn, she glanced at the man serving customers, one of her tribe—a painted red streak on his forehead, and clearly unimpressed at her dishevelled appearance. Dharini produced her driving license as ID and collected the box and shuffled out before she blurted out a request for a knife to prise it open then and there to examine the contents and possibly leave them behind. She squinted at the sender’s address, but the box had a dent where the label had been damaged.

All day it remained on the kitchen worktop amongst the overflowing stuff that she had not bothered to put away or declutter. She reached for it and held the lightweight parcel on her lap. She shook it and heard a vague rustle—it seemed empty. Opening the drawer next to her chair, she took out a dinner knife and jabbed at the thick tape. She knew who it was from as she recognised the handwriting and the packaging technique. In a flash, she was taken back to their holiday in Tunisia. They’d come up with a plan to pack a large cardboard box full of dirty clothes to mail it back to England, so that they could carry the fragile colourful ceramics in their luggage. Dharini smiled at the memory of shopping at the Aladdin’s Cave with its courtyard full of tagines and stunning platters hanging on the high walls.

Why now? After years of abrupt silence, was this an attempted rapprochement?

As she tackled the gaffer tape, she remembered an earlier gift, a marble coaster that read, “A friend is one of the nicest things you can have and one of the nicest things you can be.”

Dharini snorted loudly as the tape burst open along with the cardboard flaps. There was more opaque packaging inside, the contents still a mystery. Using scissors to cut the thick plastic, she pulled out an unmarked envelope and noticed that there were none of the embellishments of before. Dharini’s name wasn’t written in glitter pen with quirky sketches. Inside, the card read To Dharini, Happy Birthday, From H, in a carefully artistic swirl. Dharini swallowed down disappointment at the lack of anything personal or remotely affectionate. No more ‘Dear Dharini’ or ‘Love H’.

So, that night, when she was in bed, she pulled open her laptop and emailed a polite thank you note. “Very kind of you to remember my (landmark) birthday, Dharini.” She shut down the machine and placed it on the floor and fingered the thin piece of indigo chiffon with the pattern of fine fronds—it was a good choice, she’d allow her that much.

Where would she wear it, though? Dharini turned off the lamp and heard the door banging downstairs. She lugged herself out of bed and went down to tie this wisp of chiffon to close the damn thing.

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Maithreyi Nandakumar is a writer of fact, fiction, and verse. A former BBC journalist, her stories and poems have been published in print, on radio and online. She’s working on a second novel—a family saga tracing back to a 10th century puzzle and meandering through to the present day. She lives mostly in Bristol, UK but can also be found in London and Chennai.

Two Poems

Beaver’s Pick
Judith Taylor


A diptych of two black-and-white images. The top photograph: a woman with long, slightly messy hair leaning against a white wall. She's wearing jeans and a T-shirt and has a bandana wrapped around her wrist. Her legs are bent with knees up in the foreground. The bottom photograph: a woman lying on her back on a made bed on a comforter with a striped pattern. Her left arm is raised, elbow up, with her hand placed over her right eye. Her face is slightly turned toward the camera and her left eye is closed. She's wearing a plaid shirt. The rest of her body is out of frame.

Photo Credit: ashley.adcox/Flickr (CC-by-nc-nd)

Cycle

The body adapts to dearth.
Starve it of food and it will struggle on
consuming itself, as long as self remains to it.
Starve it of sleep, and it tries
—good body—to please you

adapts to papery eyelids, sugar cravings;
that feeling of running hot, as if your skull
has become a light source and you can’t switch off;
that tendency to weep.
It only needs a little training

—staying up late, rewriting lists
from all you haven’t achieved today
into what you’ll achieve tomorrow;
or scrolling down your phone screen
for a change of news—

and the body will take what’s given it
for the new normal: wake you
after two or three hours, as if
it’s had enough; and never allow itself
to dive down into the deep waves

between your frittering dreams, as if it’s fearful
it might never regain the surface.
You can teach yourself to be
terrifyingly, constantly alert this way.
People do. Not just in wars:

there’s a kind of politician who boasts
in their memoirs, of their appetite
for the tough task; of their iron will.
How they trained themselves to exist on
two or three hours of sleep. And nobody

cuts in to say the obvious:
that living like that will make you sick
in the end, will make you
borderline mad. Like us, in bodies we force
to stay awake beyond endurance

afraid of what’s being done, that we’ll have
to surface to. Another day
to scroll down through, our eyes dry
and painful. Another list. A bad dream
we are too lit up to wake from.

 

Daughter

In the dream, he says get out of here
and don’t come back. I think it’s a joke:
he likes to do the stern Victorian patriarch.

It’s an act, he says
—confronting us with our own bourgeois morality
for our own good, since we’re too weak in the head
to be led on rational lines.

I play along
but I think about that business with the earrings
and that he’s a hypocrite too. Oh
that teenage word!
—but who can you use it on if not your father?

In the background,
in the dream, my mother frowns. She knows this game
is going to make me late in leaving
and she’s seen too much, all these years,
to find it funny now.

It’s only once I’m awake I realise
that I called her up about as grey as she is now,
and as cynical. My father, though
I must have dreamed at least a decade younger.

Still arguing, for the sake of it, still maintaining
black was white, too, if he thought it likely
someone would answer back
and give him a chance to overbear them. Not

in the slightest doubt of himself.
Not hesitant
yet. Not fragile.

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Judith Taylor comes from Perthshire, in eastern central Scotland, and now lives and works in Aberdeen, where she is one of the organisers of the monthly “Poetry at Books and Beans” events. Her first full-length collection, Not in Nightingale Country, was published in 2017 by Red Squirrel Press, and she is one of the Editors of Poetry Scotland magazine. Email: j.taylor.09[at]btinternet.com

Mind Fullness

Broker’s Pick
Ann Gibson


Several upside-down bisque doll heads. The tops of the heads are open/hollow. The head in the middle foreground has blue glass eyes. The two on either side have empty eye holes. The heads have painted lips, cheeks, eyebrows. Some have closed lips and others have open mouths. A cloth doll body is in the background.

Photo Credit: Florian Lehmuth/Flickr (CC-by-sa)

Present in the moment, listening,
attentive to everything that’s said.
Tell me and I’ll remember, input sticks;
who’s doing what, whether I should show.

Minutiae weigh heavy in the head;
brain brims with details, circuits clog.
Keeping track takes its tangled toll,
no space left for flippancy or fun.

You chat, chew the fat with friends,
can’t recall anything you hear;
pay no heed to scuppered lucky chances,
meetings missed, appointments double-booked,
plans thwarted by your absent mind—
I envy you your Teflon, sieve-based brain.

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Ann Gibson spent her childhood in Dublin and now lives in North Yorkshire, UK. She has published poetry in Acumen, Prole, Obsessed with Pipework, Dream Catcher, Orbis, The Poets’ Republic, and various anthologies. Her poetry has also appeared online in The High Window, Algebra of Owls, Lighten Up Online, Snakeskin, Ofi Press Magazine and The Ekphrasis Review. Email: annjmgibson[at]gmail.com

Drive

Beaver’s Pick
Laurel Doud


Black-and-white image of a winding two-lane highway stretching into the distance. There is a car in the oncoming lane in the midground and one in the right-hand lane in the distance. Utility poles line the right side of the road. Low fences line both sides of the road. The landscape is rolling fields with no distinguishing features. The road curves and disappears over a hill at the horizon. There is a hazy mistiness to the photograph which gives it a dreamy quality.

Photo Credit: Thomas Hawk/Flickr (CC-by-nc)

My stepdaughter was a freshman at an all-girls Catholic high school when she asked me for a song recommendation.

I had only been in her life for a year, but I knew how important this assignment was. The lyrics should embody something about herself, something, perhaps, she was striving or hoping for.

Farrah was painfully shy and socially awkward, though smart, sensitive, and good in school. She figured the other girls would choose songs by Britney Spears and Kelly Clarkson, Backstreet Boys and NSYNC. She wanted something different, perhaps even something shocking.

The song “Drive”* by the alternative funk band, Incubus, came to mind. It would be surprising for someone like Farrah to choose this song and the lyrics were worthy, especially for her age group.

Sometimes I feel the fear of uncertainty stinging clear
And I, I can’t help but ask myself
How much I’ll let the fear take the wheel and steer…

But lately I’m
Beginning to find that I should be the one behind the wheel.

From that freshman year on, Farrah took those lyrics to heart and drove her own life.

She pushed herself into the most challenging experiences and grew to be this marvelously self-confident young woman with wonderful friends and a wonderful heart. In college, she studied abroad in Cairo, Egypt. After college, she spent two years teaching English in the Peace Corps on an island in Micronesia that was two-and-a-half miles long and a half-mile wide. She graduated from an accelerated nursing program at Johns Hopkins and did her labor and delivery internship in Uganda. After working in the largest labor and delivery hospital in the United States, she moved from Virginia back to California to be closer to family.

A year ago I put the Incubus CD on and when the track “Drive” came through the speakers, it made me nostalgic. I called Farrah and we laughed about it, but I told her how inspiring it was that she took control of the wheel of her life for these past eighteen years.

I’m beginning to find that when I drive myself, my light is found.

Then Farrah decided it was time to have a baby regardless of her relationship status. She picked a donor—for one reason he looked Egyptian—and got pregnant.

Last month I watched Farrah deliver her daughter, Samira, who was four months premature. Samira was well formed, but too small for the NICU. She was a fighter, though, and lived for seventy minutes before dying in her mother’s arms. Farrah compressed a lifetime of love into those seventy minutes.

It was the most heartbreaking thing I’ve ever witnessed.

In the hospital the next day, we talked about many things, practical and philosophical. We talked about what people were going to say, what we were saying ourselves. All those well-intentioned platitudes that would still sting. You’re young. You can try again. Maybe it was meant to be.

We also talked about how there are just some things we can’t drive in life; they’re out of our control. This was one of them.

When I recently finished a first draft of this essay, I asked Farrah whether she would like to read it.

Already? she texted.

Such an innocuous word, already, but it meant something profound. My ready was far different than her ready and I realized we were processing our grief on different timelines. While I was writing this to process mine, she was immersed in hers, and her Already? was a glimpse into her surprise that time was going faster for me than for her. It made me ashamed to realize I hadn’t thought about that.

The ending is weak, I texted back.

Yeah. Well, the ending in real life kinda sucks right now too. Can’t help you with that. Can I read it tomorrow?

Another word that resonated in my head. Tomorrow. I knew she was having a bad day and it would be tomorrow, or the tomorrow after that, before she might feel strong enough to read this. Just not today.

It also made me realize that tomorrow means so much more than the concept of future time. Tomorrow is a declaration of hope. What we didn’t get done today, what we failed at, what was too overwhelming for us to complete, we can find tomorrow.

Farrah may not be able to fathom this yet, so while she grieves at her own pace on her own level, there’s not so much that I can do but continue on mine and be there for her when tomorrow comes.

Whatever tomorrow brings I’ll be there
With open arms and open eyes, yeah
Whatever tomorrow brings I’ll be there
I’ll be there.

 

*“Drive” by Brandon Boyd, Alex Katunich, Michael Einziger, Jose Pasillas, Chris Kilmore

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Laurel Doud’s novel, This Body, was published by Little Brown, translated into German as Wie Das Leben So Spielt, and optioned to Hollywood where it disappeared into development hell. Bummer. Her short stories and creative non-fiction essays have been published in various online magazines and literary journals such as Air/Light, Into The Void, Goat’s Milk Magazine, Blue Mountain Center Commons and others. She lives in the Sierra Foothills of California and is an academic librarian at a local community college. Email: ldoud555[at]aol.com

End of Tunnel

Broker’s Pick
Diane Webster


Photo Credit: Carlos Sá/Flickr (CC-by-nc)

What if at the end
of the tunnel was a mirror?
Scary sight of a woman
staring back until I see
it’s me; scary anyway.

I touch myself to convince
I am real or imagined hoping
I don’t feel a real hand
at the end of reflected fingers.

But then trapped as much as
a chained door in fairy tales.
Go back? Stay here?
Unless I believe, I believe
mirror is reflection liquid,
and all I have to do is meet myself,
merge myself, come out
on the other side,
other side of the tunnel.

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Diane Webster’s goal is to remain open to poetry ideas in everyday life, nature or an overheard phrase and to write. Diane enjoys the challenge of transforming images into words to fit her poems. Her work has appeared in Home Planet News Online, North Dakota Quarterly, Talking River Review and other literary magazines. Email: diaweb[at]hotmail.com

Five Poems

Baker’s Pick
Russell Rowland


Photo Credit: June Marie/Flickr (CC-by-sa)

On Hold

Shadows lengthen, hours since I shaved;
the tune da capo, recorded fib recycles:
“Your call is important to us.”

In our meetinghouse, a higher call:
we celebrate recurring Advents and Lents
together—lections of patient attendance.

Once, my newly-licensed daughter
dared drive in a whiteout, to reunite
with her boyfriend. Awaiting her message
of arrival, each minute was worth my life.

When she was at Speare Memorial
for what would be Emma by caesarean,
no news was not good news. Before
my own eyes I aged into a grandfather.

Holding the phone to alternate ears today,
I had started doubting providence,
death’s distance, when the ditty cut off.
“This is Shelly, how may I help you?”

 

Sorority

Along the Tilton-Sanbornton town line
live two of Ted’s former wives: divorcee
and widow. One each side of the line.

Sometimes the women meet and pass
on walks along the dividing dirt road—
civil in address. They don’t really have
the same Ted in common. Awkward
subject. But no noses up or anything.

Whose husband he might be in heaven
depends on what you believe about
a lot of things, divorce and heaven
included (Jesus addressed that one).

Bereavement and court decree are two
valleys walked alone, to reach in time
greener pastures, more tranquil waters,
the lines fallen in pleasant places.

Ted learned more than some men
about women, but took it all with him.

There is a drawer in a hope chest
for what worked with one of his wives,
the Sanbornton landfill for what
didn’t work with the other, and a plot
in Tilton where Ted can think it over.

 

Ignored by a Chickadee

Among snubs collected in a life
of putting myself out there, this

is minor: a black-capped extravert
pecks diligently at the leaf mold
within a pace of my hiker’s boots,
ignoring me and my propensities.

Weighed against fall’s fat storage,
I am of course nothing—plus
in a crisis there are always wings.

This discipline of standing still
long enough gives other dwellers
in the arboreal city time to forget
I’m here: in nature the motionless

is invisible. Chipmunks overrun
your boots. A fox comes sniffing
right up to your trouser leg. It is
a great blessing, but hunters use it.

Leaves become eyes, the chickadee
flutters up to safety, when I move
along, aware I’m loved back home.

 

Grampy
for Emma

I am Grampy and a rock.
Climb up, agile granddaughter,
I won’t roll out from under you.

Gaze in my eyes,
as into an ornamental Easter egg.
You see the Garden earth once was,

unless I begin to weep—
then you’ll watch a Deluge make
the world anew, for animals and you.

Put up with my voice—
you will hear old funny songs
you catch yourself humming in bed.

Take hold of my hand—
I emptied it of wealth, of pretty things
like rings. Your hand was all it wanted.

I am Grampy, cannot
help it. I was born with whiskers.
Gracious years intended me for you.

Walk beside me, watch
for surprises I can already see—
the grown-up lady you, the absent me.

You made me Grampy.
But for you I would be browsing
store shelves for a name.

 

The Keeper Leaf

Hands held, they stroll fall’s litter
of colors. The ostensible conceit—
due diligence here helping to hide
a nervousness that often precedes
some expected consummation—

is to identify and take back home
to a bedroom only one of them
has slept in before tonight, a leaf:

an unsurpassable representative
of fall’s foliage at absolute peak.

Each contender is discarded for
the next and next, more brilliant
to the vacillating tastes of youth,

the search itself mostly pretense
that two heads are not obsessed
with intimate liberties at night,
pleasure’s forever-elusive peak;

that whatever drew them close
could never prove ephemeral,
its aftermath just barren limbs;
a dead leaf nothing much at all.

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Seven-time Pushcart Prize nominee Russell Rowland writes from New Hampshire’s Lakes Region, where he has judged high-school Poetry Out Loud competitions. Recent work appears in Poem, The Main Street Rag, and U.S. 1 Worksheets. His latest poetry book, Wooden Nutmegs, is available from Encircle Publications. Email: russellrowland15[at]gmail.com

Two Poems

Beaver’s Pick
Jenny Hockey


Photo Credit: Donnie Ray Jones/Flickr (CC-by)

Weaned

Submerged in our north-facing bath
I remembered you’d had no evening feed.

Tummy to sheet in your cot,
by then you were soundly asleep

and so they were over for good
my long damp hours in big white bras,

so soon in our years of making a start.

 

Lost for Words

Miss Stanage is usually mute, lies on her bed
being ninety—a swaddle of plaid blanket,
a long, thin shape. It haunts me

now I’ve seen them wheeling Elsie
to the morgue, careful to block
the view of the armchair-bound,

nags me like the question of how well
you and I are not getting on
and whether I should leave,

of whether I can complete
my research on old age
that no one has funded

and what to do about my shoes
that make me sound like Matron
and frighten staff on a sly puff break.

Miss Stanage rarely speaks—
I go round scouring the sinks,
suddenly mute when she asks me:

‘So what are your special interests in life?’

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Jenny Hockey lives in Sheffield, UK. She belongs to Tuesday Poets, Hexameter, The Poetry Room and Living Line – with poems in magazines such as The North, Magma, The Frogmore Papers and Orbis. She retired from Sheffield University as Emeritus Professor of Sociology to write and read more poetry and in 2013 received a New Poets Award from New Writing North. Oversteps Books published her debut collection Going to Bed with the Moon in 2019. Twitter: @JHockey20 Email: j.hockey[at]sheffield.ac.uk

An Eligible Life

Broker’s Pick
DRC Wright


Photo Credit: shainamaidel/Flickr (CC-by-nc)

The residents of Brookside Hospice were a colourful bunch, a living oral history I was fortunate to engage with daily that summer. I called it my internship but that was a bit of a stretch. I had no intention of pursuing a career in medicine or any such profession, although I’ve always found enjoyment in helping others. And while the myriad of stories were both inspiring and fascinating, the job could be downright depressing. But that’s the way it is with end-of-life care.

Of all the residents—we didn’t like to call them patients—Henry was my favorite. When I first arrived, he was cantankerous to the point of cliché. Mumbling, growling, and calling me “boy” every time he wanted or didn’t want something.

“Come now, boy, I asked for that water an hour ago.” (It had been two minutes.)

“What did I say, boy? No onions in my salad!” (They were radishes.)

Then he’d get flustered and wave his hand, shooing me away with a grumbling bah. I guess I saw something of myself in him.

Some of the nurses referred to him as Scrooge 102—on account of his room number—but I never saw the humor in it. It only made me question why they chose such a line of work in the first place.

Much to everyone’s surprise it took just three weeks for Henry to finally warm to me and I told them it was on account of my radiant smile. It was a Wednesday afternoon when he finally came around. I knew before he opened his mouth that a kind word was coming. I could tell because that acidic glare of his was no longer there. His eyes had let me in. It’s always in the eyes.

“Excuse me, son, may I ask you a question?”

“Of course, sir. That’s what I’m here for.”

“That’s actually my very question.”

“Sir?”

“What are you doing here? I am of course aware of what your job function is, so I guess the better question is why are you here?”

“I’m here to make the residents more comfortable. To help with—”

Henry raised a palm. It wasn’t the first time he cut me off in this manner, but he did so in a much gentler way. “No, son, that is the still the what. You sound like you’re reciting a job description. I am curious as to why you chose to do this work. Why you have chosen to surround yourself with death on a daily basis? Why deal so much with the ending of lives when you are at the beginning of yours?”

It was a question many people asked me and something I seldom answered truthfully. But I wanted to be honest with Henry, so I told him the story of my brother.

“When Francis passed away, even though he was only eleven, he was ready for the end. And even though I was two years younger, so was I. But without the palliative care he received, neither of us would have survived that day.”

I rarely spoke about Francis to anyone. Not even my parents. But that summer I spoke of him a lot. I told Henry about the time we got lost in the woods overnight and about the treehouse we built in the forest behind our house. I told him how Francis could multiply in his head any two-digit numbers faster than I could type them into a calculator.

Henry shared tales from his childhood as well. He told me stories from throughout his life, often with his eyes closed, and I felt like I was there just as much as he did. Whether through embellishment or some form of eidetic memory, his recollection of detail was as extraordinary as it was poetic.

As we neared the end of summer I knew there was still one story left untold. But I didn’t want to pry. So far I hadn’t directly asked him anything. Everything just flowed naturally into our conversations and he seemed to prefer it that way. And so did I.

But there had been signs that Henry and I wouldn’t share too many more stories. His coughing grew harsher and more frequent. His eyes grew heavy sooner and his mouth got parched after fewer and fewer words.

“Is there something you want to get off your chest, sir?” I thought I knew what it was.

Henry looked at me. He was lucid and awake and his eyes were sad and yearning for someone or something.

“Maybe some other time.” I shrugged. “But you told me all about college, about your work, about your incredible travels, but you never told me if there was someone special. You never got married?”

Henry chuckled. “Not for me, I’m afraid. I’m not really the marrying kind.”

“You mean like Thoreau?” I smiled, teasing him.

“I was hoping you saw me more as an Al Pacino.”

He laughed so I decided to risk it. “My grandfather used to say there are only two kinds of lifelong bachelors: womanizers and homosexuals. But he got married at eighteen.”

“And you don’t see me bunny hunting at the Playboy Mansion, is that it?”

“I don’t know too many people who would fit in at the Playboy Mansion, but I don’t think there’s any shame in being yourself. Especially nowadays.”

“I’ve led a careful life, son. One that, unfortunately for me, exceeds discretion. Perhaps I’ve finally let my guard down talking with you these past months. And don’t get me wrong, I’ve enjoyed it. It even now feels liberating to a degree, but my family is a different matter altogether. They have never had—and never will have—the slightest inkling about my orientation.”

“Well, sir, I’d hazard to wager that your family has known for a very long time.”

Henry shot me a startled look, almost defiant, but he quickly conceded and I noted a glint of introspection unfolding beneath his brow. He sat silent, pensive, quickly scrolling through a reel of eighty-plus years of memories. He winced halfway—focused and concentrating—slowing to review frame by frame a moment in his life. How far back had he gone?

Reading my mind, Henry picked lint from his lap and answered. “It was 1961.” He shook his head. “So long ago.”

“Over fifty years.” I used the obvious to fill the echo of silence that followed.

“For so long.” He sighed. Lifting his eyes to meet mine, he stiffened his jaw. “You’re right, you know.”

“Right about what?”

“All this time. The swinging sixties, selfish seventies, and excess eighties. Even the nineties when gay became en vogue, I remained in the closet. And this new century—when nobody even gives a damn—what was I thinking?” He closed his eyes and dropped his chin. “What have I missed?”

“Are you okay, sir?” I had pushed him into a place he didn’t intend to go, perhaps ever, and it was not a comfortable place for him to be. A knot of compunction swelled in my chest and I silently prayed for the return of his dignified smile.

“I’m so foolish. Who did I think I was fooling? Evidently I was only fooling myself. All these years—these decades—I guess I’ve been quite the joke to those who know me.” There was no smile.

“Sir, I’m sorry if I—”

“No, no. Please, none of that.” He spoke softly, raising a frail palm from beneath his robe; the mauve silk sleeve hung loosely from his wrist. Then I bore witness to catharsis. Embracing some long-dormant introspection he mustered his composure and his jawline relaxed. “In fact, I should thank you.”

“Thank me, sir?”

“Most certainly. For a stubborn old weight has been lifted from my chest. You’ve outed an old man, albeit one who was apparently never quite in except to himself. But now, for whatever time he has left—be it weeks, months, or years—well, he can at last be himself. Who he truly is. Who he always should have been.”

“Sir—”

“Would you please, please, stop calling me sir? You make me feel like a withered old schoolmaster. Call me Henry for god’s sake.” He smiled. “I think you’ve earned that right.”

“Okay, Henry—” I adopted my most challenging tone. “—tell me about 1961.”

He looked out through the thin glass of his bedroom window, then focused on its white wooden frame. “The paint is peeling. Has been for years.”

“If you don’t want to talk about it, that’s fine. Honestly. We can talk about something else.”

He lingered a moment longer on the window and I saw a faint tug at the corner of his upper lip. The charming dimple of his younger years was still visible among the gentle corrugations of a modest yet comfortable life.

“Peter.” He was distracted as though observing someone on the lawn. “His name was Peter.”

“The man in 1961?”

“Man?” He chuckled again. “I guess he was. I guess we both were. But in my mind we are just boys, it was so long ago.”

“How old were you?”

“I was twenty-seven; Peter was a year younger. We had both left our suffocating small towns in search of fresh air. In search of freedom. In search of each other is what Peter used to say. He wrote that to me in one of his impromptu poems during coffee and Eggs Benedict overlooking the bay in Sausalito. I still have it you know, the napkin he wrote it on. A cloth napkin, if you can believe that. It’s in a small wooden box in my dresser’s bottom drawer.” Henry’s smile fell. “Hidden away like some dirty little secret.”

“All important keepsakes are hidden away. It simply makes them precious, not dirty.”

Henry gave me his wryest smile. “How old did you say you are?” He quickly raised his hand. “Don’t tell me. I feel ancient enough as it is.”

“You must have loved him.” I was hesitant to pry but the urge was too great. Not for my own curiosity but to help Henry reconcile a seminal piece of his past. “What happened? You didn’t stay together?”

His face paled with somber introspection. We had unearthed long-buried feelings and I felt guilty for digging.

“No, we didn’t stay together. We had planned to. Oh, how we had planned. Peter was a remarkable dreamer.” He paused, eyes shut with a closed-lip smile. “First a trip to Europe—Paris and Rome. And Greece, of course. Then back to the Bay Area to open a bed and breakfast. That was one of the plans. Another had us in New York with a bookstore in The Village. It all sounds so cliché now.”

“It sounds nice.” I smiled because it was true.

Clasping his fist he spoke with sudden fervor. “The young dreamer, full of potential, must not risk becoming a lifetime of missed opportunities!” He blushed then lowered his hand and smoothed his lap. “Another thing Peter used to say. Especially when I’d start in on him with my stifling rationalities—how would we pay for this? How would we pay for that? Romantics are not the ideal match for pragmatic men.”

“Everybody needs romance.” It sounded glib and my cheeks got hot but he was kind enough to keep talking.

“He fancied us as another Sal and Dean, you know, from On The Road, when truth be told we more like Oscar and Felix. But somehow we made it work. For a while at least.”

“Oscar and Felix?”

The Odd Couple? Are you serious? It was a play that became—oh, it doesn’t matter. Opposites attract, isn’t that what they say? He had long hair, you know. Can you believe that? Long hair.” His sigh unfurled into a grin overflowing with adoration. “Perhaps it wasn’t long by today’s standards, a snip below his ears, but in 1961 it made quite the statement. And he would toss his head back to the side and he seemed to move in slow motion. Like a shampoo commercial before there were shampoo commercials. Shiny, chestnut brown and so straight. Not a wave in it. Not even a ripple.”

I pictured Peter in my head, affording Henry a spell of quiet to reminisce.

“It garnered a lot of attention. Unwarranted of course but you know how people can be. Especially back then. He got a lot of looks. Whispers, sneers, and sideways glances. But Peter didn’t care. I think he actually fancied it.”

Henry grinned at the memory of his whimsical lover, and I knew he had recovered a long lost part of his heart. He had me invested as well and I dared to pry a little more.

“So what happened between the two of you? If it’s not too…” I draped the words across our freshly-found confidence, still offering a way out.

“I killed him.” He said it softly but firmly.

It was not the answer I was expecting. “You what? What do you mean you killed him?”

“Not directly, of course.” His frail hand waved away my nonsense.

“What do you mean?”

“How can I put this delicately?” He paused a moment. “Before Peter, I had never—”

I let another moment pass before lifting the silence that had fallen upon us like a heavy winter blanket. “You had never been with a man?”

“Been with anyone.”

“Oh?”

“Yes.” He nodded, a slight blush on his forehead. “I was a virgin. A double virgin, I guess you could say. I’d never had a girlfriend, even in my youth. Actually, I hadn’t been attracted to anyone. All through high school I’d not had a single crush, boy or girl. Isn’t that a little sad?”

“I guess so—well, no. That’s pretty common, I guess. Maybe.” I shrugged. It was a lot sad. “But how did you, or why did you…?”

“Kill him?”

“Yes.”

He exhaled and began. “Seeing as I had never been with anyone before I was naturally quite hesitant. I was afraid. Heck, I was terrified. Peter and I met in the spring of 1961. On April Fools’ Day if you can believe it. We connected immediately. Right from the beginning we were close. Intimate, but not in a physical sense. Peter knew I was a virgin. He knew everything about me. So we took it slow. But by August he was growing impatient. Justifiably so, I’d say. So one night after enjoying a wonderful dinner and two bottles of wine at our favorite restaurant, his patience had seen fit to expire.”

I knew where this was heading and half-raised my hand. “You don’t need to—”

“Oh no, my God no. Not what you’re thinking. Peter would never do anything like that. He was fit and strong but he wasn’t a violent or forceful man. No, but we did have an argument. Right out on Market Street walking home from the restaurant.” He closed his eyes, took a breath, then looked up at me, almost apologetically.

“We’d both had more than enough wine. We were both yelling. Saying hurtful words we didn’t mean and careless words we did. When I tried to walk away he grabbed my arm and yelled how much he loved me. How he couldn’t live without me but he needed more. He needed me. It was time. Some men on the other side of the street, complete strangers, caught the end of our little fracas. They saw me struggling to get away and thought he was trying to force himself on me. So they came running over and they stopped him. And they beat him. They beat him so bad he fell into a coma. He was in the hospital for three long days before he died.”

Had they been spray-painted on the wall behind him I could not have found the words. “Henry, I’m so sorry. I can’t imagine. I don’t what to say.”

“Thank you. But really, it was a long time ago. Certainly well beyond the window for condolences.”

“Regardless.” I was in shock but needed more. “Did they catch the men?”

“It was 1961. There were no men to catch. They didn’t run. They thought they’d rescued me from a sexual deviant. So did the police. So did everyone.” His cracking voice slipped through a whisper, like a song fading out at the end.

“So you never met anyone else?”

“I had already met my soul mate. Where can you go from there?”

“I guess. So your whole life, you’ve never—” I was confused, but then again I hadn’t met my soul mate.

“Never had sex? No, never. And you may think that’s the saddest thing of all. But I didn’t view it like that after Peter died. It’s possible that I’m the only octogenarian gay virgin to ever walk the Earth.” He winked. “Something of a miracle I guess.”

We shared a smile.

“I don’t know about that, Henry. It’s a big world. And quite a few people have walked upon it.”

“That is very true.” Henry looked off the side of his bed. “Do me a favor, will you? In the bottom drawer, under the green sweater.”

“The box?”

Henry nodded and I freed the small wooden box hidden deep beneath his clothes. He lifted the lid and gently removed an old cloth napkin. He didn’t unfold it. He didn’t need to. A hitherto unseen serenity transformed his demeanor and he wore it well. I’d never seen him look so relaxed. So at ease. Unguarded. And content. He passed away three days later, his secret safe with me.

pencil

DRC Wright lived across Canada before settling in Japan where he lives with one leg, two kids, and his wife. This is his first published story. Email: drcwright[at]hotmail.com

Sienna

Beaver’s Pick
Laura Mazzenga


Photo Credit: Via Tsuji/Flickr (CC-by-nc-nd)

I’m in therapy. Technically, it’s one incident that landed me here. The baby started crying, and it wouldn’t stop. I forced myself out of bed and pulled it out of the bassinet. I let it nestle in the crook of my neck, bounce in my arms, and spit down my chest. I don’t know for how long. It wouldn’t take formula. Shushing and humming seemed to infuriate it. Jake said he woke up and saw me, arms extended, shaking it like an old piggy bank.

The next morning, I sipped my coffee black and pretended to look through the bay window at a passing bird. I watched Jake fidget behind me in the reflection of the glass, trying to find his words. Finally he said “Um, about last night.” That’s why we’re here.

The office is in the same building where we consulted with a fertility doctor two years ago. It couldn’t be more different from that sophisticated suite we visited, with screens emerging from flat surfaces and espresso on demand. There was so much hope in that room, and whether or not it was false, I liked the feeling of being there.

Family therapy was my suggestion, but I’m questioning it with each minute that passes. It happens in a tiny room on the ground floor, with a drab color scheme of browns and grays. It smells of day-old soup. The therapist is a thin, fragile lady with round frames on her powdered face. She wears pastel cardigans and speaks in a soft voice that I imagine all therapists were instructed to speak to patients with. She sits across from us, behind a small, lamp-lit desk. There is a window behind her desk, too small for me to even fit through, which faces the parking lot. I see a dumpster just a few feet away and wonder if that’s where the soup smell is coming from.

She starts the session by asking how life has changed for us since we became parents. I hate her first question, but I run through the list. No sex, no sleep, no sanity. Today, I could barely find a bra under the heap of diapers and onesies and burp cloths my own stuff was buried under. I’d love a cocktail, a cigarette too. I could go on, but I already sense that these observations aren’t being received well. I stop myself and course correct, say something like “less time for me.” Jake nods and puts his hand on my lap, as if we’ve had this conversation before in private. He says that it’s been “particularly tough on Marla.” The therapist wants to know more about that, but I can’t find words that will satisfy either of them. What I really think, I am not ready to say. I think the baby and I have a mutual dislike for one another.

In the hall, I can hear the faint ding of the elevator, the sound of the doors opening and closing. I can’t help but envy the people out there, with medical problems that have solutions. Bad joints can be replaced with artificial knees and hips. Dermatologists can scrape off a troublesome mole. Plastic surgeons can laser off belly fat or chisel down a bumpy nose. But there is no cure for this. I want to go back to suite 306, where the pretty people are, with the lattes and the jazz music. Even if they will lie to me and tell me I have a chance at my own kid, I’d prefer it to this.

The shaking incident comes up halfway through the session, but only because I bring it up. Jake and the therapist had been waffling, dancing around it for twenty-five minutes, so I put us out of our misery. I shook the baby, I say. I am waiting for the questions to start, the same ones that have been swimming around in my own head, which I have no answers for. I expect I’ll be escorted out of therapy and taken directly to some inpatient facility to get my head examined properly. There’s no way I’m going back home.

But the therapist looks caught off guard by my admission, frozen for a moment, and then her eyes dart from me to Jake. Maybe she thought she’d have to slowly work that confession out of me, and I’ve taken that opportunity away from her. If there’s a certain choreography to these sessions, I’m certainly disrupting it. Jake shifts ever so slightly next to me, and I hear his chair squeak.

There looks to be a trace of empathy in the therapist’s eyes, but it’s intended for Jake, not me. She nods slowly and leans forward in her chair. She tells us that shaking is dangerous because babies’ craniums aren’t fully formed yet. They’re soft, so when you shake them, the brain bounces around in the head without anything to absorb the shock. Jake listens like he’s never heard this before, but of course we both already knew this. All new parents are warned of the dangers of shaking a baby. Is this what we’re paying $220 a session for, I joke. No one laughs.

Again, I have said the wrong thing at the wrong time. Jake is looking down, his neck a deep shade of crimson. His knee bounces, while the rest of his body is oddly still. I look past him, to the framed photos on the therapist’s desk. They are all of her and the same woman, in various places: sitting on the beach, at some event in cocktail dresses, lying on a hammock with a furry dog between them. No kids. I wonder how she could possibly be qualified to tell me not to shake my baby.

Session two, Jake does most of the talking. He has come prepared this time, summarizing the whole history of our failed attempts at IVF, and the subsequent adoption process. He is the person who keeps track of details. He knows all the dates, all the specialists and procedures, the amounts of money that corresponded with each exhausting step in the process. I remember less. I wanted a baby, more than anything, but the memory feels so distant it’s paper thin. It’s like when someone tells you of something you did when you were drunk. You were there, you know you did it, but you can’t touch the memory in any meaningful way. All of it, the miscarriages, the doctors, the poking and prodding and inserting, even the disappointment, feels like a distant dream. I can only remember suite 306, when I still believed I’d make a good mother.

What I had wanted was a baby of my own by 33. Preferably a little girl. I would name her Sienna. What I got was a three-month-old boy, a virtual stranger off a waiting list. He looked so alien—bald with bulging gray eyes that always drifted desperately beyond me. We named him Nicholas. By the time we got him, I was 36 and it was already too late. The grueling path we’d taken to become parents had already changed both of us. It had made Jake ashamed and passive. It had made me sarcastic and inconsiderate. One of us would have probably left if that baby hadn’t arrived when it did.

I am still here though. There is a gentle tap on my forearm, and I realize they are both looking at me. Sorry, I say, I’m tired. This time, the therapist seems annoyed. She doesn’t smile, but instead she flops back in her oversized chair as if I’ve exhausted her too much to even sit up straight. It has always bothered me that the doctor gets the nicer chair than the patients. We are sitting on creaky high-backed chairs that wobble when we move. I notice a piece of cardboard shoved under the left leg of my chair. I don’t remember the chairs in suite 306 but I imagine they were ergonomically designed for women struggling with fertility. She says she would like to know how I see myself as a mother. I look at the clock above her head. Still fifteen minutes left.

I give my clumsy answer, trying this time to be honest. It’s been hard for me to see myself as a mother, I say. I still don’t feel like the baby is mine. The therapist writes something on her pad, then looks cautiously from her notes to Jake’s face. He does that close-lipped twitch that passes for a smile. It means I’ve said something less than satisfactory. It means “sorry about her.”

The therapist reassures me that people often panic when they finally get the thing they have wanted for so long. It’s overwhelming. She says it’s natural to feel depressed that being a mother is not what I thought it would be.

I suppose she is right. It’s not what I thought, because the baby isn’t mine. We all know it. On some level, even the baby knows it. I want to tell them that I feel lonely, and that every time I walk into the room the baby seems to detect my smell and wrinkle his nose like the room is filling with noxious gas. In my arms, he is a fussy, squirming thing, never content. I don’t want him, and he knows it. I want to run away, leave both of them, but I don’t even have the guts to do that.

Thanks, I say. I think you’re right.

On the way home, Jake cuts someone off on the highway, then curses under his breath when they honk at us. I am sure it’s because of something I did or didn’t say in therapy, but he won’t talk to me. I wish he’d yell, or do something to show that he’s in pain too. I’d give anything for a good fight. But he’d never do that. At some point, around the third miscarriage, he stopped saying what he was thinking.

Session three, I resolve to tell the truth. I won’t let Jake or this holier-than-thou therapist bully me into saying what they want to hear. I’ll be real and raw and fearless, no matter how much it hurts me, or how much it scares them. The only trouble is that we are doing some ridiculous show-and-tell exercise, which feels like another attempt to get us speaking from scripts. We’ve been asked to bring in photos of the baby and discuss our selections. We are to say how the photo makes us feel, why, and what we perceive as obstacles to our fulfillment as parents. The therapist warns us to avoid blaming language—“you” statements—and instead focus on our individual experiences/feelings as parents—“I” statements. I practice in my head.

I am not good at bullshit nursery school hand-holding exercises.

I find it impossible to express myself without getting steamrolled by two sets of judgemental eyes.

I want to run away and leave this entire nightmare in the past, before I do something I can never come back from.

Predictably, Jake goes first. Always prepared and eager to please, Jake has brought exactly the photo I expected he would. It’s a photo his mother took from the week we brought the baby home. In it, he’s sitting on the couch, cradling it robotically beneath the white muslin blanket it’s wrapped in. He is smiling, but I know that particular smile means he’s nervous. His mother is the type to stage photos with frilly pillows and accent pieces to “add dimension.” She’d been sliding around furniture and adjusting lighting. She’d put a vase of lilies in the background, making sure everything was perfect for the photo. The only thing she’d forgotten was me. Not that I cared.

This photo makes him proud to be a father, he says. It makes him want to be a better person for his family. Looking at it now, it occurs to me that the baby looks a bit like Jake. Just by chance, they have the same coloring. In the future, people will probably say things like “he takes after his father.” I don’t have the same Nordic features. I’m darker, with wiry hair, eyes that are a shade shy of black. I look like the one who doesn’t belong in the family.

When the therapist prompts him about obstacles and fears, he keeps his eyes on the photo, his voice shaking as he speaks. There is a worry in his heart that he will be raising this baby alone, he says.

“I feel like Marla is not giving this baby a chance,” he says.

I am stunned. Somehow Jake has found a loophole around the language rule. He found a way to attack me while using an I statement. I want to attack him back.

I never had a mother or anything that even resembled unconditional love.

I wanted to start my own family more than anything.

I can’t help my past, just like Jake can’t help that he was raised by a cow who wears pearl necklaces and talks down to busboys.

Instead I present the photo I picked. It’s a close-cropped photo from the christening ceremony, just before he was dunked. I hadn’t wanted to have a christening—we aren’t church people—but his mother insisted. He resembles a little old man in the white collared onesie I got him, and for once he appears content in the priest’s expert hands. It went as these things always do. The priest takes the baby, holds it underwater, everyone watches with bated breath, waiting for him to lift it out. Then the baby emerges, sputtering and crying, but alive and saved. The guests applaud, relieved.

What are you feeling, the therapist wants to know.

During that sliver of silence, when the baby was underwater, I could finally breathe. I felt the air fill my lungs completely, and my heart expand. Relief stretched over me like a warm blanket. I never wanted it to end. Looking at the photo, I can almost inhabit that moment again. I run my fingers over the baby’s glossy image, his face and hands, the lip of the water basin just barely visible at the bottom of the photo. I’ve been chasing that moment for weeks and months, but I can’t get there.

“I think Jake is right. I cannot do this,” I say.

They tell me I am strong. That I am so much more capable than I think.

There is nothing you cannot do, the therapist says.

You have everything you could ever want, Jake says.

Those are not I statements, I want to point out, but the therapist is relentless with the script. Why. The next question is why do you feel that way.

Most nights when he cries, I squeeze him so tight that he can’t make any noise. I feel his arms struggling to free himself, fighting against me like a weak little puppy. The more he struggles, the harder I squeeze. Sometimes I feel bad after. Other times I’m just more angry. But I always let go, eventually.

“I don’t trust myself,” I say.

There’s something in me that’s growing stronger, more powerful everyday. It’s suffocating that other part of me, the tender, loving part. The part that would let go and stop myself before it’s too late. Every day the hopeful girl from room 306 gets smaller and smaller. And the angry, orphaned, resentful, infertile version of me expands to take her place. Soon there won’t be any way to contain her. Soon the old me will be gone.

“I’m scared that something will happen, something of my control. I will hurt it.”

I’ve said it, I think. It’s all on the table now and there’s no taking it back.

The therapist takes a long breath, removes her glasses and uses the corner of her cardigan to wipe a smudge. When she puts them back on, her face is rearranged, from confusion to understanding. I sense a shift in the room and automatically I feel better, an ounce lighter. Jake has turned his head to look at me, but I’m pretending I don’t notice.

The therapist rarely takes notes, but now she’s scribbling on a pad, nodding with more certainty as she goes.

“I’m writing you a prescription,” she says.

She slides it across her desk but I don’t touch it. The letters are long and neat, but my eyes won’t focus. I’ve been on plenty of meds in my life. Clomiphene citrate. Xanax. Bromocriptine. Paxil. I am certain there is no prescription for fear that I will strangle and kill my baby.

Lack of control is a common struggle, she says, and it’s typical among new parents.

I want to interrupt her. She’s misunderstood, again.

But now Jake has chimed in to agree. He is nodding and squeezing my hand in that really genuine way and I can feel his relief that we have finally found the source of my neurosis and a pill that can fix it.

The photo explains a lot, she goes on. You’re afraid that you’ll fail as a parent and leave your child in a vulnerable position. That some kind of harm will befall him because you aren’t doing enough. “That’s why I recommend these exercises,” she says, clearly proud of herself for her unfounded diagnosis.

I am so pissed off that one hot angry tear slides down my cheek, followed by another, then another. Jake tenderly wipes them away. The therapist beams and praises my vulnerability. She says that the raw emotion I’m sharing is where healing becomes possible. I think she might actually start clapping. Jake gathers me in for a hug. I love you, he whispers. It’s going to be okay. He hasn’t said that in months. When we separate, his smile is toothy and pleading. It begs me not to correct him.

I give a brave nod and swallow my feelings, tucking the photo into my back pocket. I can’t bring myself to pick up that Rx paper from the desk, but Jake’s eager hand extends to take it before I have a second to waver. We stand and say goodbye, Jake holding onto me tighter than he did on the way in.

Thank you, I tell her, smiling through tears.

Inside I am screaming, as the last trace of that hopeful mother-to-be fades away.

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Laura Mazzenga is an MFA student at San Diego State University and the associate editor at Fiction International. She writes short fiction and non-fiction, and is currently finishing her first novel. Email: lrmazzenga[at]yahoo.com

Four Poems

Baker’s Pick
Marchell Dyon


Photo Credit: Chiara Cremaschi (CC-by-nd)

Tiny Dancer

She dances…
Like all ugly ducklings do.
After, finally, discovering she is indeed a swan…

She dances…
With her daydreams.
Here metal never chimes—

Her leg braces the link of chains and
Hinges will never
Weigh enough to hold her down.

She dances…
In daylight to California rock she sways—
Watch her dance while sunlight glistens her room.

She rounds again, her many phantom partners.
A chair-bound Ginger Rogers,
Popping wheelies, turning angles,

This wheelchair is not a defeat.
These four wheels are a part of her magic.
This chair

With rainbows streamers is
A thing of beauty
As art is the faith of doing.
All her moves are holy:
All are sacred rhythms.
She sways to the bass section—

Her fingers draw a guitar from air—
While she bangs and grooves
Her head as much as her body would allow,

Like footprints on the tile floor
Her wheelchair makes step impressions.
Her soul has choreographed,

Every movement
Like an appendage the music and she
Become one pulse.

One electric nerve.
A lightning sharp as each of her senses.
Never are her movements dull or in vain.

Never are these movements without metric feet.
A harmonious dance of metal and skin, pure poetry!

 

The Guitar

He named the guitar Maria.
Upon her body,
He caresses each chord.
Like long-lost lovers untied
Once more in the dark.

Behind a locked door she occupies
A space.
On tall fragrant lit candles
Her ghost shadows, on all four walls
Her torso dances.

She twirls her skirts high above her thighs…
In rainbows of chiffon
Heels clapping,
She breathes through walls.
In waves of wild raw and ravenous chords

She echoes when finished a cool Cuban smoke.
That takes him farther away from me.
Far from the kiddy carpools and the mortgages
Back to tequila sunset
And cabana nights

Back to the beach where he roamed.
Where he found the girl with perkier breasts
The one he made love to all day on the sand.
As he tanned, eclipsed in blankets of ebony hair
Under a then-jealous sun.

 

Two Left Feet

The measure of the dance has
Never been with me.
The rhythm of body language
The curve speech like

Red polished fingernails.
The sway of hips
Like a Victorian fan singling seduction.
Only the sway of hormones

Caught me.
Through a sorted pique of feelings
A funnel cloud of emotions
Breaking and turning dancing sideways

Up and down.
Many tap dance romances surround me
Down these high school halls
Everyone is coupled up.

Everyone knows how to dance
Everyone but me.
My two left feet trip up
The interest of willing to try.

He tries to square dance pass
My naive awkwardness
I step on his toes too many times.
He walks to

The locker next to mine.
To a girl that
Knows
How to bat her eyes.

In my sad soliloquy
I am a grieving prima ballerina
At my first recital, tutu feathers thinning,
Glass in my slipper, singing the blues.

 

Eurydice’s Ghost

I electric slide through mediums
My eyes light up like disco balls
My eyes even sparkle in deep shadows

My voice of rhyme—mirrors that of poets
Listen as I smite
The sea with the colors of thunder

While my laughter becomes one,
With the phases of the moon
Hear me, singers

Melody makers—dancers before the flame.
Turn kings into beggars begging for the smooth moves
Of urban urchins.

Make proud queens envy us,
We, who can lift our skirts swinging them high—
Till all can see our embroidered thighs

Make the priest and all the holy rollers tap-
dance into the underworld and
The choirs of Orpheus sing.

And the great doors of Hades open; let those freed, and those still.
Be charmed to climb out of darkness into daylight.
But speak not a word or try to see my face.

Like smoke,
I will ghost away into the wind—
Leaving all without

The musings of a gypsy woman’s hips
Watch as she gyrates to deafening guitar chords
She invites all—

To step into the fire
Dancers become one with flames
But when the melody of this moment ends

The gypsy woman wanders away
Lite as a feather—
Into the crowd

So too, am I.

pencil

Marchell Dyon is a survivor of both schizophrenia and bipolar disorder. She has published in many magazines over the last twelve years. She has been nominated for the Best of the Net prize as well as winning the 2012 Romancing the Craft award from Torrid Lit Journal. She has taken many workshops; she has worked hard to improve her education within the craft of poetry. With stars in her eyes and a deep-rooted imagination she continues to write in Chicago, IL. Email: marchelldyon[at]yahoo.com