Candle-Ends: Reviews
Bill Lockwood
Starting with Another Night in Bridgeport (King Midget Press, 2012), Mark Paxson has written five books and, as he says on his website, “somewhere around 50 short stories.” He identifies himself as an “indie writer,” one who is “writing and publishing stories the traditional publishing world doesn’t want to touch.” His latest novel, The Dime (King Midget Press, 2021), fits that description quite well with an unconventional situation, very real-life characters, and a number of intriguing plot twists that take you so often in the opposite direction of what a reader might be expecting in mainstream popular fiction. If for no other reason, his cleverness makes this book certainly worth reading.
Paxson also uses an intriguing device. He keeps shifting the viewpoint from which the story is told. Instead of just one narrator or protagonist, the reader is shifted from one character to another, seeing the developing story from pretty much all the points of view of those involved. Most often the viewpoint is that of one of the three main characters around which the story revolves. They are all very plain, normal, everyday people who in many ways could be seen as simply losers. It is a story of each trying to salvage a tragic life. In the end they all may or may not end up as heroes, all part of Paxson’s genius as well.
Sisters Lily and Sophie live in a house in the small town of Northville, New York. It had been their home until they and their parents were all involved in a tragic car accident that killed the parents and left the younger sister, Sophie, in a wheelchair. The sisters then lived an unhappy life under the rule of an aunt on the prairie in Nebraska until Lily became eighteen and gained guardianship of Sophie. They returned to the family home that had been held in a trust for them, a trust that neither was able to fully access until age 25. The story begins with Lily, now 20 and working in a five-and-dime store called by everyone simply “The Dime,” and Sophie, sixteen and in high school, locked in uneventful and unsatisfying lives. Enter Pete, recently arrived member of Sophie’s class, who is trying without success to fit into the small town teenage society. Feeling guilty that Sophie has “withered” in their life situation, Lily has a sudden idea when she catches Pete shoplifting a Yankees T-shirt. She makes him a deal. She won’t turn him in if he will ask her sister Sophie to the school dance. At this point, the story about a girl in a wheelchair and a guy who comes to meet her under duress could turn out to be quite sappy. But that is not the case at all. This story is off into its intricate twists and turns from there.
Paxson takes on many issues such as death, sadness, hopes, dreams, and love as the story progresses. He adds an element where he shows that these three lead characters do care for each other, and as a result the reader starts caring for them, too. Who is the strongest and who is the most vulnerable shifts just as Paxson shifts the point of view. He also throws in some flashback scenes shifting the time-frame as well. And there is also a strong positive element in that all the characters appear to be on a kind of journey toward healing. The character Lily expresses some real wisdom:
I learned in the weeks that followed that the actions you think will make a difference frequently don’t, while the ones that seemed insignificant in the moment can spread ripples far and wide. (134)
Shortly after she says that, Paxson throws the reader another plot twist and surprise. It is a very good read.
*
Mark Paxson is a semi-retired attorney living and relaxing in California. He has been published in Toasted Cheese, The First Line, and the Disappointed Housewife, among others. He also has published two collections of short stories, the novel One Night in Bridgeport (King Midget Press, 2012) and the novella, The Irrepairable Past (King Midget Press, 2019). He blogs at King Midget’s Ramblings. He can be reached at mpaxson55[at]gmail.com.
Bill Lockwood is a retired social worker with a lifelong passion for writing and participation in community theater. He currently writes articles about the Arts and interesting people for The Shopper/Vermont Journal and covers local community theater for the Eagle Times of Claremont, NH. The Wild Rose Press has published five of his historical fiction novels: Buried Gold (2016), Megan of the Mists (2017), Ms. Anna (2018), The Monsignor’s Agents (2020), and Gare de Lyon (2021). His short stories “The Kids Won’t Leave” appeared in the Fall 2020 issue of Two Hawks Quarterly, and “Pizza, Pizza” appeared in The Raven’s Perch April 28, 2021. Lockwood has written several reviews for Toasted Cheese.