Ravynscroft by Richard Edgar

Candle-Ends: Reviews
Shelley Carpenter


Ravynscroft by Richard Edgar

Ravynscroft (2020) is a self-published modern coming-of-age tale told with a twist: The characters are well into adulthood. This is the second novel in Richard Edgar’s LGBTQ series that began with his breakout novel, Necessary Lies, which I had the pleasure of reviewing two years ago. It was deliciously character driven.

Likewise, Ravynscroft is also a character-driven story and is told in the first-person point of view of the main protagonist, Ravyn, a forty-something-year-old science academic who has recently become single. The point of view works well for the story and adds an intimate sense of closeness to this character. Edgar adeptly uses interior monologue to reveal Ravyn’s inner thoughts that are peppered throughout the novel.

Here, Ravyn talks about LGBTQ life and her new placement in a very cool, sciencey-way.

Friends, right. Most people in this world are straight. We fought our way into the network; it seems there’s a place for committed gay couples. The atmosphere is more or less stable if it’s all composed of diatomic molecules, neatly bound to each other and not available.

And then she moved out.

And, like it or not, I was a free radical in a world of couples. (19)

What’s more, Edgar adds an interesting structure to Ravyn’s voice in the form of letters to Ravyn’s former lover that reveal more character motivation and key backstory in a conversational form that reads almost like a one-sided therapy session. Clever.

Dear Renee,

Again with the write but no send letter. I guess I’m imagining I’m explaining stuff to you helps me put it together or something. Imaginary friends are a poor substitute for the real thing, but, I hope, I’m working on fixing that. (121)

As her letters to Renee show, Ravyn is lonely and goes about her life trying to recover from a serious relationship breakup. She is alone in a big empty house with only a cat for company. The reader is let into her university world and is introduced to a quirky group of LGBTQ friends that challenge and support her. This is a book about relationships. This is where Edgar shines. The characters could walk off the pages into the real world. I think I  may have met one or two of them before somewhere… they are so real and in-your-face believable. Adorable. Their dialogue is snappy and playful at times.

“I think,” she said. “I do love my condo though.”

“It’s nice,” I said.

“I wish you lived closer,” she said, not looking back at me. There was plenty of road to watch.

“I actually don’t think you do,” I said.

“True. But if you did, we could take turns living in the condo,” she said.

“Whee. Like wearing identical dresses to school.”

“Something like that. Seems like I could both be here and there with him,” said Renee.

“I am not you,” I said. “Ravyn,” I added, pointing at myself. “Renee,” I added, pointing at her.

“You wanna be me,” she said.

“And you wanna be me,” I said. “But we’re not.”

“Dammit, Ravyn,” she said.

“Dammit, Renee,” I answered. (356)

Ravynscroft is nearly five hundred pages which is considerably longer than Edgar’s first novel. From page one Edgar carefully rounds out his characters and crafts his story with little gems of wisdom, wit, humor, balancing out the sadness and loneliness the protagonist shows in her journey of moving on, growing, and becoming even better for it.  A journey that many of us can relate to.

*

Richard Edgar is a retired scientist living in the Denver area who writes a variety of speculative fiction. He got his start, writing under the pseudonym Ana George, in the writing contests right here at Toasted Cheese. He hung around long enough to be drafted as an editor, under the handle Broker and he is still hosting weekly writing chats and writing articles on the craft of writing. In 2003 he became interested in writing longer fiction, and got involved in National Novel Writing Month, where the goal was to write a fifty thousand-word novel in its entirety within the month of November. After multiple attempts, some successful, a few readable stories emerged, including the recently published Necessary Lies and Ravynscroft.

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Shelley Carpenter is TC’s Reviews Editor. Email: reviews[at]toasted-cheese.com

Necessary Lies By Richard Edgar

Candle-ends
Shelley Carpenter


Necessary Lies by Richard Edgar

Necessary Lies (2018) by Richard Edgar is a timely LGBTQ novel that addresses the allusion in the title concerning a global lack of diversity and acceptance. The novel is told mostly in dialogue form with shifting first person characters in a constant and purposeful panoramic flashback structure. It also holds an interesting posse of quirky characters that Edgar calls “the misfits” who are high school outliers from back in the day that evolve collectively into the modern day protagonists in the story.

The premise of Necessary Lies is biological. It is a science fiction fantasy that dabbles with the ethics of genetic parenting. It leads the reader deeper down a muddy and somewhat murky rabbit hole to the 1990s and early 2000s popular culture known for its discrimination and uncivil behavior toward a specific group of people living nontraditional lives: the LGBTQ population (lesbian, gay, bisexual, transgender, and queer or questioning).

One of the main characters, Sarah, speaks to this when she says, “We are a family of secrets, we tell the truth except when we don’t.”

The story begins in 2014 and indeed reflects this idea. Edgar dangles a mystery at the beginning and cleverly uses a teenage character, Miranda, to share her gay parents’ stories as well as her own thoughts on the subject of being different. Miranda says, “Sure, we were the only gay people in the school, and that was so weird that nobody knew what to say to us, so pretty much nobody said anything.”

It was a time when there were few if any ungendered public bathrooms in the U.S. and people were just beginning to ask the question: What are your pronouns? And coming out wouldn’t get you killed although it might still get you beat up or fired. There are moments of dialogue that grapple with the inequity and cruelty of being an outlier and other moments when the prose is so clearly in the character’s head in a stream of consciousness style of writing of inner dialogue which is the main voice for several characters. Edgar hits it out of the park.

The character Sarah has another great quote that is repeated in the story several times: “Work hard, do your homework, cheat a little when you have to.” It is more than a cute tag line but a credo that these characters live by.

Other characters walk the gender line. Sarah’s wife, Lia, comments about a seven-year-old boy named Doug who has a playdate with their daughter, Susie:

I try to do what transpeople ask, I mean, some of my best friends… Aaaand that sounded horrible. I have to say I was devoutly hoping this was a phase Susie would grow out of for our convenience more than for anything in her own psyche. And for Doug, well boys who want to be girls get the snot beat out of them, more often than not. Which is sad, but if he’s really transgendered and knows it at age seven, it’s a hard life he has cut out for him. I hope his family is supportive.

Among the many misfit characters is Mo, a transgender person who I think is one of the best written characters in the novel. Mo talks about herself and her trans friend, Cris, in a funny and sad, down-to-earth way:

Cris and I are kind of like peas in a pod, except we’re complete opposites. When we were in high school, Cris was a girl and I was a boy. Then I was a man for a while. Now I’m a woman. Is Marine a gender? I was that for a while, too. Now, I’m a vet. Cris gave up on femininity, and I think that if men and women can’t understand each other, M2F and F2M transpeople have even less chance. But Cris is more F2X or something. Anything not female, he says. Not male either, she says.

The shifting points of view indeed give Necessary Lies a real panoramic viewpoint as each character reveals something more. And by the way, Mo turns out to be a major player. Edgar’s story is a coming of age and coming out story wrapped up in a great big multicultural rainbow ribbon. The characters come and go quite literally and return with a vengeance in a showdown worthy of old Hollywood.

*

Richard Edgar is a scientist living in Boston, writing a variety of speculative fiction. He got his start, writing under the pseudonym Ana George, in the writing contests right here at Toasted Cheese. He hung around long enough to be drafted as an editor, under the handle Broker and he is still hosting weekly writing chats and writing articles on the craft of writing. In 2003 he became interested in writing longer fiction, and got involved in National Novel Writing Month, where the goal was to write a fifty thousand-word novel in its entirety within the month of November. After multiple attempts, some successful, a few readable stories emerged, including the recently published Necessary Lies.

pencil

Shelley Carpenter is TC’s Reviews Editor. Email: harpspeed[at]toasted-cheese.com