Three Cheers and a Tiger ~ Silver
Cayce Osborne
Diary of Prue Klatter
March 15, 1952 (aka my 30th birthday)
Lawrence, Kansas
They told me to beware. I mean, not in so many words. That’s not how these things work. I’ve only worked for the FBI six months, but I’ve learned that much.
The voice on the tape actually said: “If you’re hearing this, you’re in danger. If I had another way…” The next words were lost underneath a noise, something familiar. “I need your help, you’re the only one I can tell. I saw something I shouldn’t—”
The recording cut out.
Usually, the tapes I transcribe are boring. I know I’ve gushed about my job on these pages and at first it seemed like a dream, but every day is the same: I sit at my desk in a long row of other transcribers. Lawrence is the central facility, so tapes are sent by agents in the field, from all over the country, then distributed among us girls in the dictation pool.
All we get to hear are snippets. Sometimes I’ll get a tape marked 2/3 and my friend Laurel, who sits next door, will get 1/3, and neither of us ever gets to see 3/3. I try to get details out of her on our walk home sometimes, to fill in the holes, but she likes to “leave work at work.”
I can keep my mind from wandering by piecing together clues. Each tape is marked with an alphanumeric code to match the agent who is speaking and the field office he is working out of, to the case. And yes, it’s always a he. No girls allowed in Eddie Hoover’s clubhouse.
That’s how I knew today’s tape was special: the voice being piped into my ears through my headphones belonged to a woman.
I must’ve listened to her fifty times. Until the floor matron noticed I wasn’t typing and scolded me. I started clacking randomly at my typewriter keys, the purple mimeo ink recording my gibberish onto the duplicate pages. It looked enough like work, I could concentrate on the voice and what had interrupted it.
I knew that sound.
I just needed to figure out how.
Tuna fish. That’s what I was eating when it came to me. I’d made my tuna salad too wet, and it’d sogged the bread something terrible. Chewing it, there was a nauseating chomp and slosh sound. Laurel glared at me so hard her cat-eye glasses slipped down her nose. I tried to chew quieter. She slid farther down the lunch table bench.
The sound was almost a slosh and swish, like the sound the SuperMat laundromat makes. I walk by it each night on my way home from work, so I hear it a lot. That’s what was on the tape: a symphony of washing machines, overlaid with some sort of long, high whistle.
“What’s got you so moony?” Laurel asked.
“I’m not,” I mumbled, swallowing the last of the tuna fish.
“You still sore about tonight?”
We’d planned my birthday celebration at The Flamingo Club weeks ago, but her cousins decided to come to town so dinner was off. I haven’t had the heart to write about it, which is why I’ve been lax in my diary entries. I’m over it now, mostly. Thirty isn’t such a big deal. Certainly not compared to whatever the woman on my tape got herself into.
“It’s not that. It’s the case I’m transcribing. You ever hear something that’s made you… worry, or need to know more?”
She fought back a smile. I thought she was laughing at me.
“So-and-so went to this address at this time and was driving this make of car? No way. It’s all so dullsville! I know you want to be an agent someday, but me? I’d rather marry one of those men than be one.” She finished drinking her coffee. “Something good on your tapes today?”
She slid back down the bench. Humoring me, only asking because she knows I like to follow the cases on my tapes. But if there was a reason to beware, I didn’t want to say too much. I also wanted to keep the intrigue to myself a bit longer. Laurel would talk me into flagging it for supervisor review, as we were trained to do with unusual recordings.
I waited for a group of other girls to pass before answering. “No, nothing good.”
Laurel didn’t seem put off by my lie. She patted my hand, wished me happy returns, and went to wash up before lunch hour was over. I hurried back to my desk and pulled out the slim notebook I’d taped to the underside. That’s where I note the alphanumeric codes I’ve managed to decipher.
P24 at the beginning of a code means the tape came from the Philadelphia field office, for instance. I discovered this when local landmarks were referenced on recordings all marked P24. When I recognize recurring voices, I can tie agents to the cities I’ve already identified. I don’t know them by name, of course, only by code. I hide my discoveries using a simple substitution cipher (the same one I use in this diary, actually) in case anyone finds my notes.
I thought if I could match the ID code on the mysterious tape to one of the agents or field offices I’ve already identified, I’d be closer to figuring out the rest. After the floor matron passed my desk, I examined the code inked on the tape’s label: S38-BV93.
I’d noted in my book S38 was the code for the Seattle office. BV93 was not an agent I’d been able to place. But the city was a start. I looked up to see Laurel watching me. Pretending to need a new sheet of paper, I leaned down to my desk drawer and slid the notebook back into hiding.
When afternoon break came, instead of meeting Laurel at the coffee pot as usual I ran to the pay phone across the street, scrounging in my purse for a nickel. By the time I got my sister on the line, half my break was over.
“Susan! I need your help. Does the Lawrence Library have any Seattle telephone directories? I need to know if there are laundromats near the Seattle train station.” I waited while she put me on hold, left the circulation desk, ran to the stacks, and returned with the answer.
“There are two within a mile.” She rattled off their addresses, breathless. “Are you going to tell me wh—”
I hung up before she could finish, hurrying back to my desk.
“Bad tuna fish,” I told the matron when I returned late. I tried to look nauseous. I almost was, but with excitement.
When the five o’clock bell sounded, I looked for Laurel to excuse myself from our usual walk home, but she’d already left. I went to the corner store for change and then to the phone booth, not wanting to make my calls from home. (As I’ve noted many times in these pages, Ms. Rainey who runs my boarding house has trouble minding her own business. Thankfully, she hasn’t the sense to understand my cipher.)
The first call was answered right away, by an elderly woman with a creaky voice. I engaged in some light conversation until I was satisfied it wasn’t the laundromat from my tape. The machines in the background were too whiny, like they needed a tune-up. The next call was a failure as well. When the train whistle blew, it was deafening, masking the sound of the machines.
I gave myself a pep talk on the walk home. Real investigative work isn’t easy: lots of footwork, lots of phone work, lots of… work. If I ever want to become an agent, I need to make peace with that. Before leaving work, I’d stuffed the tape back down to the bottom of my stack so I’d have more time with it. There must be other clues, and I was determined to find them.
As my resolve rehardened, the SuperMat came into view. Maybe I’d just stop in, I thought, to see if being there jiggled any inspiration loose. It was silent inside as I tugged the door open, no customers in view. The minute my feet hit the linoleum, life exploded. Laurel and the other girls from the dictation pool. My sister Susan. A few friends from high school. My parents, for heaven’s sake! They all jumped from behind the washing machines, tossing streamers and confetti my way.
“Happy Birthday!” they called in unison.
The B&L coal train, which passed through town twice a week, whistled in the distance as if it too wished me well.
Cayce Osborne is a writer and graphic designer from Madison, WI. She currently works in science communication at the Wisconsin Initiative for Science Literacy at the University of Wisconsin-Madison. She has been a staff writer at Brava Magazine, and her fiction has been published in Exposition Review and the Dread Naught but Time short story anthology from Scribes Divided Publishing. She also collects her work on her website. Email: cayce.osborne[at]gmail.com